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Parrot & Olivier in America Audio CD – Apr 1 2010


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--This text refers to the Hardcover edition.

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Product Details

  • Audio CD
  • Publisher: Blackstone Audiobooks; Unabridged edition (April 1 2010)
  • Language: English
  • ISBN-10: 1441729755
  • ISBN-13: 978-1441729750
  • Product Dimensions: 16 x 18 x 4.8 cm
  • Shipping Weight: 431 g
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)

Product Description

Review

“Carey has twice won the Man Booker Prize and by all rights should be nominated for a third for Parrot and Olivier in America, a novel as big and bold as the country itself. This work showcases Carey at his finest, bringing together all his considerable strengths and obsessions . . . Carey [is] a sheer magician with language . . . He delivers a riot of unexpected plot twists and pleasures . . . An utter tour de force . . . Columbus might have discovered America, but with this new novel, Carey gives us the thrill of discovering his adopted home—our adopted home—all over again.”
Miami Herald

“Another feat of acrobatic ventriloquism, joining Carey’s masterpieces, Jack Maggs and True History of the Kelly Gang . . . Carey’s most marvelous invention is Tocqueville’s traveling companion, Parrot . . . It’s a brilliant alteration of history and a source of rich comedy . . . Outrageous and witty.” 
 —Ron Charles, Washington Post
 
Parrot and Olivier is amusing and wise and graceful to a degree that we almost don’t deserve.”
—Laura Miller, Salon
 
“Peter Carey re-imagines Alexis de Tocqueville’s American journey with a verve that is nothing short of captivating. Parrot and Olivier is a rollicking debate about America and its opportunities, its society and class distinctions. Carey’s characters and landscapes breathe, resulting in a work that one hates to see come to an end . . . It is one timely work of historical fiction.”
Denver Post
 
“Carey is as various, often as brilliant, and always as irreverent as they come . . . Mischievous but with a serious underlay.”
Richard Eder, Boston Globe
 
“Carey braids his story carefully, lovingly. It has all his telltale favorite elements—lawlessness, revolution, hope for the future, men driven by passion. At its heart, Parrot and Olivier is a western; the simplest story in history, sculpted down to a twinkle in a philosopher's eye: Man’s search for freedom.”
Los Angeles Times

“Sentence for sentence, Carey’s writing remains matchlessly robust.”
—New York Times Book Review

This is an exuberant, entertaining, incisive novel, full of attitude and incident, about ‘the great lava flow of democracy’ . . . My favorite Peter Carey book has been Jack Maggs. Now, with his bracing and often hilarious new novel, Parrot and Olivier in America, my favorite has a rival.”
Dallas Morning News
 
“This masterful novel manages to be focused and intimate . . . The entertaining friction between his two alternating narrators that make this one of Carey’s best.”
Time Out New York

“Peter Carey is a wily seducer, a mental acrobat who can bound across continents and centuries and make us believe in whatever world he has discovered and imagined. Parrot and Olivier transports us to the rough-and-tumble America of 1830, and it’s possibly the most charming and engaging novel this demon of a story-teller has yet written. His prose has never been more buoyant, more vigorous, more musical. Open this book and listen to Peter Carey sing.”  
 —Paul Auster
 
“Peter Carey’s latest imaginative and commanding tale [is] a thrillingly fresh and incisive drama of extraordinary personalities set during a time of world-altering vision and action . . . His transfixing novels are at once sharply funny and profoundly resonant . . . Brilliant.”
 —Donna Seaman, Booklist, starred
 
“I have been reading with astonishment and envy Parrot and Olivier in America . . . Carey is a writer I prize not only for his remarkable Dickensian plots but also for the brilliance of his style . . . He is the most exuberant stylist at work in English today.”
 —Edmund White, Daily Telegraph (UK)
 
“One of those comic masterpieces that seems effortless while making you realize that Carey writes some of the best sentences in English.”
 —Tom Sleigh, New Yorker .com --This text refers to the Hardcover edition.

About the Author

Peter Carey is the author of ten previous novels and has twice received the Booker Prize. His other honors include the Commonwealth Writers’ Prize and the Miles Franklin Literary Award. Born in Australia, he has lived in New York City for twenty years. --This text refers to the Hardcover edition.

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Customer Reviews

4.2 out of 5 stars
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Most helpful customer reviews

5 of 5 people found the following review helpful By Jennifer Cameron-Smith TOP 50 REVIEWER on Aug. 26 2010
Format: Hardcover
The novel opens in France where sickly, sensitive Olivier de Garmont and the remnants of his aristocratic family have survived the Revolution and the Terror of 1793, and are surviving the Bonaparte regime in their chateau in Normandy. The restoration of the monarchy brings no joy to Olivier's family, and his family decides to send him to America - ostensibly to study prison reform.

