- Hardcover: 368 pages
- Publisher: GP Putnam And Sons; 1 edition (Feb 4 2003)
- Language: English
- ISBN-10: 140255690X
- ISBN-13: 978-1402556906
- ASIN: 0399149864
- Product Dimensions: 22.6 x 15.7 x 3 cm
- Shipping Weight: 658 g
- Average Customer Review: 3.8 out of 5 stars See all reviews (167 customer reviews)
- Amazon Bestsellers Rank: #266,935 in Books (See Top 100 in Books)
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Product Details |
Product Description
From Amazon
With Pattern Recognition, William Gibson, the man who introduced cyberpunk to the world, gives us his first novel set in the present. But as Gibson's imagination makes clear, our corporation-dominated, technologically advanced reality doesn't need much tweaking to take on the aura of science fiction.
If there's a fantastical element to this, the author's eighth book, it's in protagonist Cayce Pollard's special talent. Here, Gibson takes some of No Logo author Naomi Klein's ideas about branding to a logical extreme: Pollard has an instinctual, often violently intense reaction to logos, a condition that makes her valuable to advertising agencies looking for the most effective way to brand a product. This talent, however, makes a trip to a department store potentially lethal, as when she visits a London shopping emporium and is inundated by "a mountainside of Tommy [Hilfiger] coming down in her head." "Some people ingest a single peanut and their head swells like a basketball," writes Gibson. "When it happens to Cayce, it's her psyche.... When it starts, it's pure reaction, like biting down hard on a piece of foil." Pollard is also a "coolhunter" of the first order, which means she can sniff out a trend before it's even begun to be commodified. She's so good, in fact, that "she's met the very Mexican who first wore his baseball cap backwards."
With such sensitivity to our over-branded world, it's completely natural that our heroine would become fascinated by Internet footage of a film in which characters, setting, and time are completely generic--unbranded, unfixed, free. But Pollard isn't the only one obsessed by "the footage," as it's referred to, and this is where Gibson's masterful storytelling comes to the fore. Who will be the first to solve the mystery of the film's origin? Who else is trying, and for what potentially nefarious purpose? As usual the author proves adept at weaving a suspenseful narrative out of humdrum elements, such as e-mail exchanges. If there's a caveat, it's that, as with literary forefather Philip K. Dick, the Vancouver-based author's prose veers wildly from the poetic to the clunky. And his supporting characters often amount to nothing more than a combination of an unusual name and shadowy motive. But the continual barrage of ideas, and the way Gibson arranges them for maximum impact, make for a gripping and insightful glimpse into our hyperdriven consumer culture. --Shawn Conner
From Publishers Weekly
Gibson, known as the "patron saint of cyberpunk lit," has made his reputation with futuristic tales. Though his new novel is set in the present, baroque descriptions of everyday articles and menacing anthropomorphic treatment of the Internet and sister technology give it a sci-fi feel. Cayce Pollard, a market researcher with razor-sharp intuition, makes big bucks by evaluating potential products and advertising campaigns. In London, she stays in the trendy digs of documentary filmmaker friend Damien (away on assignment), whom she e-mails frequently. When Cayce brusquely rejects the new logo of advertising mogul Hubertus Bigend, she earns his respect and a big check but makes an enemy of his graphic designer, vindictive Dorotea Benedetti. Hubertus later hires Cayce to ferret out the origin of a series of sensual film clips appearing guerrilla style on computers all over the world and attracting a growing cult following. Cayce treats this as a standard job until somebody breaks into Damien's flat and hacks into her computer. Suddenly every casual encounter carries undertones of danger. Her investigative trail takes her to Tokyo and Russia and through a rogue's gallery of iconoclastic Web-heads. Casting a further shadow is the memory of her father, Win, a security expert (probably CIA) missing and presumed dead in the World Trade Center disaster of exactly a year earlier. For complicated reasons even she doesn't understand, she connects her current dilemma with her father's tragedy and follows the trail with the fervor of a personal vendetta. Gibson's brisk, kinetic style and incisive observations should keep the reader entertained even when Cayce's quest begins to lose urgency. Gibson's best book since Mona Lisa Overdrive should satisfy his hardcore fans while winning plenty of new ones.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
