From Publishers Weekly
Neufeld and his girlfriend, Sari, have traveled all over the world, and like all travelers, they've come back with stories. Unlike most travelers, though, Neufeld makes a point of trying to understand what these stories mean, why he reacts to his experiences the way he does and what results from the friction between his own culture and the cultures where he's a tourist. That comes to a head in this work's final tale, "Cremations, Cubicles & Cant," in which Neufeld considers the death and funeral of his grandmother in the context of his travels, and the significance of funeral rites within and outside her community. In another story, Neufeld tries to imagine his uneasy interaction with a Serbian ice cream salesman from the other man's perspective. The book's highlight is "The Cave of Fear," a story about a day trip in Thailand. Neufeld is drawn to the trip's potential for danger, and what might ordinarily be a merely entertaining anecdote becomes the occasion for lucid, unsparing self-examination. Neufeld draws himself as a slightly neurotic caricature, and his backgrounds show how salient details can be reduced to a few clear lines. He has an appealingly clean visual style and uses it to highlight the differences between his tourist self and his surroundings.
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From Booklist
Travel sometimes figures in other autobiographical comics, but Neufeld, with a few written contributions by his companion, Sari Wilson, here pioneers the travel book in comics. In the early 1990s, when he and Wilson were in their mid-twenties, they backpacked in Southeast Asia and later, during a year in Prague, in Central Europe. Although Neufeld offers some illustrated "travel tips"--on such nitty-gritty topics as "Bathing in the Tropics" and "Gynecology on the Go" (a Wilson piece)--the book is far more valuable as a memoir than for its tourist information. Unencumbered by group-travel agendas and timetables, the couple had genuine adventures. They spelunked, dangerously, and overnighted with Baptist missionaries (Neufeld and Wilson are very secular Jews) in Thailand; farm-labored for an evening in Malaysia; were extras in a Singapore TV show; and served as English-practice-givers for an ice-cream man on a hot train laid over in Belgrade. Neufeld's comics style is straightforwardly presentational, with few odd angles and broad variation in the amount of detail rendered, which seems perfect for this material.
Ray OlsonCopyright © American Library Association. All rights reserved