Parrot, considerably older than Olivier, is the son of an itinerant English printer. Olivier and Parrot are brought together by the mysterious one-armed Marquis de Tilbot whose presence looms large across the novel. When Olivier sets sail for America, Parrot accompanies him as both protector and spy.

The narrative shifts between the perspectives of Parrot and Olivier, covering both their adventures together and their separate lives. This enables the introduction and exploration of a number of different themes in the novel: including love, politics and ambition. I especially enjoyed the differing views of democracy:
`In a democracy, it seemed, one could not go against a servant's will.' (Olivier)
`I read Tom Paine by candlelight, but for 18 hours a day I was a vassal.' (Parrot)

Olivier is trapped by his past, caught between his aristocratic past and a brash new world where equality means dealing with people of different classes and station in life as though they are equals. Olivier is never really comfortable in America, although when he falls in love with an American heiress he sees some possibilities. Parrot, on the other hand, has already experienced much in his life and is more flexible in his approach to opportunities. It is Parrot's narrative that particularly enriches the story because it enlarges the world beyond that of the myopic Olivier.
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3 of 3 people found the following review helpful By Rodge TOP 50 REVIEWER on Nov. 30 2010
Format: Hardcover
I haven't read a genuinely skillful writer like this in a long time. Or maybe I just have old-school tastes, I don't know. Anyway, chalk this book up as a literary work that isn't hard to read through. And it's not even that plot-driven, when it comes down to it. It's really driven by the relationship between 2 characters in a strange place who don't have much in common. And yet they grow to understand each other more and more as the novel progresses. It is a funny book, mostly in a tongue-in-cheek manner. And you never know what's going to happen next, but you know its going to be good.

Did I mention that it's written very well?
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2 of 2 people found the following review helpful By Vlad Thelad TOP 500 REVIEWER on March 10 2011
Format: Paperback Verified Purchase
The ripples of the revolutions of the last quarter of the eighteenth century have not settled yet, as the author takes us into the third decade of the nineteenth. Two unlikely partners navigate the reshaping societies of Europe and America, and through their turmoil and adjustments, find their places. Carey allows his two protagonists to tell us their stories, capturing in their voices the complexities of the changing worlds. It is a delightful book, rich in its language, and yet sensuous and funny at the same time. It is a worthy finalist of the 2010 Booker prize.
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By Paolo TOP 1000 REVIEWER on Aug. 13 2011
Format: Hardcover
Parrot is the son of a journeyman printer and apprentice engraver whose master, Mr Watkins, appears to die in a fire set by the owner of a publishing house on the discovery by local officials that the particular skills of Watkins have been used in producing forged currency, a crime punishable by death. On the run he meets a one-armed Frenchman, the enigmatic and mysterious Tilbot, in whose services he travels first to Australia, then to France and finally to America to provide assistance to Olivier.

Olivier is essentially a re-imagining of the life of Alexis de Tocqueville, the son of a noble family who managed to avoid the guillotine during the reign of terror. On finding himself snubbed as the Bourbons return to the throne following the July Revolution, Olivier's father fears for his son's safety and so with Tilbot's help Olivier's mother arranges for him to travel to America ostensibly on behalf of the French government to undertake a survey of the American Penal system but what he writes is a book on the people and institutions of the budding democracy.

If any of this sounds complicated then I can assure you that this is very much a simplification of what is a sometimes irritatingly convoluted book. The narrative goes back and forwards between the two main protagonist as the old world invades the new and there are some very telling judgements made on the culture, political institutions and the nature and social etiquette of the people of the new democracy and as an Englishman living in Canada it has made think a lot about the differences of living in a nation that still has some notions of aristocratic entitlement as compared with a nation when essentially anyone can reach the heights that come with public office, especially when one has money to grease the wheels.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 117 reviews
177 of 182 people found the following review helpful
A FINE COMIC NOVEL THAT IS A RIFF ON TOCQUEVILLE IN AMERICA March 30 2010
By David Keymer - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
This exceptionally well written and consistently enjoyable novel succeeds both as a novel of manners and a novel of ideas. It's an extended riff on Tocqueville -not that Carey, an author of great discernment, has done anything so crude as to fictionalize Tocqueville's and his friend and associate Beaumont's epoch-making journey to America in 1831, a journey that resulted in the most insightful book about that young republic ever to appear, a book that is still a treasure hoard of insights into our country's mores and foibles even today. No! Rather Carey has created two comic but intensely, consistently human characters, and let them roam over our young country while he marks down their reactions to what they encounter.