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Most helpful customer reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars
Gibson's Breakout Postmodern novel! **** 1/2 stars,
By Paul Petrovic (Canton, OH United States) - See all my reviews
This review is from: Pattern Recognition (Hardcover)
Author William Gibson has always proclaimed the influence of Thomas Pynchon ("V," "Gravity's Rainbow") in his beginnings as an author. With "Pattern Recognition," Gibson not only tips his hat to Pynchon but also seems indebted to him through the book's structural content. Gibson's new book, and I mean no slight in saying this, feels like a re-work of Pynchon's classic "The Crying of Lot 49." Heroine Cayce Pollard, like the heroine of Pynchon's book, finds a symbol that defies decoding and, seeking its answer, slowly gains a not inconsiderable amount of self-knowledge through treks across land and people. Rather than the Trystero in Pynchon's book, which remained a mystery at story's end, here Cayce seeks the Footage and its Creator; what she uncovers dazzled and delighted me. (And watch for the veiled reference to Pynchon's "Gravity's Rainbow" through Win; it changes so much about this book!) The prose of Gibson in this book is masterful; he is acute and lyrical while noting how material comforts have come to desensitize us and lead to a sense of soul-decay. Truly, this is some of Gibson's most impassioned prose since "Neuromancer." His ear renders some of the most awe-inspiring descriptions and musings this side of Don DeLillo ("White Noise" and "Mao II"). However, whereas DeLillo misstepped slightly with his latest book, "Cosmopolis," Gibson's meditation is eerily, and deadly, on. I can only find one fault with the book, and that is that the end of "Pattern Recognition" starts to let the plot wrap up just a little too quickly. Still, not merely content to be behind the postmodern masters of DeLillo and Pynchon, Gibson finally closes the ranks with this novel. Through "Pattern Recognition," he proffers himself as one of the accessible yet intelligent authors on the postmodern condition. Familiar, yet deliciously different.
2.0 out of 5 stars
End not worth the journey,
By Niel Robertson "nielr@instinctventures.com" (Boulder, Co United States) - See all my reviews (REAL NAME)
This review is from: Pattern Recognition (Hardcover)
I must admit that I was lured into the story line by the first fifty pages. Gibson sets up an intriguing enough mystery around the main plot that you want to read on. I must agree whole heartedly with other reviewers though that proclaim "that was it?!?" at the end. There is no climax. The reason for the "footage" leaves you completely unsatisfied. There is no conflict resolved or insight gained. The biggest payoff is getting a bunch of the books web forum posters to meet in the books "real life" (didn't some of us get over this experience ten years ago at our local BBS first "night-out"? i guarantee the story was as climactic as that evenings). Many times, a great journey is worth a bad ending (read: any Neal Stephenson novel...) but his commentary on present day locales like London, Tokyo, and Russian must seem cliche and unsatisfying to anyone who has actually stepped foot outside of the united states a few times (spring break in Mexico not included - sorry folks). Wait for it on video.
4.0 out of 5 stars
Pattern Recognition,
By
This review is from: Pattern Recognition (Hardcover)
There's a lot to like about this modern (not SF, despite my local library classifying it that way) thriller. Gibson writes beautifully, and evokes the world -- this time the sometimes silly politics of mailing lists and chat rooms -- with great insight. His protagonist, Cayce (and why is she essentially named Case? I could never figure that out) is vivid and interesting.On the other hand, the book takes a *really* long time to get going -- I mean about page 150 -- and at some points I felt like there really wasn't quite enough plot there to support the tense mood and the number of characters (at least three of whom I couldn't see a real purpose for). Without wanting to give spoilers since this is such a new book, it's about mysterious footage that appears on the Internet, and the various people--from magnates to otaku--who become obsessed with finding out who's creating the footage, why, and what it means. And the answer is a gorgeous one. But do I believe in the amount of danger and tension surrounding the answer? I'm not sure. On some level, I felt like this was a "thriller" pushing really, really hard to be a literary journey of self-discovery. There's nothing in the least wrong with that--but it was the thriller trappings that at times did not quite work for me.
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