Chester Brown has never shied away from tackling controversial subjects in his work. As the cartoonist of the autobiographical The Playboy and the biography Louis Riel, Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world's most hot-button topics-prostitution. Paying for It offers an entirely contemporary exploration of sex work-from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of cliched street corners, drugs, or pimps. "Simply told in a deceptively straightforward manner, Paying for It is a defiant work of truth-telling and a welcome return to autobiographical comics from one of the medium's incontrovertible masters." (Brad Mackay, The Globe and Mail) "[T]his is no underground comix-style tell-all, lewdly depicting one conquest after another. In fact, Paying for It levels the same distanced gaze on love and sex that Louis Riel directed toward rebellion and madness, refusing sensationalism in favour of steady, measured analysis." (Sean Rogers, The Walrus) "A compelling look into one man's history of employing prostitutes as a replacement for romantic love" (Publishers Weekly) "[A]s a demonstration of the limitless narrative potential of the comics medium, its ability to tackle some of the most difficult and loaded questions of our time, Paying For It delivers." (Glen Weldon, NPR)


