From Publishers Weekly
Starred Review. Fitch follows her bestselling debut,
White Oleander, by revisiting the insidious effects of a powerful, narcissistic mother on an only child. Michael Faraday is a Harvard dropout who paints in the L.A. art world of 1981; his suicide happens a few pages in, and sets the stage for a Fitch's masterful shifts in time and perspective. Josie Tyrell, an artist's model and denizen of the punk rock, had an intense relationship with Michael, but never managed to free him from his mother, renowned concert pianist Meredith Loewy, who moves in a bleak, loveless world of wealth and privilege. Yet their very different loves for Michael bring about a surprising alliance between the imperious Meredith and Josie, a white trash escapee whose inborn grace, style and sense of self sustain her—along with art, music and alcohol. The two find unexpected comfort in each other's shared loss, allowing Fitch to contrast the inner and outer resources of women whose lives couldn't be more different, and to flash back deeply into their histories. Fitch excels at painting a negative personality with sure-handed depth and fairness, and her prose penetrates the inner lives of the two with immediacy and bite. In Josie, she has created an indomitable young woman whose pluck and growing self-awareness beautifully offset Meredith's emptiness. Their relationship transforms a big cliché—the artist's suicide—into a page-turning psychodrama.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Set in 1980s Los Angeles, Fitch's follow-up to the Oprah selection
White Oleander (1999) opens with Josie Tyrell receiving a devastating call informing her that the body of her boyfriend, Michael Faraday, has been found in a hotel room. Josie can't understand why Michael would take his own life; in her eyes, their relationship had been perfect. Michael's wealthy mother, Meredith, a concert pianist, believes the blame for her son's death rests on his lower-class, art-model girlfriend. She chases Josie from the funeral, then seeks her out days later, helplessly drawn to the last person her son was close to. Josie resents Meredith's disdain, but is similarly curious about the woman who raised Michael. An unlikely pair, Josie and Meredith circle each other warily until Meredith decides to remake Josie in her image, possibly at the expense of Josie's identity. Layered and piercing, Fitch's second outing explores the many levels of grief and sets up an unexpected recovery in a tale certain to please Fitch's countless fans.
Kristine HuntleyCopyright © American Library Association. All rights reserved