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Pirates Of The Caribbean: At World's End Soundtrack
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Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Hoist the Colours|
|3. At Wit's End|
|4. Multiple Jacks|
|5. Up Is Down|
|6. I See Dead People In Boats|
|7. The Brethren Court|
|10. What Shall We Die For|
|11. I Don't Think Now Is the Best Time|
|12. One Day|
|13. Drink Up Me Hearties|
In Pirates of the Caribbean: At World's End, we find our heroes Will Turner, and Elizabeth Swann allied with Captain Barbossa in a desperate quest to free Captain Jack Sparrow from his mind-bending trap in Davy Jones' locker. Navigating through treachery, betrayal and wild waters, they must forge their way to exotic Singapore and confront the cunning Chinese pirate Sao Feng (Chow Yun-Fat). Pirates of the Caribbean: Dead Man's Chest third biggest movie of all time Third soundtrack release of record-breaking movie franchise with proven successful music sales history Soundtrack will consist of original score by Academyr and Grammyr Award winner Hans Zimmer (Pirates of the Caribbean composer). Its also includes a Collectible CD booklet with photography from the film.
The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli
Top Customer Reviews
Hoist the Colours: 7/10-A very tragic and haunting scene, and the song is likewise, but I think that it's given a more interesting treatment in "What Shall We Die For?"
Singapore: 8/10-This track has an Oriental flavour, but still manages to bring in a lot of the much loved themes from the first two films.
At Wit's End: 9/10- though it may seem a bit long, it first brings in the beautiful Willabeth theme in all it's glory, then seemlessly transitions from a bit of the Tia Dalma theme back into the Willabeth theme again.
Multiple Jacks: 6/10- I don't know if it's because I didn't really like the scene in the movie, or because of the silence in the middle, or just because it's so weird, but this track never really did it for me.
Up is Down: 10/10- One of the best tracks on the cd, this is both hilarious and exciting, introducing the great main theme for the movie...it also helps that it's from one of the most outlandish, zany scenes in the movie...when the crew capsizes the black pearl by running back and forth.
I See Dead People In Boats: 7/10- Very slow, and very sad, but also very sweet, this is the music from when Elizabeth's father dies...watch out for that weird organ cord at the end.
The Brethren Court: 7/10- in this track, we first hear the "Hoist the Colours" theme really sneaking into the music, and we also get some delightfully weird music as Keith Richards enters as Captain Teague.Read more ›
There are some truly spectacular moments that give me goose bumps. This is without doubt, the best soundtrack, and orchestral based album I have ever listened to. Although I would have enjoyed this as a classical album, the electronic elements (guitars and synthesizers) are both sparingly used, and tasteful, and don't take anything away from what is an epic symphonic score.
I can listen to this album no matter what kind of mood I'm in, and it will both relax and revive me.
I can't recommend it highly enough. I love it.
Most Helpful Customer Reviews on Amazon.com (beta)
I also love that there are some choral bits in this album (The Brethren Court, I Don't Think Now is the Best Time).
On to the piece-by-piece run-through:
1. Hoist the Colours - 9.5/10: I love this. The boy's song, the drums and other pirates in the background, all make for a beautiful, haunting way to start off the soundtrack. I only wish they'd included more of it on the CD.
2. Singapore - 7/10: It's not my favorite because it's rather slow in places, but eventually it moves into that adventurous, swooping music that you'd expect.
3. At Wit's End - 10/10: Brilliant! This serves as an intro to the action in the film. All the various themes are mixed in to make for beautiful, epic music.
4. Multiple Jack's - 7.5/10: This is really weird - it includes odd instrumental choices for a pirate movie. But it also works very well, because hey, it's about Jack Sparrow.
