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"Phineas Brought Back" (as the title means) really brings back Phineas Finn with a vengeance. The handsome, sincere young Irishman has always been a favorite with the ladies. In the first novel he was wounded by a jealous rival; in this one he is fired at by another and has his name scandalized in a newspaper. The high point of the novel is his trial for the murder of a political enemy.
Trollope's genius for character development is superb in these 2 novels. Phineas grows from a naive political novice into a highly capable government official, but his conscientiousness keeps him from playing party politics and causes problems with other members of his party. Phineas maintains his total honesty, a trait which frequently is to his detriment in the real world. His reactions to his imprisonment, trial, and acquittal are exactly right, so perfectly true to the character which Trollope has built up through hundreds of pages.
At the end of the novel, Phineas is still Phineas, but he is a much wiser and sadly disillusioned man. However, he receives the reward of a splendid mate, a woman who is truly worthy of him and whom he now has matured enough to appreciate. If only he had married her when she proposed to him in the first novel! But then none of his engrossing problems would have occurred.
This is one of Trollope's most exciting novels, a true page-turner in the trial sequence. As always, every characterization is extremely well done by one of the world's greatest authors.
By all estimations, PHINEAS FINN, while a thoroughly enjoyable novel, ended badly. So badly, that Trollope felt compelled essentially to delete the ending of the former novel, and provide a new ending in the form of a novel to correct the error of his ways. In his AUTOBIOGRAPHY, Trollope expresses his extreme dissatisfaction with the ending of that novel. Happily, he more than atones for his literary sins with the sequel.
This novel, like its predecessor, is set against the background of a great political reform. In the former, it was suffrage (i.e., how many people would be given the right to vote), in this one, the disestablishment of the Church of England (i.e., breaking the tie of mandatory local taxes to support the Anglican Church). Perhaps for this reason, Phineas Finn's Catholicism, which was not alluded to in the former novel, is made much of. The same cast of parliamentary characters are brought back for this new controversy. One curiosity is that sometimes Trollope refers by name to the achievements of members of parliament such as Gladstone, Disraeli, or John Bright. What is odd about this is the fact that Gresham is pretty transparently based on Gladstone, Daubeny on Disraeli, and Trumbull on John Bright.
Far more than the Barsetshire novels, a large number of increasingly familiar characters flit in and out of the various political novels. The major characters of one novels are found as minor characters in another. As one works through the novels in the political series, one sees such characters as Glencora Palliser, Joshua Monk, Mr. Rattler, Lord Fawn, Lord and Lady Cantrip, Lizzie Eustace, and a myriad of other characters. One of my favorite Trollope characters is prominent in PHINEAS REDUX, Madame Max Goesler. Dark in her features, thin, beautiful, extremely wealthy, widowed, extremely self-possessed, sharply intelligent, efficient, and very much a woman of action, she seems very much to be a woman before her time. One of the most remarkable things about Trollope, who was in many ways the epitome of the Victorian world, was his obvious love for strong, intelligent, exceptional women. Although there are many such women in Trollope's novels, Madame Goesler is easily the one I find most compelling.
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