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Penguin Classics Daisy Miller
 
 

Penguin Classics Daisy Miller [Paperback]

Henry James , Patricia Crick , Geoffrey Moore
3.4 out of 5 stars  See all reviews (33 customer reviews)

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Product Description

From Library Journal

James's brief 1858 classic is here presented as a no-frills edition in Dover's Thrift series. Since the text is a staple in many high school and college literature curricula, Dover provides a painless, inexpensive way of stocking multiple copies.
Copyright 1996 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.

Review

“The critical faculty hesitates before the magnitude of Mr. Henry James’s work.”—Joseph Conrad --This text refers to an alternate Paperback edition.

Book Description

"Daisy Miller" is a fascinating portrait of a young woman from Schenectady, New York, who, traveling in Europe, runs afoul of the socially pretentious American expatriate community in Rome. First published in 1878, the novella brought American novelist Henry James(1843-1916), then living in London, his first international success. Like many of James's early works, it portrays a venturesome American girl in the treacherous waters of European society - a theme that would culminate in his 1881 masterpiece, "The Portrait of a Lady."

On the surface, "Daisy Miller" unfolds a simple story of a young American girl's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New Worlds, "Daisy Miller" is an ideal introduction to the work of one of America's greatest writers of fiction.

From the Back Cover

“The critical faculty hesitates before the magnitude of Mr. Henry James’s work.”—Joseph Conrad --This text refers to an alternate Paperback edition.

About the Author

Henry James was born in 1843 in Washington Place, New York, of Scottish and Irish ancestry. His father was a prominent theologian and philosopher and his elder brother, William, is also famous as a philosopher. He attended schools in New York and later in London, Paris and Geneva, entering the Law School at Harvard in 1862. In 1865 he began to contribute reviews and short stories to American journals. In 1875, after two prior visits to Europe, he settled for a year in Paris, where he met Flaubert, Turgenev and other literary figures. However, the next year he moved to London, where he became so popular in society that in the winter of 1878-9 he confessed to accepting 107 invitations. In 1898 he left London and went to live at Lamb House, Rye, Sussex. Henry James became a naturalized citizen in 1915, was awarded the Order of Merit and died in 1916. In addition to many short stories, plays, books of criticism, autobiography and travel, he wrote some twenty novels, the first published being Roderick Hudson (1875). They include The Europeans, Washington Square, The Portrait of a Lady, The Bostonians, The Princess Casamassima, The Tragic Muse, The Spoils of Poynton, The Awkward Age, The Wings of the Dove, The Ambassadors and The Golden Bowl. --This text refers to an alternate Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