5. Up Is Down - 8/10: Upbeat and playful, it gives you hints of the main themes.
6. I See Dead People In Boats - 9/10: Slow and haunting. Love the string instruments.
7. The Brethren Court - 8/10: Bits of the chorus and occassional increases in tempo make it work.
8. Parlay - 7.5/10: A little odd as it slinks into a sort of cowboy-style, but it keeps you on your toes.
9. Calpyso - 8/10: It becomes stronger a little past half-way.
10. What Shall We Die For: 10/10: It's short and very powerful - one of my favorites.
11. I Don't Think Now Is the Best Time - 10/10: This is the biggie of the album. It manages to fit everything in for the climactic scene. Huge, grand, and epic.
12. One Day - 10/10: This contains a lovely new melody that I love. Bittersweet.
13. Drink Up Me Hearties - 9.5/10: The return to the original pirate theme is a great end to the soundtrack and movie.
I believe that some people who were really in love with the first soundtrack's lightheartedness and hijinks may find this one a bit of a disappointment (and perhaps maybe not). While many of the old themes are used in the span of the entire CD, they are relied upon far less than the previous two, with the obvious exception of Jack's theme. We do, however, hear the old themes, but in different ways. Davy Jones' theme is indeed played on a music box in "At Wit's End" but then it shifts into a moving symphonic rendition. And the East India Trading Company theme, or Beckett's Theme, is given a new feel from the original dulcimer- an electric guitar ("Parley").
It is very epic- as is Hans Zimmer's way, I could hear cues from such movies as The da Vinci Code, King Arthur, and even a tone or two that reminded me of Gladiator. Regardless, this CD definitely has its own feel- there are parts of it that sound vast and whimsical, upbeat and playful, romantic and lighthearted, creepy and dank, and of course, silly and drunk, as is most noticeable in "Multiple Jacks."
The new romantic theme, which is introduced in "At Wit's End," is beautiful and flowing. In fact, it seems a bit surprising on this particular soundtrack, given the feel of the other two soundtracks. It has an ethereal flair to it, and is very orchestral and full.
However, I am loathe to compare this to the other two because of the fact, mainly, that the movie has not officially been released yet, and it's obviously an entirely seperate movie. I can already imagine the scenes in which these songs appear, but I also don't want to get a set image in my head to ruin the anticipation of the movie.
A refreshing and interesting addition, perhaps most of all, is the new pirate shanty (or "dirge," as it were), "Hoist The Colours." It is a short song, relying on drums, that begins with a lone child singing rather hesitantly, then the chorus grows as other pirates (I assume- what else would they be?) join in. This basic, and primary, theme is repeated several times throughout the soundtrack, usually at the climatic points of the songs. Along with this song, the Asian influences in the song "Singapore" (and others) offer a new touch of worldliness to this soundtrack, something that was not utilized before.
Every song on this CD is wonderful. My personal favorites are "Drink Up Me Hearties," "At Wit's End," and "I Don't Think Now Is The Best Time" because these three, in my own opinion, are incredibly dauntless.
The release of this SUPERB soundtrack only makes it worse to wait another 2 days for the movie. :)
But the exception here is that the score to this third installment of the Pirates line of films is absolutely stunning, and so much so that I just have to blabber about it.
(7/21/07: editing this review to add a track-by-track for those interested):
1. Hoist the Colours (7/10): Hauntingly beautiful, and pretty unique as far as Pirates score work goes. Bested by several tracks here, but unique nonetheless.
2. Singapore (6/10): Don't much like this one, personally, but it fits the film well. I will say, though, that there is one standout piece of music around ~1:50 that isn't heard anywhere else in this score, and that in itself, however short, makes it worth a listen.
3. At Wit's End (10/10): GORGEOUS. Dramatic orchestral work turns into the chime theme we first saw long ago, and that itself turns into a pretty driving couple of minutes to bring this track to a close in powerful fashion (yes, the kind that makes you skip back to listen to it over and over).
4. Multiple Jacks (5/10): A necessary track for the film, but in terms of listening, I don't particularly care for it.
5. Up is Down (8/10): Catchy, upbeat theme with a powerful conclusion; among the better tracks of the score, even if it is a little short.
