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This encyclopedia on Haydn's life, works, and influence could provide the basis for a Hollywood biopic on the composer, whose music-along with Mozart's and Beethoven's-defines an era. Jones (music, Univ. of Wales) presents more than 900 authoritative, accessible articles by 41 contributors on the surroundings (Eszterh za, Vienna), people (family, teachers, composers, performers, patrons), in-the-air ideas (Josephinism, Freemasonry), and musical genres (mass, quartet, symphony) that informed the composer, along with entries on his compositions and the long-range influence of his inventions (on everything from Brahms to the name of a pastry). Within an article, a word may be printed in small capital letters, indicating that it has a separate entry. Two useful appendixes list Haydn's works (with nicknames-Surprise!-and a key to how the works are listed in New Grove) and give text incipits to vocal works cross-referenced to the Hoboken catalog. Though an index would have been preferable, a "Thematic Overview" helps locate entries of like nature, e.g., "Catalogues, Diaries and Iconography" (five entries), "Structures and Style [of Haydn's music]" (ten entries), and "Performers" (53 entries). The front matter also includes family trees and a map of Haydn's world. Formatted much like the first entry in this series (on Bach), this is indeed the first encyclopedia on the composer, and it is highly recommended for all devotees of Western concert music and their libraries.
Bonnie Jo Dopp, Univ. of Maryland Libs., College Park
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Similar in format to the Oxford Composer Companions book on J. S. Bach (1999), this well-planned, scholarly encyclopedia is a comprehensive and informative reference source on the life, music, and times of the prolific and influential eighteenth-century composer of classical music.
A "Thematic Overview" listing the book's entries under broad topics and then subdivided by specific subjects related to Haydn helps readers focus on the areas of knowledge they are researching (e.g., biography; composers; family, friends, and acquaintances; cities, towns, and villages; individual musical works). This is followed by a Haydn family genealogical chart and a sketchy map of Europe and England. The main body of the encyclopedia consists of almost 1,000 alphabetically arranged entries related to Haydn's life, music, and historical era. Each entry is followed by the initials of the author, whose full name can be determined by referring to a list of contributors located at the beginning of the book. Many entries also cite one or two sources used in the preparation of the entry. In addition, there are several megaentries that give in-depth treatment to subjects like Haydn's life, his compositional method, the keyboard sonata, and the symphony.
Appendixes include a list of Haydn's works in chart format, noting details like instruments scored for, musical key, date, and Hoboken number as well as a chart of "text incipits" noting movements in Haydn's vocal music cross-referenced to the Hoboken catalogue. There is unfortunately no index, which would help readers identify specific subjects within the text of entries.
This reference source provides comprehensive and accurate information similar to that found in the 100-page article on Haydn in The New Grove Dictionary of Music and Musicians (2d ed, Groves, 2001). It is most useful as a complement to The New Grove Dictionary in academic libraries supporting graduate-level programs in music and in large public libraries. RBB
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.