1
 
 
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels; for the entertainment of tourists is the business of the place, which, as many travellers will remember, is seated upon the edge of a remarkably blue lake--a lake that it behoves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall, and an awkward summer-house in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbours by an air both of luxury and of maturity. In this region, in the month of June, American travellers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering-place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance-music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the Trois Couronnes, and are transported in fancy to the Ocean House or to Congress Hall. But at the Trois Couronnes, it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about, held by the hand, with their governors; a view of the snowy crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the Trois Couronnes, looking about him, rather idly, at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things, they must have seemed to him charming. He had come from Geneva the day before, by the little steamer, to see his aunt, who was staying at the hotel--Geneva having been for a long time his place of residence. But his aunt had a headache--his aunt had almost always a headache--and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age; when his friends spoke of him, they usually said that he was at Geneva, "studying." When his enemies spoke of him they said--but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there--a foreign lady--a person older than himself. Very few Americans--indeed I think none--had ever seen this lady, about whom there were some singular stories. But Winterbourne had an old attachment for the little metropolis of Calvinism; he had been put to school there as a boy, and he had afterwards gone to college there--circumstances which had led to his forming a great many youthful friendships. Many of these he had kept, and they were a source of great satisfaction to him.
After knocking at his aunt's door and learning that she was indisposed, he had taken a walk about the town, and then he had come in to his breakfast. He had now finished his breakfast, but he was drinking a small cup of coffee which had been served to him on a little table in the garden by one of the waiters who looked like an attache. At last he finished his coffee and lit a cigarette. Presently a small boy came walking along the path--an urchin of nine or ten. The child, who was diminutive for his years, had an aged expression of countenance, a pale complexion, and sharp little features. He was dressed in knickerbockers, with red stockings, which displayed his poor little spindleshanks; he also wore a brilliant red cravat. He carried in his hand a long alpenstock, the sharp point of which he thrust into everything that he approached--the flowerbeds, the garden--benches, the trains of the ladies' dresses. In front of Winterbourne he paused, looking at him with a pair of bright, penetrating little eyes.
"Will you give me a lump of sugar?" he asked, in a sharp, hard little voice--a voice immature, and yet, somehow, not young.
Winterbourne glanced at the small table near him, on which his coffee-service
rested, and saw that several morsels of sugar remained. "Yes, you may take one," he answered; "but I don't think sugar is good for little boys."
This little boy stepped forward and carefully selected three of the coveted fragments, two of which he buried in the pocket of his knickerbockers, depositing the other as promptly in another place. He poked his alpenstock, lance-fashion, into Winterbourne's bench, and tried to crack the lump of sugar with his teeth,
"Oh, blazes; it's har-r-d!" he exclaimed, pronouncing the adjective in a peculiar manner.
Winterbourne had immediately perceived that he might have the honour of claiming him as a fellow-countryman. "Take care you don't hurt your teeth," he said, paternally.
"I haven't got any teeth to hurt. They have all come out. I have only got seven teeth. My mother counted them last night, and one came out right afterwards. She said she'd slap me if any more came out. I can't help it. It's this old Europe. It's the climate that makes them come out. In America they didn't come out. It's these hotels."
Winterbourne was much amused. "If you eat three lumps of sugar, your mother will certainly slap you," he said.
"She's got to give me some candy, then," rejoined his young interlocutor. "I can't get any candy here--any American candy. American candy's the best candy."
"And are American little boys the best little boys?" asked Winterbourne.
"I don't know. I'm an American boy," said the child.
"I see you are one of the best!" laughed Winterbourne.
"Are you an American man?" pursued this vivacious infant. And then, on Winterbourne's affirmative reply--"American men are the best," he declared.
His companion thanked him for the compliment; and the child, who had now got
astride of his alpenstock, stood looking about him, while he attacked a second lump of sugar. Winterbourne wondered if he himself had been like this in his infancy, for he had been brought to Europe at about this age.
"Here comes my sister!" cried the child, in a moment. "She's an American girl."
Winterbourne looked along the path and saw a beautiful young lady advancing. "American girls are the best girls," he said, cheerfully, to his young companion.
"My sister ain't the best!" the child declared. "She's always blowing at me."
"I imagine that is your fault, not hers," said Winterbourne. The young lady meanwhile had drawn near. She was dressed in white muslin, with a hundred frills and flounces, and knots of pale-coloured ribbon-. She was bare-headed; but she balanced in her hand a large parasol, with a deep border of embroidery; and she was strikingly, admirably pretty. "How pretty they are!" thought Winterbourne, straightening himself in his seat, as if he were prepared to rise.
The young lady paused in front of his bench, near the parapet of the garden, which overlooked the lake. The little boy had now converted his alpenstock into a vaulting-pole, by the aid of which he was springing about in the gravel, and kicking it up not a little.
"Randolph," said the young lady, "what are you doing?"
"I'm going up the Alps," replied Randolph. "This is the way!" And he gave another little jump, scattering the pebbles about Winterbourne's ears.
"That's the way they come down," said Winter-bourne.
"He's an American man!" cried Randolph, in his little hard voice.
The young lady gave no heed to this announcement, but looked straight at her brother. "Well, I guess you had better be quiet," she simply observed.
It seemed to Winterbourne that he had been in a manner presented. He got up and stepped slowly towards the young girl, throwing away his cigarette. "This little boy and I have made acquaintance," he said, with great civility. In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here, at Vevey, what conditions could be better than these?--a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne's observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far; but he decided that he must advance farther rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again.
"I should like to know where you got that pole," she said.
"I bought it!" responded Randolph.
"You don't mean to say you're going to take it to Italy!"
"Yes, I am going to take it to Italy!" the child declared.
The young girl glanced over the front of her dress, and smoothed out a knot or two of ribbon: Then she rested her eyes upon the prospect again. "Well, I guess you had better leave it somewhere," she said, after a moment.
"Are you going to Italy?" Winterbourne inquired, in a tone of great respect.
The young lady glanced at him again. "Yes, sir," she replied. And she said nothing more.
"Are you--a--going over the Simplon?" Winterbourne pursued, a little embarrassed.
"I don't know," she said. "I suppose it's some mountain. Randolph, what mountain are we going over?"
"Going where?" the child demanded.
"To Italy," Winterbourne explained.
"I don't know," said R...
--This text refers to an out of print or unavailable edition of this title.

From AudioFile

Henry James's novella probes the social and emotional complications that follow the overly familiar but innocent behavior of Daisy Miller, a newly rich American traveling in Switzerland and Rome. This recording also includes the preface that James wrote later in life for his New York edition. Initially, the choice of a female reader might seem misguided for a story that is filtered through the consciousness of Frederick Winterbourne, an American expatriate who observes and analyzes Daisy's behavior. However, by maintaining a vigorous, satisfying pace, Susan O'Malley holds the listener's attention admirably. Her reading is intelligent and agreeable. G.H. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
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