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Jane Austen plays the game of deception with us too. In this novella, which is almost entirely in epistolary form, we form the impression from reading Lady Susan's first letter, that she is a grieving widow, devoted to the care and education of her 16 year old daughter, and willing at last to accede to her brother-in-law's pressing invitation to stay with him and his family. Wrong! We too have been duped, as we soon discover.
Jane Austen first drafted several of her novels in epistolary form, that is to say, in the form of letters exchanged by her characters. This one, which may have been the earliest of all her surviving works, alone remained in this form. And great fun it is, although Lady Susan's contriving and heartlessness, especially in regard to her daughter, sometimes goes beyond the comic to the cruel.
Naxos has added to the fun that this "entertainment" can provide by issuing the novella in audio book form. Seven actors are allocated the parts of the seven letter writers. Furthermore, there is no abridgement of the text, and there are some snatches of music that serve to provide breaks between the letters and indicate the passing of time. Altogether, an ideal production.
The novel isn't quite as rewarding as Austen's other works that I've read ("Pride and Prejudice," "Emma," "Persuasion," "Sense and Sensibility") in that the ending isn't as compelling and is a little predictable. The letter format of the book is charming, but difficult to read aloud, as we did. I found the characters more one-sided than Austen normally writes them. But I enjoyed reading it, and am looking forward to someday reading the last two, "Mansfield Park," and "Northanger Abbey."
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