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Pawn/ Frankincense V4 [Paperback]

Dorothy Dunnett
4.7 out of 5 stars  See all reviews (18 customer reviews)

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Book Description

Sept. 27 1992
The fourth title in the LYMOND CHRONICLES series, originally published in 1969. Set in 1552, Frances Crawford is searching for his son, who has been hidden somewhere in slavery. While he searches, his enemy waits with an elaborate plan of humiliation and violence. Follows THE GAME OF KINGS, QUEEN'S PLAY and THE DISORDERLY KNIGHTS.

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About the Author

Dorothy Dunnett was born in 1923 in Dunfermline, Fife, Scotland. Her time at Gillespie's High School for Girls overlapped with that of the novelist Muriel Spark. From 1940-1955, she worked for the Civil Service as a press officer. In 1946, she married Alastair Dunnett, later editor of The Scotsman.

Dunnett started writing in the late 1950s. Her first novel, The Game of Kings, was published in the United States in 1961, and in the United Kingdom the year after. She published 22 books in total, including the six-part Lymond Chronicles and the eight-part Niccolo Series, and co-authored another volume with her husband. Also an accomplished professional portrait painter, Dunnett exhibited at the Royal Scottish Academy on many occasions and had portraits commissioned by a number of prominent public figures in Scotland.

She also led a busy life in public service, as a member of the Board of Trustees of the National Library of Scotland, a Trustee of the Scottish National War Memorial, and Director of the Edinburgh Book Festival. She served on numerous cultural committees, and was a Fellow of the Royal Society of Arts. In 1992 she was awarded the Office of the British Empire for services to literature. She died on November 9, 2001, at the age of 78. --This text refers to an alternate Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.



The bathers of Baden in summer were few and fat. Winter was the best season, when everyone came home from the fighting, and the baths public and private were filled with magnificent men, their bodies inscribed with the robust holograph of the sword.

The pretty girls came also in winter; the unmarried with their maids and their chaperones: the matrons bright-eyed and dutiful; eager to furnish their lords with an heir.

The rule was mixed bathing. The great officers of the Church went in winter, smoothing off in the sulphurous water the ills of a summer's rich feeding; and rested afterwards sweating in bed, the warm bladders under their armpits, dreaming of Calvin. Noblemen from the Italian States and the Holy Roman Empire; from the France of Henri II and the uneasy England of Edward VI came to Switzerland for the hot baths of Baden: noblemen, soldiers and merchants, lawyers and physicians and men of learning from the universities; courtiers and diplomats; painters, poets and leisured connoisseurs of the human experience.

To trace one man in Baden at the turn of the year was a strenuous but not a disagreeable task. Neither was it impossible, even if the man were international in tongue and appearance, and had no knowledge of, or desire for, your presence. Jerott Blyth and his companion, having crossed half Europe pursuing their quarry, tried four Baden inns before locating the Engel, the largest and most high-priced of all, with the armorial bearings of all its most notable patrons studding the snow-covered front.

Among them, neat, fresh and obliging, was the familiar blazon of Lymond and Sevigny. Their journey appeared to be over.

With Jerott Blyth, innkeepers never shirked the proper discharge of their duties. To the doggedness of his Scottish birth, his long residence in France and his profession of arms had lent a particular fluency. He was black-haired, and prepossessing and rude: a masterful combination. Coming out of the Engel in five minutes flat, he swung himself up on his horse beside the rest of his retinue and led them through the slush and over the square to the far side, where the snow had been swept from an imperial flight of white steps, at the top of which was a pair of carved double doors. Jerott Blyth looked down at his companion. 'He's in there,' he said. 'In the baths. In the public baths. In the public mixed baths. You're too young to go in.'

'I'm fifteen,' said Philippa bleakly. She would have lied about that, except that Fogge, the family maid, was on the pony beside her. She added, 'The stable-boys swim in the Tyne.'

'In waist-cloths?' said Jerott. 'Philippa, Baden isn't the same as the northern counties of England.'

'In nothing,' said Philippa. 'I know.'

She got in, as she had persuaded Jerott Blyth to bring her half across France, by force of logic, a kind of flat-chested innocence and the doggedness of a flower-pecker attacking a strangling fig. Then, followed by a pink, sweating Fogge, they climbed to the gallery which ran at first-floor level overlooking the pool.