6. I See Dead People in Boats (8/10): Beautiful, somehow more classical-sounding (as if in a Beethoven quartet at a couple of short places...?) piece; extremely well put together with great range of thematic material, and an ending few minutes that will send chills up your spine.
7. The Breathren Court (6/10): Meh. There is a brief choral section right in the middle of this that makes it worth a listen, but beyond that, it's not exactly a highlight.
8. Parlay (6/10): Unique in terms of instrumentation, and with a driving orchestral beat near the end that stands out, but otherwise not terribly noteworthy.
9. Calypso (6/10): Again, choral section in the middle of the piece stands out, but this and the preceding two tracks are quickly eclipsed by the following...
10. What Shall We Die For (10/10): Beautifully put together with a driving string section; this one quickly develops into a leading piece for the climax of the film. The choral work that ends this is another one of those chills-up-the-spine moments for the album, and it blends seamlessly into...
11. I Don't Think Now is the Best Time (10/10): I don't even know where to start. The beginning two minutes of this are iffy, but from around 2:55 to the end at 10:45 or so, it's stunningly beautiful. Once again, choral work around the 6:00 mark makes me wish there were more reprises of that short theme in the score, and... and... oh, the hell with it. Zimmer will be up late at night trying to top this one.
12. One Day (10/10): Another dramatic few minutes of music followed by some charmingly beautiful counterpoint. The other reviewers that mention the new theme here are correct - it's absolutely beautiful.
13. Drink Up Me Hearties (10/10): Perfect end to the film (here's to hoping for a #4...). The return to the theme seen in the middle of "Jack Sparrow" from the previous score is well-placed, as is the use of the original Pirates theme. Soaring strings lead the orchestra to an end here - how sad to say - and it's magnificently well done.
This third score is reason enough to see the film again (and again). It's a far more orchestral set of music than #2 was, and it is arguably better-written in terms of capturing a film in music. There are a few new motifs - charming, gorgeous, awe-inspiring motifs - that are heard from time to time throughout the film, and a decent amount of the thematic material from the first two films reappears here, as well.
Essentially, it is as if Zimmer took all that was right with the scores to Pirates 1 and 2, slightly improved it, added new music that rivaled the best of the previous films, and masterfully added them together. But here, somehow, the whole is most definitely greater than the sum of its parts.
Highly, highly recommended. If the music from the first two films interested you at all, you're bound to love much of this one.
As has already been pointed out by other reviewers At Wit's End and I Don't Think Now Is The Best Time are incredible tracks. I'd like to include I See Dead People In Boats and Singapore in that short list of standouts. Multiple Jacks is also a very good bit of music, albeit with a strange mix of rather exotic instruments. Up Is Down has a certain playfulness that I really enjoy as well.
I have to admit however that I have one complaint about this compilation. The music that is playing in the last minute or so of the trailer is not included. The music in question picks up when the first glimpse of the sea battle starts. It is an incredible bit of music that plays prominently for nearly a third of the trailer yet didn't make the cut on this disc. I'm absolutely shocked by this. My understanding was that I Don't Think Now Is Best Time runs around 26 minutes in the film and I believe this "phantom" music came from there. I could be wrong but that's where I think it would fit. Anyway, it's a shame that Disney (or whoever is responsible) edited this out of the soundtrack. The disc runs fifty-six minutes so it's not a question of available time, there was plenty.
That might sound like a small complaint (and it is) but the track in question was an absolutely stunning piece of music. With that said, I will repeat that what is here is undeniably the best score released for any of the three films. I just guess I'll have to wait until the extended version of the soundtrack comes out (which I believe I read was going to happen for all three films)...
After watching the film over the weekend I was just as surprised to find that the musical piece referenced above is also missing from the film itself. Not just the soundtrack. Why do they do this? After looking at some other reviews it seems I'm not the only one who was looking forward to hearing this.