From Publishers Weekly
Italian Renaissance architect and architectural theorist Palladio (1508-1580), whose superb and influential buildings helped define the renaissance, has been lucky in his commentators. Palladio's unique way of relating art to nature and architecture to surrounding natural forms in order to reinvent ancient classicism has been well described in such previous books as Vincent Scully's The Villas of Palladio. Now Rybczynski (The Look of Architecture, etc.), the University of Pennsylvania professor of urbanism and Wharton Business School professor of real estate, offers a confident look at his own touristic visits to the surviving Palladian villas: 17 out of around 30 remain, such as the Villa Rotunda in Vicenza and the Villa Foscari at Malcontenta. In 10 concise chapters devoted to these and other villas, Rybczynski proves a deeply able and aptly enchanted guide. Actually renting Villa Saraceno at Finale di Agugliaro, he describes in detail how careful proportions foster a sense of "well-being" and make the small villa seem "palatial" "almost like being outside." While Rybczynski doesn't quite generate the personal interest that normally drives a travel diary, his careful observations of everything from climatic conditions to fender benders will have readers eagerly following in his footsteps and finding traces of Palladio everywhere. Illus. not seen by PW.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
One of our most original, accessible, and stimulating writers on architecture builds on some of his earlier, and more personal, publications (e.g., Home: A Short History of an Idea) to offer an appreciation of the residential work of Andrea Palladio (1508-80). Pointing out in the preface that much of the most persistent architectural symbolism associated with houses derives from Palladio's villas, the author provides a detailed analysis, both historical and architectural, of ten of the 30 villas attributed to the architect. With its intriguing biographical detail, precise descriptions of design elements, and engaging insights into daily life in the 16th century, Rybczynski's book is a small but lasting gift to the reader. Despite the sparse illustrations, which consist of plans and elevations from Palladio's own publications and of fine freehand drawings by the author, this volume is an excellent companion to James S. Ackerman's Palladio. For more illustrated material, Manfred Wundram's Andrea Palladio, 1508-1580: Architect Between the Renaissance and the Baroque and Andrea Palladio: The Complete Illustrated Works are essential. Nevertheless, any collection with titles on Palladio or residential architecture should acquire this. Paul Glassman, New York Sch. of Interior Design Lib.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to the
Hardcover
edition.