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Disc: 1
1. Ouverture
2. Recitative: Happy Assyria (A Ninevite)
3. Chorus: Hear Us, O Baal
4. Recitative: How Soon Eclips'd Is Human Joy (Tobit)
5. Solo & Chorus: O Lord, Whom We Adore (Tobit): Hear From Thy Mercies Seat (Chorus)
6. Recitative: The Lord Hath Heard My Pray'r (Tobias)
7. Air: Will God, Whose Mercies Ever Flow (Tobias)
8. Recitative: But Say, My Rightous Lord (Anna, Tobit)
9. Duet: To Steal A Grave (Anna, Tobit)
10. Recitative: Your Pardon (Tobias)
See all 33 tracks on this disc
Disc: 2
1. Air: Thou, God Most High (Azarias)
2. Duet: Cease Thy Anguish (Azarias, Tobias)
3. Chorus: The Clouded Scene Begins To Clear
4. Sinfonia
5. Recitative: How Happy, Daughter (Raguel, Sarah)
6. Air; To Nobler Joys Aspiring (Sarah)
7. Recitative: O Azarias, I Must Freely Own (Tobias, Azarias)
8. Recitative: The Gratefull Tribute Of Our Thanks (Raguel)
9. Air: Let Songs Of Varied Measure (Raguel)
10. Chorus: Now Love, That Everlasting Joy
See all 33 tracks on this disc

Product Description

Product Description

Compiled by John Christopher Smith from Handel's operas, oratorios and other works,the oratorio Tobit, sometimes described as a pastiche, provided a winning synthesis ofreligion and entertainment at a time when newly-minted oratorios, drawing chiefly onbi

Product Description

Oratorio / Maya Boog (Anna) - Linda Perillo (Sarah) - Barbara Hannigan (Azarias / Raphael) - Alison Browner (Tobias) - Knut Schoch (Tobit) - Stephan MacLeod (Raguel) / Junge Kantorei - Frankfurt Baroque Orchestra, dir. Joachim Carlos Martini

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.0 out of 5 stars  3 reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars John Christopher Smith: Tobit - Oratorio after Handel Feb. 3 2011
By Bjorn Viberg - Published on Amazon.com
Format:Audio CD
John Christopher Smith: Tobit - Oratorio after Handel is a recording under the direction of Joachim Carlos Martini who leads the Frankfurt Baroque Orchestra on this Naxos recording from 2001. This oratorio was compiled by John Christopher Smith and is a compilation from Handel's operas, oratorios and other works. The liner-notes have been written by Keith Anderson and are very well-written and informative. Recommended. 4/5.
1 of 1 people found the following review helpful
3.0 out of 5 stars Georgian Estate Tax? April 22 2010
By Giordano Bruno - Published on Amazon.com
Format:Audio CD|Verified Purchase
You'll have to ransack your knowledge of Handel's London to figure out the meaning of my smart-aleck review title. But my rating is easy; the recording quality of this CD is too poor to justify more than three stars, no matter that the performance is (or was) quite decent. The Frankfurt Baroque Orchestra plays with panache, all four sopranos have the right stuff, and even the chorus shows musical instincts. But even if the sound quality were better, this would be a "collector's item" performance, a strange historical artifact.

When Georg Friedrich Handel visited Ansbach, Germany, in 1716, he invited Johann Cristoph Schmidt to come to England to serve as his assistant and chief copyist. Under the Anglicized name John Christopher Smith, "Schmidt" served faithfully until Handel's death in 1759. He was rewarded by the bequest of all of Handel's own manuscripts. Schmidt/Smith lived only until 1763, whereupon the manuscripts passed to his son, also named John Christopher Smith. The younger Smith had already been serving as Handel's helper in the performance of oratorios. He was an organist, a teacher of music, and a very minor composer in his own right. After Handel's death, he took the lead in perpetuating the annual performances of The Messiah and other oratorios, particularly as charity fundraisers. "Tobit" was one of several pastiche oratorios Smith assembled by selecting arias and choruses from Handel's various manuscripts; the English libretto for "Tobit" was supplied by Thomas Morell. There is only circumstantial evidence that the pastiche was ever performed. The creation of a "new" work from old music was not at all unusual or disreputable in Smith's era; Handel himself was a diligent recycler of his own music, and occasionally of the music of others.

So... what to make of this "oratorio" Tobit?
Plus: It's Handel! Why, it's even 'selected' Handel.
Minus: It's Handel only track by track. The total pastiche is not a Handelian conception, and one can't help feeling that even the decrepit, bloated, blind Handel of his last years would have felt some need for originality, variety and/or unity in an oratorio of this scale. Smith's pastiche is comprised almost entirely of "rousing" arias and more rousing choruses, the sort of Handel that George Orwell disdainful described as "The Big Bow-wow." Hey, I enjoy being roused now and again, but in this pastiche, the effort to show that "more is more" teeters toward bombast.

There's another Plus, nevertheless, for Handel aficionados. You can play a parlor game with yourself by trying to recognize the source of each track in the operas, cantatas, and oratorios Handel left for Mr. Smith to cull. Don't waste your effort on the recitativos; many of them were written by Smith. I think I could recognize the sources of roughly half of the Handelian portions, but I can't prove it; unfortunately, the sources are NOT identified in the CD notes.
4 of 9 people found the following review helpful
2.0 out of 5 stars First disc fine, second disc had problems playing June 18 2007
By M. Struble - Published on Amazon.com
Format:Audio CD|Verified Purchase
The title says it well. Despite a sealed copy, plus a sealed replacement copy from an Amazon seller, fine performance for the first disc that played in both regular and portable CD players, but the second disk, 80 minutes long, had skips and failed to complete play. NAXOS engineering/pressing probably at fault.

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