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Penguin Classics Warden
 
 

Penguin Classics Warden [Paperback]

Anthony Trollope , Robin Gilmour
3.6 out of 5 stars  See all reviews (8 customer reviews)
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Product Description

Review

“Trollope will remain one of the most trustworthy . . . of the writers who have helped the heart of man to know itself.” —Henry James --This text refers to an alternate Paperback edition.

Book Description

The tranquil atmosphere of the cathedral town of Barchester is shattered when a scandal breaks concerning the financial affairs of a Church-run almshouse for elderly men. In the ensuing furore, Septimus Harding, the almshouse's well-meaning warden, finds himself pitted against his daughter's suitor Dr. John Bold, a zealous local reformer. Matters are not improved when Harding's abrasive son-in law, Archdeacon Grantly, leaps into the fray to defend him against a campaign Bold begins in the national press. An affectionate and wittily satirical view of the workings of the Church of England, "The Warden" is also a subtle exploration of the rights and wrongs of moral crusades and, in its account of Harding's intensely felt personal drama, a moving depiction of the private impact of public affairs.

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First Sentence
The Rev. Septimus Harding was, a few years since, a beneficed clergyman residing in the cathedral town of -; let us call it Barchester. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

8 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:
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Average Customer Review
3.6 out of 5 stars (8 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars "No good is unalloyed...", July 13 2004
This review is from: The Warden (Paperback)
Anthony Trollope's The Warden (1855) raises interesting ethical questions concerning questions of right and wrong, and ideas of fairness. The novel is grounded in conflicting interpretations of how funds earmarked for the poor from a wealthy man's four hundred year old will should be spent. The novel focuses on Reverend Septimus Harding, the good natured Warden of Hiram Hospital, who is at the center of the controversy.

The plot of Trollope's novel chronicles Mr. Harding's internal struggles with public accusations of malfeasance. As Warden of Hiram's Hospital, Mr. Harding has been charged with overseeing the welfare and spiritual well-being of twelve aged bedesmen-poor elderly men supported by John Hiram's trust. In performing his duties towards the bedesmen, Mr. Harding's efforts are universally regarded as beyond reproach; nevertheless, questions arise as to whether the amount of money Mr. Harding receives as Warden, eight hundred pounds annually, contradicts the original intention of John Hiram's 1434 will to help the poor.

John Hiram, a wealthy magnate of the Barchester wool industry, had stipulated in his 1434 will that an almshouse be created to take care of twelve aged men who had worked as cardsmen in the wool trade. The will directed that funding for the almshouse come from rent from Hiram's lands to be overseen by the Anglican Church. From 1434 to the mid-nineteenth-century-the present of the novel-the amount of money raised for the rent of these lands has increased considerably. When the novel begins, most of this extra money has been given to the Warden himself.

Trollope's The Warden raises this basic question: how should the extra proceeds from the rent be distributed? Throughout the novel various interests-the popular press, the church, and legal authorities-weigh in on this question, each with its own unique point of view and stake in the matter.

This novel offers no easy answers and instead dwells on the ambiguity of moral issues. In chapter 15, the narrator (and by extension Trollope) hints at this perspective: "in this world no good is unalloyed, and that there is little evil that has not in it some seed of what is goodly."

The Warden is definitely worthwhile read. It is not as funny as Barchester Towers, which made me laugh out loud, but it is as sophisticated and subtle. This would be an interesting novel to complement a college course on ethical issues.

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4.0 out of 5 stars Thar be good readin, matey!, Dec 30 2000
This review is from: The Warden (Paperback)
If anything, this book provides ample evidence that the quality of the writing is often the far more decisive factor in one's enjoyment of literature than said literature's supposed content (_Crime and Punishment_ offers similar evidence, from the opposite side of that equation). The most inadequate book jacket of the copy I'd read promised a "deliciously barbed" tale of ecclesiastical intrigue and for some reason gave me the false impression of the presence of sixteenth century clergymen who would engage in witty repartee as well as learned theological debates. Indeed, there was some disappointment on my part at finding the setting to be rural and Victorian, theology nonexistent, and the "intrigue" to be moving at the pace of a nineteenth century tea party. And yet the author's style (though the "barbs" do not so much sting as perhaps provide a gentle tickling sensation), with its intentionally comical verbosity, its narrator's frequent self-referential digressions, its pleasantly ironic look at humanity, renders the characters and their fictionalized setting likeable completely in spite of my lack of empathy with the values and concerns of Victorian England. If any reader is familiar with the short-lived American television show _Picket Fences_ -- this book, as does the entire series to which it belongs, comprises the closest I have seen to a nineteenth century English equivalent thereof.
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2.0 out of 5 stars Not your typical Victorian tale of adventure!, Aug 6 1999
By 
L. Petriccione (Brooklyn, NY USA) - See all my reviews
(REAL NAME)   
This review is from: The Warden (Paperback)
Trollope's plot is of a plodding sort, though there is no doubtthat the protagonist's (Harding's) sufferings, not to mention theirsource, do raise some excellent ethical questions. The characters in "The Warden," of whom there are relatively few, are profiled with the most meticulous detail. However there is want of movement -- both vertical and horizontal. The characters are one-dimensional and lack vitality. The story line is devoid of that element so vital to a novel's appeal: ample change of setting or scenery -- a popular and essential trademark of writers like Dickens and Eliot.

If you read this book, perhaps you should do so for its employment of Victorian linguistic technique or else use it as a springboard to discussions on ethics. As a novel exposing the true nature of English clerical life, across the board, this novel may not hold up too well, for Trollope confessed that he was no expert on such matters, and at times relied on his own estimations.

Comparatively speaking, "The Warden" lags and does not fare well in the category of "engrossing."

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