Olivier is Olivier Jean-Baptiste de Clarel de Barfleur, born to a centuries-old family of the high nobility in France. Unfortunately, it is a France that no longer exists, and Olivier's loyalty to the new state is suspect. It is safer, more circumspect, for O. to disappear for a while. A fact-finding expedition to the United States, to examine New World prison systems, offers the perfect excuse. O.'s mama' is worried, though. She doesn't want her darling little boy to fall prey to some New World harpy. Parrot -Perroquet -is dragooned into going along as Olivier's secretary and servant, and as O's mother's spy on her son. Parrot is English, and no aristocrat -no, far from it! He knows his birth name -John Larrit--but isn't certain when or where he was born. His father, an itinerant printer who is eventually transported for forgery, quoted Rousseau to his son very early and Parrot starts the journey with nothing but disdain for his noble master.

Over time they become more than friends, in a friendship between two men who could not be more different -in their looks, dress, sensibilities and affections, and prejudices. Although Olivier tries to admire America -at one point, he even proposes marriage to an American beauty--he cannot shake his disdain of men's commonness in this raw country and he is fearful of what America will become in little time. For Parrot, America offers a new beginning: his dreadful past counts for nothing in this grand open land. And that is one of the many excellences of this truly exceptional popular novel: Carey uses his two narrators, O. and P., to voice disparate and sometimes conflicting views of the New World, and he doesn't load the case for one view or the other. Because what both men say about the new country they are observing is true: Andrew Jackson's America is raw; money rules all; only the thinnest veneer of culture exists even in the highest ranks of society; and on and on the observations go. Americans then, as now, were a problematic people, hard to encapsulate in one simple truism.

Carey, who has won two Booker Prizes in the past, is a consummate word worker. The descriptions in this book are apt and powerful. The captain of the ship that carries O. and P. to the States "was as hard and scrawny as a piece of rope. He had rheumy squinting eyes, a tobacco-stained mustache, a rum drinker's nose, and absolutely no arse at all. But his fingers were large and white and soft, made for the dark and secret places of a sailor's life." Olivier reminiscences about an Normandy "when the air was rich with summer hay and the orchard fruit lay amongst the grass, rich rotten peaches, bees crawling the blossoms, wax melting, honey dripping from the beehive frames."

O.'s final judgment on this strange new country he has tried to adjust to but failed is "this democracy. It is a truly lovely flower, a tiny tender fruit, but it will not ripen well. ... I tried to love it. I could not." "Poor devil," thinks Parrot. "Is it not obvious to him that the people are making their own future very well? . . . America is new." Earlier P. reflects that America is a country "whose people have more stages in their lives than caterpillars."

One final comment: Parrot sees himself as a failed artist: he is good with line as an engraver's son might be expected to be but sees no subtlety in what he limns. His `wife" Mathilde, on the other hand, is an exceptional artist, whose paintings glow with a light of their own, beneath the surface of skin and woods and object. There is a great deal of talking about art in this book, mostly but not solely when Parrot is the narrator. There is also a succinct judgment of the paintings of Thomas Cole that is as to the point as anything I have come across. Carey writes with a painter's eye, and that is one of many reasons that this fine book deserves the widest possible reading audience.
54 of 58 people found the following review helpful
Unreliable narrators Feb. 14 2010
By Jon - Published on Amazon.com
Format: Paperback
Peter Carey has always been a master at the unreliable narrator and in Parrot and Olivier we are treated to two of the them, alternating chapters and versions of the truth. Olivier is a spoilt young French aristocrat who is sent abroad to save his skin at the time of the 1830 revolution. His unwilling servant is Parrot who has far more practical commonsense than his master but has been sorely abused by dubious French aristocrats before. Both of the damaged heroes are searching for love and respect and to varying degrees they find it, though in both cases their long term happiness is in doubt. At least one of our narrators has a genuine historical counterpart, and other characters we meet have a passing resemblance to real people. However, Carey, as usual, has his way of subverting history, while at the same time he raising issues about the relationship between the New and Old Worlds, and the ways that they are governed . Don't expect Henry James, do expect Peter Carey on top form.
66 of 73 people found the following review helpful
Reader in Limbo Nov. 13 2010
By David Cady - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
I haven't read many of Peter Carey's books, but have enjoyed tremendously those I have. "Jack Maggs" was a clever, pitch-perfect reworking of Dickens' "Great Expectations," and "True History of the Kelly Gang," for which he won his second Booker Prize, brilliantly chronicled the life of Australia's Billy the Kid. I was so looking forward to his take on post-Revolutionary France and America, confident that it would be a colorful, evocative ride. And while the novel certainly evoked the early 1800s in meticulous and rich detail, it was also a dense, overly written bore. I simply could not get into this book, no matter how hard I tried. Carey's inspiration, Alexis de Tocqueville's "Democracy in America," obviously means a great deal to him, but he didn't find a way to successfully share the "why" of that with this reader. In his acknowledgements he writes that the piece "may not suit everyone," and that his personal reading list -- which he used, in part, as research, and is available on his web site -- may be "interesting to literary mechanics and other specialists [but] absolutely no use to anyone else." And therein lies the problem, I think, with "Parrot and Olivier...": it's an exercise rather than a story, a literary hat trick rather than an engaging entertainment. But as this and "C," another book I couldn't fathom, were both short-listed for this year's Booker, perhaps I'm just a literary nitwit. Regardless, if today's "literature" is this impenetrable and dull, I want no part of it.
22 of 24 people found the following review helpful
Servant and Aristocrat Address 1830's America March 23 2010
By Ethan Cooper - Published on Amazon.com
Format: Paperback
Olivier de Garmont, a 25 year-old French nobleman whose grandfather was guillotined during the 1789 revolution, is drugged by the Marquis de Tilbot, a close friend of Olivier's monarchist mother, and shanghaied to America. There, he is safe from the excesses of the 1830 July Revolution while he works as representative of the French government, investigating the American penal system. At the same time, Parrot, Tilbot's servant, agrees to accompany Olivier to America, where he is supposed to function as Olivier's protector and secretary, as well as a spy for his hovering mother. In PARROT AND OLIVIER IN AMERICA (PaOiA), Peter Carey examines how opportunity and democracy in Jacksonian America affect the cultured and charmingly observant Olivier and the capable Parrot, who is the equivalent of the modern-day personal assistant.

