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Plague of Angels Paperback – Nov 1 1994


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Product Details

  • Paperback: 588 pages
  • Publisher: Spectra; Reprint edition (Nov. 1 1994)
  • Language: English
  • ISBN-10: 0553568736
  • ISBN-13: 978-0553568738
  • Product Dimensions: 10.7 x 3.2 x 17.3 cm
  • Shipping Weight: 272 g
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Bestsellers Rank: #110,493 in Books (See Top 100 in Books)

Product Description

From Publishers Weekly

Tepper ( Sideshow ) cleverly adopts elements of both fantasy and science fiction in this portrait of a world on the verge of chaos. Looking to space for a better world, most of Artemesia's inhabitants have deserted their land for the stars, leaving behind crumbling gang-infested cities, fortified suburbs protected by dwindling technology and a half-wild, half-rural land where renascent mythical beasts and fairy tale "archetypes" now live. There Abasio, a farmboy who is being pursued by vengeful gang members, meets Orphan, who is herself being pursued by the minions of Witch. Witch is convinced that in accordance with a delphic prophecy, Orphan can provide the "guidance system" for her space shuttle and thus allow her to settle the moon. Abasio, Orphan and their few allies are called to fulfill their destiny and defend the battered Earth from Witch's mad scheme for world domination. If the fantasy and SF elements don't always merge seamlessly, the setting is well-realized and Witch's psychosis is lurid and frightening. Tepper's prose is colorful and, while occasionally strident, tempered with wry wit and astute observations about human nature.
Copyright 1993 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From School Library Journal

YA-A thought-provoking story with lots of action. "Orphan" has a destiny, as does Abasio Cermit. Somehow, these two destinies are intertwined. Abasio leaves his farm for the gang-filled, drug-infested city of a far-off future. Orphan leaves home also. The story of how these two come together to save a crime-ridden, overpopulated, plague-filled world is the basis of Tepper's novel. It is a mixture of myth, science fiction, and apocalyptic prophecy. A Plague of Angels has the same themes as those found in Tepper's previous novels, but it is a little easier to understand. The ending is not very effective (a series of deus ex machinas come in and, with the help of Orphan and Abasio and numerous other human and mythical characters, save humanity from itself), but the story is well worth reading.
Susan McFaden, Fairfax County Public Library, VA
Copyright 1994 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Customer Reviews

3.6 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By "breathingmeat" on April 22 2004
Format: Paperback
This is probably the strangest Sheri S Tepper book I have encountered so far. If you've not read one of Tepper's books before, this would not be the best one to start with. Her talents are best showcased in Beauty and The Family Tree.
If you have read and liked other Tepper novels, then you'll enjoy this. On the surface it's very much to the Tepper formula - a strange and disturbing future resulting from modern society's monumental mistakes. But it's just a bit odd. The characterisations are deliberately starker and the plot takes a while to get going. 4 stars because I like it, but wouldn't necessarily recommend it to everyone.
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Format: Paperback
This book seemed fairly promising, but unfortunately, it failed to deliver on most of the promises. I loved the basic premise and the idea behind the book, but that's pretty much it.
The book started off incredibly slow. The first 80 or so pages are mainly background information, and could have easily been worked in elsewhere in the novel.
Sheri S. Tepper went into incredible detail on things that weren't very important to the story, but left it mainly to the reader's imagination on the bigger elements. Such as Orphan's guardian angel. You can surmise fairly early on what it is, but you don't actually find out what it looks like until at least midway through the book.
The whole book is done in past tense, however, for whatever reason, Sheri S. Tepper decided to switch to present tense for the last chapter. This made absolutely no sense to me. It would have worked had she started off the novel in present tense, then went through the middle of the book like a flashback, finally switching back to present tense at the end. Since this didn't happen, the present tense at the end of the novel had a really jarring effect on me.
I could go on about the other problems I had while reading this book, but suffice it to say, it's pretty bad when you keep reading a novel in the hopes that it gets better to only be disappointed at the end that it didn't. My only real regret is that I purchased this novel new at bookstore. Had I bought it used, it wouldn't seem like such a waste of money.
All in all, the book had the potential to be an awesome mix of sci-fi and fantasy. It's just sad that it didn't happen that way.
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Format: Paperback
A Plague of Angels is definitely a well-written, engaging story. The combination of science fiction and fantasy elements is effectively done, and the characters are entertaining even though rarely fully-developed. The book's weaknesses would have been easily forgivable if the premise had been as new to me as it was to some of the other reviewers, but for me, it was not breaking new ground.
In the early '80s, I read two books by James Kahn, "World Enough and Time", and "Time's Dark Laughter". These works similarly follow a post-technological world moving back into the realm of myth and legend, but do so far more effectively. It is possible that the main difference is that my standards have changed over the last 20 years, but I sincerely believe that those earlier works were far better developed than "A Plague of Angels." If you are familiar with Kahn's work, you may be disappointed by this book, but still, it is an enjoyable read.
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Format: Paperback
I wasn't quite certain what to expect in reading this work. Initially, the blend of future history, sci-fi, and fantasy seemed incongruous, but made more and more sense as the story progressed. One of the things which I've often been troubled by in other novels is the tendency to make everything out to be some huge cataclysmic battle. In this case, the real battle is something that no one ever quite expects, which is probably how such things would really go. And somehow, despite all of the disparate elements and varying foci, it works. In fact, it is one of my favorite future history novels due, in part, to the fact that Tepper doesn't shirk from making very unpleasant analyses of and decisions about issues that are facing our future. I don't agree with her about everything, but I will say that she is remarkably tough-minded and consistent, while writing a wonderful story and believable characters.
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Format: Paperback
I have to think that other readers besides me were a little disturbed by this book's seemingly easy acceptance of "final solution" thinking. A well-constructed narrative, intriguing concepts and bad, bad, bad guys are not a good enough justification for fascism, whether we're talking about actual history or speculative fiction. Strong, wise leaders who need to cleanse society (even a really rotten one) for the elites? Norman Spinrad's Iron Dream looked at this kind of seductive thinking a generation ago -- read your SF history!
Try some LeGuin in either her cultural or political mode, Emma Bull's wonderful War for the Oaks, or even the recent Lisle/ Bradley "Rift" books as antidotes to this stuff. Or go to the Salon e-zine to see David Brin's thoughtful rant about similar issues in the Phantom Menace. Good sf/fantasy is not incompatible with democracy!
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Format: Paperback
I read a couple of her other books, "Grass" and "Beauty," and enjoyed them VERY much. This one wasn't as good, but still ok.
The beginning was tedious for me. I don't like reading about gang members who live in putrescent urban conditions and speak like retards. I also don't like futuristic novels where everything has gone wrong and gloomy. Moreover, the character development was not too good, at least at the start.
Fortunately, the whole book was not like that. While things started out being fairly confusing, they started hanging together better as I went along. I kind of had to force myself to stick with it, mostly because I liked her other books, but I was glad by the time I finished. The ending, which I won't reveal, was extremely creative and transformative.
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