The spectators walked there, eating and drinking in their clean velvet doublets and listening to the lute and viol music which ascended in waves through the steam. The discreet abundance of steam and the powerful stink of bad eggs were the first things which Philippa noticed. The next was the size of the pool beneath, and the fact that, unlike the private baths of the hostelries, it had no central partition segregating the sexes: merely an encircling bench divided modestly underwater into pews for each bather.

They were full: so full that in the centre of the pool twenty or thirty of the displaced frolicked or swam or floated, comatose in the warm and sanitative water, beneficial for worms, colic and melancholy; and a certain cure for barrenness in young wives. Beside Philippa, an elegant visitor in shell-pink satin leaned over the carved balustrade and cast a little garland of bay leaves and gilded nutmegs into the water. Two nuns, hesitating on the edge of the pool in their long peignoirs of lawn, flinched and stepped back, but a pretty black-haired woman sitting submerged just below them looked up with the flash of a smile, and the elderly man seated beside her, his paunch bared to the waist, followed her glance with a scowl. Beside Philippa, the gallant smiled back, muttering under his breath; and fishing inside his doublet for the second time, pulled out a preserved rosebud, rather tattered, and took aim again, with rather more care. Philippa followed his eyes.

Women; pure, handsome and pert; with hair curling about their ears and their fine gowns afloat in the water around them and filming the cheerful pink of their shoulders and breasts. Men, sick and stalwart, athletic and obese: the churchmen with tonsure and crucifix lodged on the broad, naked chest; the wealthy served by their retinue, the small floating trays drifting among them bearing sweetmeats and wine, and a posy to offset the fumes. Of soldiers there were fewer than usual: the war between France and the Emperor Charles had dragged on, that winter, in the Low Countries and Italy and the beautiful men this time were otherwise engaged.

Then the steam shifted and Philippa saw there was one suavely muscled brown back, stroked here and there with the pale scars of healed thrusts and the raw marks of an encounter more recent. One gentleman of the sword, just beyond the lady of the pretty black hair and the smile; who was amusing himself with a stiff game of bouillotte, played on a light wooden board drifting between himself and a large and roseate person of no visible rank.

Of the identity of the gentleman-soldier Philippa had no doubts at all. The arching hands, dealing the cards; the barbered yellow hair, whorled and tangled with damp, could belong to only one person, as could the two deferential servants in blue and silver and red, waiting uneasily damp at his back.

'There he is,' said Philippa quickly, just as the limp rosebud thrown from beside her touched the bather's bare shoulder, and he flicked round, glancing upwards, and trapped it.

For a moment Philippa saw him full face: a printing of blue eyes and pale, artistic surprise. Then, rose in hand, the bather leaned further round. Behind him, the two nuns still stood, nervously hesitant, while beyond the bouillotte game two seats had become vacant. With dreadful grace, the yellow-haired man got to his feet and, reaching up, presented the rose to the elder of the pair of shy nuns, bowed, and handed both ladies down the wide shallow steps and into their seats. Then he sat down in a gentle lapping of water, and picked up his cards.

'He didn't see us,' said Philippa, disappointed. The gentleman in shell-pink, retrieving his upper torso from the reverse side of the balustrade, sighed and observed, 'How wasteful of Nature. You know him, madame?'

Jerott saved her from answering. 'We knew him in Scotland. He commanded a company of which I was a member.' He gave a sudden, malevolent grin and said, 'I think you'd have better luck with the lady.'

Shell-pink, ignoring that, Pursued his inquiry. 'His name? He is alone?'

'His name is Francis Crawford of Lymond. He has the title of Comte de Sevigny,' said Jerott. 'As for being alone: I don't even know who he's playing with.'

'Ah, that is simple,' said shell-pink. 'That is Onophrion Zitwitz, the duke's household controller: one of the best-known officials in Baden. Perhaps, when you greet your friend, you will introduce me also?'

Jerott's eyes and Philippa's met. 'When I meet my friend,' said Jerott Blyth carefully, 'there is likely to be a detonation which will take the snow off Mont Blanc. I advise you to seek other auspices. Philippa, I think we should go down below.'

'To swim ?' said that unprepossessing child guilelessly. 'I can stand on my head.'

'Oh, Christ,' said Jerott morosely. 'Why in hell did you come?'

The brown eyes within the damp, dun-coloured hair inspected him narrowly. 'Because you need a woman,' said Philippa finally. 'And I'm the nearest thing to it that you're likely to get. It was very short notice.' She stopped short on the stairs and said, in the voice of discovery, 'You're afraid of him!'

