- Paperback: 864 pages
- Publisher: Barnes & Noble Classics (Nov 1 2003)
- Language: English
- ISBN-10: 1593080611
- ISBN-13: 978-1593080617
- Product Dimensions: 20.6 x 13.5 x 4.6 cm
- Shipping Weight: 680 g
- Amazon Bestsellers Rank: #1,301,937 in Books (See Top 100 in Books)
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Product Details |
Product Description
Product Description
Six Plays by Henrik Ibsen is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.
The father of modern drama, Henrik Ibsen shook off the stale conventions of nineteenth-century theater and made the stage play an instrument for brilliantly illuminating the dark recesses of human nature.
After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges.
Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights.
Martin Puchner is Assistant Professor of English and comparative literature at Columbia University. He is the author of Stage Fright: Modernism, Anti-Theatricality and Drama (Johns Hopkins University Press, 2002).
After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges.
Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights.
Martin Puchner is Assistant Professor of English and comparative literature at Columbia University. He is the author of Stage Fright: Modernism, Anti-Theatricality and Drama (Johns Hopkins University Press, 2002).
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Most Helpful Customer Reviews on Amazon.com (beta)
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5.0 out of 5 stars (1 customer review)
4 of 4 people found the following review helpful
5.0 out of 5 stars
Worth finding, Jan 9 2008
By Biblibio - Published on Amazon.com
This review is from: Six Plays by Henrik Ibsen (Barnes & Noble Classics Series) (Paperback)
I somehow doubt this book will suddenly pop up brand-new again, but if it does? Go for it.Most editions of Ibsen plays don't give much. Three plays if the publisher's enjoying ripping people off, and generally four. Barnes and Noble Classics, which are a pretty good, provide us with perfection in the form of a book - six of Ibsen's most popular and important plays.
A person really need not go much further. This has the plays people like to read ("Hedda Gabler" and "A Doll's House"), as well as one of my favorites ("Ghosts"), and another Ibsen classic, "Peer Gynt". It's not slim, but it was once a grand deal, and perhaps a bit more enthusiasm will encourage it to become an incredible deal once again. If only...
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