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"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.
"They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."
"Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps."
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber --This text refers to an alternate Paperback edition.
A chance encounter between Dr. Aziz and two English ladies at a mosque in Chandrapore, India would be uneventful if the elderly Mrs. Read morePublished on Nov. 20 2012 by Debra Purdy Kong
First published in 1924, over the vast sweeping landscape of India under British rule A Passage to India examines the cultural differences between the Indians and the English. Read morePublished on Nov. 1 2007 by Teddy
It's a pleasure to hear E.M. Forster's A Passage To India brought to life under the studied British accent of Sam Dastor: it offers a fine performance which brings to life the... Read morePublished on Oct. 14 2003 by Midwest Book Review
I think this book was great. It shows the way life was in India during the British control. It was good. It couldnt of been more correctly writen. Read morePublished on March 11 2002 by Devil Rose
E.M. Forster is a masterful writer. This book is my favourite of his novels, although all of them are excellent. Read morePublished on Jan. 18 2002 by Claus Hetting
This is an accomplished novel. Beautifully written and interesting, it portrays a very believable world of people who quite probably no longer exist. Read morePublished on Jan. 13 2002 by asphlex
A Passage to India vividly demonstrates the psychology of how people avoid those who are different than themselves. Read morePublished on Oct. 26 2001 by Donald Mitchell