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With its stunning camerawork and striking compositions, Carl Th. Dreyer's The Passion of Joan of Arc convinced the world that movies could be art. Renée Falconetti gives one of the greatest performances ever recorded on film, as the young maiden who died for God and France. Long thought to have been lost to fire, the original version was miraculously found in perfect condition in 1981-in a Norwegian mental institution. Criterion is proud to present this milestone of silent cinema in a new special edition featuring composer Richard Einhorn's Voices of Light, an original opera/oratorio inspired by the film.
Carl Dreyer's The Passion of Joan of Arc is as truly mythic as any film ever shot, its artistic achievement rivaled by its turbulent history. The focal point of controversy when released in 1928, the original film was lost for a half-century until an intact copy of Dreyer's original version was recovered in the early '80s.
Seeing Joan of Arc today remains a cinematic revelation, its approach to storytelling, set design, editing, and especially cinematography (by Rudolph Maté, who also shot Dreyer's visionary Vampyr) radical then, and still strikingly modern many decades later. Influenced by both German expressionist film and the French avant-garde, Dreyer's huge set was designed with asymmetrical doors, windows, and arches, through which Maté's camera moves along equally off-centered, even vertiginous, but fluid trajectories. Although the story is epic in its implications, the film is composed primarily of extreme close-ups, especially of Joan and her principal interrogator, Bishop Cauchon, and medium shots of small groups, often shot from low angles. Dreyer and Maté shot their cast in bright light, without makeup, giving each wrinkle, blemish, or tuft of hair sculptural detail.
For all its visual invention, however, Dreyer's film is most devastating in its central performance by Falconetti (née Renee Falconetti), a French stage actress who made her only screen appearance here--one critic Pauline Kael has suggested "may be the finest performance ever recorded on film." Through Falconetti, Joan's spiritual devotion, simple dignity, and suffering become utterly real; even without a dialogue track and only sparse inter-titles, the film achieves a fevered eloquence.
This meticulous restoration also includes composer Richard Einhorn's beautiful oratorio, Voices of Light, inspired by Dreyer's film and set to texts by women mystics from medieval and early-Renaissance Europe. A luminous work on its own, Einhorn's oratorio matches both the dramatic arcs and tremulous emotions of Dreyer's film, while its juxtaposition of choral and solo voices (with early-music vocal quartet Anonymous 4 evoking Joan herself) echoes the martyr's confrontation with the court. --Sam Sutherland --This text refers to an out of print or unavailable edition of this title.See all Product Description
Exquisite film and exquisite music. If you thought silent movies are all simplistic stories with half-baked melodramatic acting, this film will change your mind and broaden your... Read morePublished 13 months ago by Deena
This is the actual trial text of St Joan of Arc put to silent film performance in the late 1920's. Falconetti, as Joan of Arc, is Remarkable. Read morePublished 17 months ago by Arthur Schmidt
This is a silent movie that has had music added to it in the past couple of decades. Even as a silent movie it is the best movie I have ever seen. Read morePublished on April 13 2013 by Richard Cripsin
Spellbinding performance by Maria Falconetti!!! Very powerful film - beautifully directed and staged. New music soundtrack adds to the overall presentation. Read morePublished on March 10 2010 by T. Gamble
MY CURRENT RATINGS:
10/10 Movie: The Passion of Joan of Arc (1928)
The Passion of Joan of Arc (Dreyer 1928)
Once thought lost to the world, the film was... Read more
one reads all too frequently a tagline like ' the greatest film of all time'.
like many, i read of this film for years before ever seeing it. Read more
This 1928 film is a masterpiece, pure and simple. It grabs the viewer and won't let go, thanks to the singular vision of Carl Dreyer and the remarkable performance of every one of... Read morePublished on March 24 2004 by A. Aguero