Pleasant Dreams (Expanded) Import
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Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. We Want the Airwaves|
|2. All's Quiet on the Eastern Front|
|3. The KKK Took My Baby Away|
|4. Don't Go|
|5. You Should Like You're Sick|
|6. It's Not My Place (In the 9 to 5 World)|
|7. She's a Sensation|
|9. You Didn't Mean Anything to Me|
|10. Come and Now|
|11. This Business Is Killing Me|
|12. Sitting in My Room|
|13. Touring (1981 Version)|
|14. I Can't Get You Out of My MInd|
|15. Chop Suey (Alternate Version)|
|16. Sleeping Troubles (Demo)|
|17. Kicks to Try (Demo)|
|18. I'm Not an Answer (Demo)|
|19. Stares in This Town (Demo)|
In the context of the Ramones' long and unlikely career, Pleasant Dreams--their sixth studio album--pretty much marks the beginning of the end. By the time they began work on this album, the next generation of New Wave artists that the Ramones had helped inspire into being were beginning to overtake them, their creatively inspired, personally torturous one-album association (1980's superb End Of The Century) with Phil Spector had come to an end, and they were still yet to learn a fourth chord. Amazingly, if regrettably, they struggled on for another 16 years and 10 more largely useless albums.
Pleasant Dreams is not without its moments, however, as the Ramones wrung the final morsels of inspiration from their patented one-two-three-four ramalamalama punk ethic. "She's A Sensation" is a deft acknowledgement of their debt to such Spector protegées as the Ronettes and the Shangri-Las that would not have sounded out of place on "End Of The Century", and the wondrously titled "The KKK Took My Baby Away" is one of the Ramones' all-too-rare forays into sociological commentary. --Andrew Mueller --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
'We Want the Airwaves' is a perfect example; it finds that Johnny Ramone has forgotten the three-chord buzzsaw guitar hooks that were so evident on their debut. The song remains one of his best guitar moments. The album carries on in suitable form with 'All's Quiet On the Eastern Front' and the grin-inducing but repetitve 'The KKK Took My Baby Away.' Joey Ramones' vocals are most flexible on 'It's Not My Place,' while 'You Didn't Mean Anything To Me' and 'This Business is Killing Me' are worthy additions to the band's lexicon.
As with most of the recent re-issues, "Pleasant Dreams" contains a slew of bonus tracks that are surely worth having, while not overbearing the album's original content, which is worth having even on its own. On the bleaker side, "Pleasant Dreams" was a reminder at the time that proved the acts that they had inspired (i.e., the punk bands that ripped them off) were now unrightfully overshadowing their punk forefathers.
We talked for two hours in front of a highrise Howard Johnsons hotel. Joey was funny in a dark way and very, very angry that A Flock of Seagulls and Men at Work were somehow getting the air play denied to the Ramones' brilliant pop-punk. And he had every right to be dismayed and worse. PLEASANT DREAMS showcases a band that had fully mastered the essence of great pop -- powerful playing combined with killer hooks and a let's-party attitude.
While all of those qualities are in abundant evidence throughout the album, PLEASANT DREAMS is remarkably varied. There's fizzy power pop (IT'S NOT MY PLACE, COME ON NOW, SHE'S A SENSATION), stomping punk (KKK..., EASTERN FRONT), spidery heavy metal (WE WANT THE AIRWAVES) and a big ballad (7-11).
How radio programmers could ignore all this really should be the focus of a United Nations investigation. Hey, if there are any radio DJs out there who went out of their way to NOT play the Ramones (like the ones at WQDR in Raleigh, NC), please explain why. The Ramones got the last laugh (they're in the Hall of Fame and you're not), but you caused'em a lot of grief and denied your listeners some great music.
There are a number of Ramones gems on this albulm. "The KKK..." and "7-11" are classic Joey tunes. "All's Quiet on the Eastern Front" is the mature culimnation of the horror theme of the first four punk albulms. "It's Not My Place" is one of the most catchy, and yet complex, songs that the Ramones ever produced. "We Want The Airwaves" is top-notch rock, and foreshadows some of the brilliant excess of 'Too Tough To Die'. On the other end of the spectrum, Graham Gouldman's production on "She's A Sensation" and "You Sound Like You're Sick" will remind some of 'Century'.
The re-mastering brings out some of the subtleties of the pop production to good effect. After listening to this version, the older release sounds flat and washed-out, an effect that does nothing to compenstate for the restraint Johnny (the guitarist) shows on this albulm. The bonus tracks are exciting for the serious fan. Early versions of "Touring" and "Can't Get You" are satisfying additions to the albulm. The real treat, however, are the Demos left over from the studio session (although it's not nearly all the material originally recorded). Two are Stasium efforts, and, as one would expect, have a classic Ramones sound to them.Read more ›
"Pleasant Dreams" was the first of these efforts ("Subterranean Jungle" is the other). Unfortunately, this is/was the most ignored of all Ramones albums, which is a shame considering just how tasty it really is. Unlike the following "Jungle," which was dark and fierce, reflecting the Ramones' growing frustration, "Pleasant Dreams" is mostly light and well-humored. The Ramones vent some frustration here too, on "We Want the Airwaves" and "This Business is Killing Me." But on the whole, the album features some very mature, bubblegum rock. What I love most about "Pleasant Dreams" is its uniqueness. The album encompasses a style on to its own.
This is very much a Ramones album when listened to carefully, but on the surface, the pop influences stand out boldly. Perhaps it shows the depth of the Ramones' desperation, considering they recruited 10cc'er Graham Gouldman to produce the album. The Ramones will tell you they formed in 1974 to counter the slavishly proudced fare of bands like 10cc; and here they were, conspiring with the art-rock bassist and even dropping a reference to the band on one of the album's songs ("It's Not My Place").Read more ›
Most recent customer reviews
Being a avid ramones fan i have the provledge of having owned and listened to all of them but i have to sya pleasant dreams is my favorite one. Read morePublished on July 19 2004
I've heard alot of Ramones records and often I feel often all the songs just blend together. This album has a fine mix of ballads and fast rockers. Read morePublished on May 29 2004 by derty dee
This Ramones album is a classic. If it was released properly it deserves five stars. Unfortunately it is marred by messy bonus tracks. Welcome to filler hell! Read morePublished on Aug. 5 2003 by Flying
Pleasant Dreams should be called the ultimate Ramones Pop album. The Ramones get really poppier with songs like "7-11" but yet keep to their roots with the angry... Read morePublished on May 1 2003 by Alex
Although Graham Gouldman's production on this, the band's first set of all originals, was dismissed by some (including the band) as too light or too pop, it's hard to find fault... Read morePublished on Sept. 16 2002 by Clark Paull
Normally I might be a little cynical about these re-issue CDs. I bought every Ramones record on vinyl when I was a kid. Read morePublished on Aug. 29 2002 by D. K. Malone
This is one of the only Ramones albums I bought a CD to replace the record. While much of the album sounds pop (9 to 5 world), "All's Quiet on the Eastern Front" is the... Read morePublished on April 4 2002
This soon-to-be-inducted-into-the-Rock-and-Roll Hall of Fame act was in a quandry in the early 80's: Could they match the visceral impact of their first four albums while still... Read morePublished on Jan. 21 2002 by Alan Hutchins