Peter Carey has based Olivier on Alexis de Tocqueville. In fact, Carey emphasizes on his website that he has threaded Olivier's commentary with excerpts from "Democracy in America," de Tocqueville's masterpiece. Olivier is a great character. He is a French aristocrat, fleeing democracy in his own country but fascinated by its operation in America; a highly cultured Frenchman, who is sometimes hilariously snobbish about American culture and cooking; and a young bachelor who falls in love with Amelia, a natural aristocrat and the daughter of a wealthy Connecticut farmer. Ultimately, Olivier must decide: Can a man with his background and values assimilate in democratic America?

Meanwhile, Parrot, whose real name is John Larritt, arrives in America without a good working relationship with Olivier, his boss. In his long association with Tilbot, Larritt has become skilled in art appraisal and the art business. But, he can serve no equivalent function for Olivier, who simply wants a servant and secretary. In America, Larritt is faced with the challenge of personal reinvention and must ultimately determine if and how America can suit his and his wife's talents.

In telling the story of Parrot and Olivier, Carey uses many narrative devices and issues that exist elsewhere in his oeuvre. This, for example, is my fourth Carey book that features a book within a book. (The others were Jack Maggs: A Novel, True History of the Kelly Gang: A Novel, and My Life as a Fake). Meanwhile, themes in PaOiA that are prominent in other Carey novels include fraternal tension and responsibility, absent fathers, fraudulent behavior by artists (Theft), and the mysterious power of love (His Illegal Self (Vintage International)). Similar to other Carey novels, PaOiA also has an abundance of sympathetic characters and writing that is brisk and sometimes amazingly lyrical.

Even so, I'd rate PaOiA a notch below Carey's other work. In part, I'd attribute this to the highly coincidental events featuring the character O'Hara, which serve to reunite Parrot and Olivier. I wonder: Are these events a direct reference to de Tocqueville's actual experiences in New York? And, even if they are, why are they necessary?

Also, I'd say that the critical relationships in this novel are men to women--that is, Parrot to Mathilde and Olivier to Amelia. In contrast, the relation between Parrot and Olivier, which gets lots of space, was primarily economic and functional. That's certainly okay. But I think Carey strived, but failed, to make that relationship mean more.

Marked up to four stars.
22 of 25 people found the following review helpful
Well written, but ultimately unsympathetic June 22 2010
By Janet Perry - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
While Carey is a gifted writer, I think this book is ultimately and fundamentally flawed. It starts and ends with his plan to have the book told by the two main characters in alternating chapters. Carey changes the voices with ease, but each of them writes in the first person, so that the whole book tends to be confusing. Because the two narrators have similar writing styles, no doubt intended, that makes it even more confusing.

In addition, I didn't find either of the characters particularly sympathetic, so that I was not able to drum up much interest in their stories. Switching from one to the other constantly didn't help this either.

In the end, while I appreciated Carey's style, I was left feeling as if we never found out the end of Olivier's story (although Parrot's was resolved nicely) and that, to me, was unsatisfying.

Between the two voices, the unsympathetic characters, and the lack of resolution, I felt as if I was reading the middle of a larger book and not a complete novel.


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