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Pecker (Widescreen)
 
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Pecker (Widescreen)

 R (Restricted)   DVD
3.8 out of 5 stars  See all reviews (50 customer reviews)

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Pecker (so named, at least according to his grandmother, because he always pecks at his food) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since this is a John Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Unlike the hero in most sudden-fame stories, however, Pecker, as played by Edward Furlong, isn't exactly an innocent; rather, he takes in the world with his eyes, and his mind, wide open. So instead of suffering a precipitous fall, Pecker eventually turns the tables on his more worldly New York peers.

While not as outrageous as early Waters features such as Female Trouble and Pink Flamingos, Pecker still has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. The movie is not so much a pointed satire as a gentle teasing of the art world and its pretensions. The all-embracing world of John Waters allows for lovable freaks from the big city, too.

The movie sags a bit when it settles into its plot; it can't sustain the comic inspiration reached in the opening scenes of Pecker's encounters with Baltimore's misfits. But running gags about a sugar-addicted child and a ventriloquist-doll Virgin Mary are hilarious. What ultimately makes the movie such a pleasure, though, is Waters's genuine fondness for all of his characters. Aided by a charming cast, including Christina Ricci and Waters regulars Mink Stole and Patty Hearst, Waters has created a surprisingly touching ode to human eccentricity. --Chris Neman

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Pecker (so named, at least according to his grandmother, because he always pecks at his food) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since this is a John Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Unlike the hero in most sudden-fame stories, however, Pecker, as played by Edward Furlong, isn't exactly an innocent; rather, he takes in the world with his eyes, and his mind, wide open. So instead of suffering a precipitous fall, Pecker eventually turns the tables on his more worldly New York peers.

While not as outrageous as early Waters features such as Female Trouble and Pink Flamingos, Pecker still has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. The movie is not so much a pointed satire as a gentle teasing of the art world and its pretensions. The all-embracing world of John Waters allows for lovable freaks from the big city, too.

The movie sags a bit when it settles into its plot; it can't sustain the comic inspiration reached in the opening scenes of Pecker's encounters with Baltimore's misfits. But running gags about a sugar-addicted child and a ventriloquist-doll Virgin Mary are hilarious. What ultimately makes the movie such a pleasure, though, is Waters's genuine fondness for all of his characters. Aided by a charming cast, including Christina Ricci and Waters regulars Mink Stole and Patty Hearst, Waters has created a surprisingly touching ode to human eccentricity. --Chris Neman


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Customer Reviews

50 Reviews
5 star:
 (25)
4 star:
 (9)
3 star:
 (4)
2 star:
 (6)
1 star:
 (6)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (50 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars I love Balmar!, April 7 2003
By 
Joy Sims (Washington, DC United States) - See all my reviews
This review is from: Pecker (Widescreen) (DVD)
I can watch this movie over and over and still laugh to myself. Although this movie has a touch of the typical John Waters darkness, Pecker makes the viewer laugh the entire length of the film. This is a true favorite.

Wandering the streets of Baltimore, Pecker's camera glimpses life on the lesser-fortunate side of the tracks. With its tongue-in-cheek quality, Pecker's adventures are endlessly amusing and entertaining.

Some may say this isn't John Waters' finest films, but it definitely may be his most enjoyable and most funny.

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5.0 out of 5 stars DARN GOOD MOVIE!!!!!!!!, Mar 2 2004
By 
carl womack (north carolina) - See all my reviews
(REAL NAME)   
This review is from: Pecker (VHS Tape)
He's the gentleman who did such a superb performance in Detroit Rock City, now in this movie he plays an aspiring photographer who's work includes everything from a pic of his sexy girl friend, (played by the ravishing Christina Ricci) to photos of the food cooked on the grill where he works. His art evolves around his life in a lower middle class neighborhood in Baltimore Maryland.
Then one day, Pecker (yes that's his name in the movie) holds an exhibit of his work in the grill. Just so happens an expert in photographic art is there and she buys one of the photos then inquires about having him come to New York and exhibit his work there.
Pecker goes to NY, and his exhibit is a success, bringing him instant fame, as well as many of the people he has photographed. But fame has its price, especially when many of the town folk turn against him for making their lives a public display. Lives are transformed, and at the first, in a bad way. His sugar hyper sister is put on medication by Social Services, which puts her in a zombie state, his girlfriend is hounded by "excited" men to the point to where even where she works isn't safe due to pervs who drop in to "display" their activities, and others experience different types of changes. But as the movie proceeds, lives become better for the town folk, as Pecker does another exhibit and exploits the exploiters.
Instead of his hometown people, Pecker shows off photos of the photograph collectors and photographers and others from NY. Now its their turn to learn what its like to have their lives put out for the public to see. In this movie people learn that success has its price, but when you learn how to handle it, it can be a sweet thing.
This film is a mild comedy, with superb dialogue. Actually, the dialogue is inventive, and shows a unique skill. It is also wonderfully cast, with each actor and actress filling his or her role perfectly. Not a cornball movie by a long shot. Sort of fits into the Woody Allen style of Comedy. From time to time it has some strong language, but not overtly, and adult situations.
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5.0 out of 5 stars A must-see for photographers, Nov 11 2003
By 
This review is from: Pecker (Widescreen) (DVD)
There's a deeper understanding for this movie from photographers, especially pro-level amateurs who keep a day job to support themselves. Almost anyone familiar with the so-called "art scene" will also find many poignant moments. There's a lot of visual and verbal innuendos, so it's great viewing the second and third time around. John Waters fans will love it.
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 Go to Amazon.com to see all 69 reviews  3.9 out of 5 stars 
 
 
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