Product Details
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| Disc: 1 | |||
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| 1. Ten Little Indians | |||
| 2. 1941 | |||
| 3. Cuddly Toy | |||
| 4. She Sang Hyms Out Of Tune | |||
| 5. You Can't Do That | |||
| 6. Sleep Late, My Lady Friend | |||
| 7. She's Leaving Home | |||
| 8. There Will Never Be | |||
| 9. Without Her | |||
| 10. Freckles | |||
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| Disc: 2 | |||
| 1. Introduction | |||
| 2. 1941 (Slowed Down Track & Remixed) | |||
| 3. Daddy's Song (New Vocals, Guitar/Piano/Out Of Sync) | |||
| 4. Mr. Richland's Fav. Song (New Background Vocals & Remixed) | |||
| 5. Good Old Desk (Slowed Down Track & Remixed) | |||
| 6. Everybody's Talkin' (Dumped Second Voice & Remixed) | |||
| 7. Bath (Re-Eq'd Original Tracks) | |||
| 8. Fill | |||
| 9. River Deep - Mountain High (New Vocals & Remixed) | |||
| 10. Sleep Late, My Lady Friend (Remixed) | |||
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The "Pandemonium Shadow Show" album is a 1967 charmer, introducing Nilsson's unique and brilliant singing/songwriting talents. It features classics like "1941" and "Without Her". It could be accused of being overly in the thrall of the Beatles, but that would be to deny the charm of "You Can't Do That", which manages to cram much of the Beatles stylistic repertoire into one arrangement. At least he's wearing it on his sleeve. This playfulness remained one of Nilsson's many endearing characteristics.
The "Aerial Ballet" album is a real revelation; an achievement on equal terms with the Beatles, rather than standing in their shadow. With only one non-original song on the album ("Everybody's Talkin'", the one Nilsson song I guess everyone's familiar with), the strength of the songwriting ("Good Old Desk", "I Said Goodbye To Me", "One", etc) would stand alone even without the often breathtaking vocal performances. Most of the songs dissolve into Nilsson's inimitable "scat" vocalising in the final verse, which adds a level of poignancy and poetry beyond language. Running out of lyrics was an opportunity for such a talent! The vocal multilayering is very effective, and, I guess, technically advanced for its time.
The "Aerial Pandemonium Ballet" remix album is an interesting addition for the sake of completion. It was more successful saleswise than the original two albums, but I find myself sticking more with the original versions of the songs.
The bonus tracks are all very worthwhile, particularly the spine-tingling "Wasting My Time".
The sound quality appears to be fine, although I have my doubts about the "remastering" on these BMG reissues. I have nothing to compare "PSS" and "AB" to, but the reissue of "The Point" (double with "Skidoo") sounds markedly inferior to my original CD of that album.
Now, speaking of reissues, what about the post "Pussycats" albums?
The "Pandemonium Shadow Show" album is a 1967 charmer, introducing Nilsson's unique and brilliant singing/songwriting talents. It features classics like "1941" and "Without Her". It could be accused of being overly in the thrall of the Beatles, but that would be to deny the charm of "You Can't Do That", which manages to cram much of the Beatles stylistic repertoire into one arrangement. At least he's wearing it on his sleeve. This playfulness remained one of Nilsson's many endearing characteristics.
The "Aerial Ballet" album is a real revelation; an achievement on equal terms with the Beatles, rather than standing in their shadow. With only one non-original song on the album ("Everybody's Talkin'", the one Nilsson song I guess everyone's familiar with), the strength of the songwriting ("Good Old Desk", "I Said Goodbye To Me", "One", etc) would stand alone even without the often breathtaking vocal performances. Most of the songs dissolve into Nilsson's inimitable "scat" vocalising in the final verse, which adds a level of poignancy and poetry beyond language. Running out of lyrics was an opportunity for such a talent! The vocal multilayering is very effective, and, I guess, technically advanced for its time.
The "Aerial Pandemonium Ballet" remix album is an interesting addition for the sake of completion. It was more successful saleswise than the original two albums, but I find myself sticking more with the original versions of the songs.
The bonus tracks are all very worthwhile, particularly the spine-tingling "Wasting My Time".
The sound quality appears to be fine, although I have my doubts about the "remastering" on these BMG reissues. I have nothing to compare "PSS" and "AB" to, but the reissue of "The Point" (double with "Skidoo") sounds markedly inferior to my original CD of that album.
Now, speaking of reissues, what about the post "Pussycats" albums?
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