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The History Channel's "One Hour over Tokyo" and "Unsung Heroes of Pearl Harbor" provide depth that Bay's movie lacks, and Charles Kiselyak's interactive timeline is arguably the finest feature included, providing an in-depth historical perspective on U.S.-Japan relations. Even a brief reenactment of a Pearl Harbor nurse's journal is moving in a way that Bay's film can only try to be, while the "Interactive Attack Sequence" provides a multifaceted exploration of the entire production process (a highly educational feature for aspiring filmmakers). All in all, these four discs offer an admirable balance between Bay's technically impressive but ill-conceived epic and a thorough, fitting tribute to those who endured hell on that fateful Sunday in 1941. --Jeff Shannon
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As if the plot wasn't thin enough, some clown put Afleck in the lead role. Someone should find Afleck a proper day job - cleaning the heads, dumping the honey wagon or robbing graves. Anything but putting him before a camera and inflicting that flat excuse for characterisation on an unsuspecting public. None of the actors in this film are given a proper role, with the sole exception of Jon Voight. Poor old Dan Ackroyd would have been super as the intelligence officer Ellis Zacharias, even if he is a bit plump for the part. Instead, he plays some ephemeral naval officer championing the defense of Pearl instead of the Philippines or Marianas Islands. Alec Baldwin is slipped in as Jimmy Doolittle, a role that, given the story line, should have been the lead. But then, of course, all that romantic lead-up would have been wasted. As was Baldwin.
It's difficult to understand the intent in making this film. All sense of why the Japanese launched the attack is blithely omitted. Justified or not, we are left with only the "day of infamy" attitude. There's relevance in presenting that, but Japan didn't launch the War of the Pacific on a whim. Their purpose, in their view, was to prevent encirclement. No lessons are to be derived from the story or the events portrayed. There was heroism on both sides, but you'd never glean that from watching this. Yamamoto's American experience and misgivings are overlooked, except for a single line. The Emperor's role, which was significant, is also omitted. The United States was attacked, suffering a terrible blow. Any military historian will explain it was a blessing in disguise as attention was diverted from the ungainly battleships to more flexible carrier flotillas. All this film portrays are implausible characters, a love story so trite as to be nauseating, and a surfeit of violence.
[stephen a. haines - Ottawa, Canada]
I am glad the movie includes lesser known, real life characters and their exploits. Have to give the filmmakers credit for that. It also captures the real feel of the 40s, where travel and communications aren't like they are today. The scene where the nurses arrive at Pearl Harbor is great. They are wide-eyed in this place they had never seen or been to before. I thought that was a good touch.
Love story- lots of reviewers mention the cheesy love story. As a 36 yr old, I have no idea just how difficult relationships are in times of war. I thought PH actually did a good job portraying the conflict of feelings, and how one deals with the uncertainties of wartime romance. The phenomenal Battle of Britain scenes help keep the movie from bogging down until the immediate build up to the Pearl Harbor attack.
Glad it ends with the Doolittle Raid- that story deserves each and every opportunity to remind the world about those incredibly brave sailors and airmen. Also glad scenes of the Eagle Squadron at the Battle of Britain are included as a way to remember those brave american volunteer airmen that helped the British in their most desperate hour.
Remembering the film is entertainment...sit back and enjoy the aerial scenes and turn up the volume!
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