Jerott's expression was affably menacing. 'And you think that because he's an old friend of your mother's he'll spare you. He won't.'

'Nonsense,' said Philippa. She wasn't actually listening. They arrived at ground level and took up their stance behind an arrangement of towels, from which they had an excellent view both of the pool and of the man known to most people, briefly, as Lymond.

Francis Crawford had seen them. What he thought about it was unlikely to be visible, through a long-practised sophistication of response. His voice, conversing softly with the controller, did not falter, nor did his hands, dealing the cards. The game drew to a close, in Master Zitwitz's favour, and a pile of gold gulden changed hands. The older of the two nuns, sitting beyond the controller, made a shy comment and the fair-haired man answered, his hands busy with a fresh game. The cards flipped. His nationality, which was Scottish, showed in neither his face nor his voice, which he had raised a little to carry over the noise of laughter and music and splashing: he detained the board and held it steady as two girls, pursued sluggishly by an elderly senator, curvetted past.

The farther nun, the plain one, leaned forward and said in Spanish-accented English, 'We were two years, sir, in Algiers before we escaped in October. Our sufferings may be imagined. Moors, corsairs, heretics cast out of Spain. . . . Turkish Spahis strut in the streets and because the Pasha is a puppet of that accursed of God, Sultan Suleiman, Christian prisoners are treated like hogs. Have you seen-'

A handful of gulden slipped, sparkling, into the water and there was a wallow as several hands urgently sought them. They were now playing passe-dix, and the black-haired lady's husband had joined them. The black-haired ... --This text refers to an alternate Paperback edition.

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Customer Reviews

4.7 out of 5 stars
4.7 out of 5 stars
Most helpful customer reviews
By Misfit TOP 500 REVIEWER
Pawn in Frankincense opens up shortly after the end of The Disorderly Knights, as Jerrott and Phillipa track down Lymond on his search to find Francis' child, stolen by renegade Knight Graham Reed Malett and hidden somewhere in the heart of the Ottoman Empire. Francis uses his position as an emissary of France delivering gifts to Suleiman the Magnificent as an entrée into the mysterious world of the east as he and his companions continue their desperate search for Lymond's son. However, the deliciously evil Graham's schemes lead them on from one false lead to another, as the web is spun to bring Francis and troops further into Graham's evil web. Nothing and no one is as they seem, and the author throws many red herrings and surprises into her tale and eventually we discover that there are two blond, blue eyed children being sought. One child is Francis', who is father of the other?

Although separated, Lymond and his followers all end up in Constantinople, as Graham's plots come to fruition and Lymond, Jerrott, Archie and the mysterious Marthe with the striking resemblance to Lymond begin the fight of their lives in a real life chess game with deadly consequences for any who are "captured", and Francis battles to maintain his wits against the deadly addiction Graham's schemes have unknowingly afflicted him with.

As with the first three books in the series, Francis Crawford is a fascinating hero, and is as suave, debonair, flawed and fascinating as only a 16th Century version of James Bond could be. This book is filled with non-stop action and suspense and ends with quite a big surprise of a cliffhanger which will send the reader reaching for the next book in the series, The Ringed Castle. A solid five stars and my favorite so far in the series.
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5.0 out of 5 stars Fabulous monsters April 1 2002
By far the most baroque episode of Dorothy Dunnett's outrageously baroque romantic adventure series, this book depicts the final conflict between Lymond and Gabriel, now a renegade in the service of Islam - but only insofar as Islam can serve his own ambitions. Can Francis survive his encounter with the golden god and save all the innocents sucked into the morass of political and personal intrigue? Mrs Dunnett is far too clever to make it a foregone conclusion; but with her usual skill, she gives every other character his or her due. The whole structure of the tale is cleverly entwined in the political and social life of Europe and the Near East at the time, giving us at one sitting a heartwrenching, dramatic romance and a very palatable history lesson. Tragedy and betrayal strike at the most unexpected moments, and relationships develop in directions I, for one, didn't anticipate. The book would be worth reading just for Lymond and Malett, but it offers much more. And it couldn't be filmed, because the actors who could step into these two pairs of shoes simply don't exist.
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5.0 out of 5 stars A long journey April 1 2002
Anyone who has not read the first four novels in the series needn't worry; you can start THE RINGED CASTLE without any prior knowledge of Lymond and his circle. It stands alone, a densely plotted, tense and evocative tale of adventure in one of the sixteenth century's wildest frontiers, filled with incredible characters, heated by raging emotions, chilled by ice-cold political calculations. But oh, how much more you'll enjoy it if you wait until you've read the first four books! Whichever way you choose to enter Dorothy Dunnett's world, don't hesitate - start out on your first adventure with Lymond and prepare,like everyone else who meets him, to be repelled, charmed, overwhelmed, manipulated and ultimately seduced.
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4.0 out of 5 stars Not Lymond's Best Jan. 7 2002
Volume IV in the Lymond Chronicles sees a slight drop in quality from the splendid first three volumes, but Dunnett and Lymond on an off day still run circles about the competition. Pawn In Frankincense is slower and grimmer than its predecessors, long, gorgeous descriptions of Constantinople and environs displacing incisive characterization and genius plotting. Many of these passages are so lovely they beg to be read aloud, but eventually they serve to distance us from our heroes and villains.
Lymond himself is at a further remove than usual here, Gabriel possesses but a shadow of his spectacular Volume III malevolence, and events grow to seem unfortunately repetitive.
Nonetheless, this is a voyage worth taking, given the company of beloved characters, an intense and wrenching climax, and a very surprising proposal of marriage. If this is not the best in this series, it is still a superior read to most anything else in the genre.
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By Sam G
This is the one you have waited for. From now until book 6 things you believed you knew in the past will be put into new perspective. I hope you have a good memory because you will want to remember things you read in book one more and more. Book 6 also has you racing to the conclusion of this series. Things you really want to know and yet, dread coming to the end. I can't wait for the companion book to come out because I intend to start the whole journey again in July. It's truly an amazing series of books.
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5.0 out of 5 stars The Best of Lymond June 18 2001
By A Customer
I've now read five of the six books in the Lymond series and Pawn is the best. It is filled with action (Lymond's knife fights in the surf of North Africa with his arch-enemy), changes of scene (from Europe to Tripoli to Greece to Constantinople), double crosses, danger (Philippa in the harem), and one of the most compelling scenes in historical fiction (the live chess game).
These books are hard--there's nothing easy about them, but they are the best of historical fiction--true to the history, but plotted to make you anxious to keep going. Beneath the surface are some interrelatiohships (e.g., Lymond and Marthe) that are enigmatic, to say the least. All of these give reason to keep reading to the end.
While I'm no historian of the middle ages, I have the impression which others confirm that Dunnett is giving us as accurate a picture of a long past era as we're likely to get from modern writers.
This is a real triumph in the art of historical fiction.
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Most recent customer reviews
5.0 out of 5 stars Depressing but excellently written
I had a very hard time reading parts of this book--I cried and cried at the abuse that Lymond's son suffers at the hands of his enemies. Read more
Published on April 25 2001 by L. Emilie Lintner
4.0 out of 5 stars Exciting and moving
Having read the first four Lymond novels, I think "Pawn" is by far the best. As other readers have noted, DD's novels get better with each novel in the series. Read more
Published on April 21 2001
5.0 out of 5 stars Great Book, Part of a Great Series, But Left Me Feeling Low
I just finished Pawn in Frankincense. As all her stories, this one is spellbinding. My wife could not believe how quickly I finished the book considering how busy I am. Read more
Published on March 7 2001 by David Bronstein
2.0 out of 5 stars Great story but hideously annoying style!
I've never read a book that made me more conscious of the author. The plot was creative and intricate, the setting was fascinating and well described, and the characters were well... Read more
Published on Dec 6 2000
5.0 out of 5 stars Check and Mate!!
This is the most heart-stopping of the Lymnond chronicals so far. I am sure if you read this book, you will be as awe-struck as I. Read more
Published on Nov. 8 2000 by S. Schwartz
5.0 out of 5 stars Another Fantastic Book by Dunnett!
Well, this is the fourth book by Dunnett that I've read (the three earlier books in the Lymond series being the others). Quite simply, Dunnett gets better with each book! Read more
Published on Aug. 23 2000 by Jonathan Robbins
5.0 out of 5 stars Harrowing, Riveting and Hugely Rewarding.
This is the 4th in Dorothy Dunnett's ever compelling Lymond Chronicles. (Although not a prerequisite given Dunnett superb writing skills, I suggest you read all 6 books in order... Read more
Published on April 27 2000 by soba525
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