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Pno Music

Nicolai Andreyevich Roslavets Audio CD
5.0 out of 5 stars  See all reviews (4 customer reviews)
Price: CDN$ 24.30 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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1. Three Compositions: Adagio (Nobilissimo)
2. Three Compositions: Agitato con passione
3. Three Compositions: Allegretto grazioso
4. Three Etudes: Affetamente
5. Three Etudes: ('Pianissimo') Con dolce maniera
6. Three Etudes: Burlando
7. Piano Sonata No. 1
8. Prelude: Largo
9. Two Compositions: Quasi Prelude: Tres modere
10. Two Compositions: Quasi Poeme: Lent
11. Piano Sonata No. 2
12. Two Poems: Allegretto - Fervido
13. Two Poems: Moderato - Sempre poco rubato
14. Five Preludes: Andante affetuoso
15. Five Preludes: Allegretto con moto
16. Five Preludes: Lento
17. Five Preludes: Lento
18. Five Preludes: Lento - Rubato
19. Piano Sonata No. 5

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Most helpful customer reviews
2 of 2 people found the following review helpful
5.0 out of 5 stars (No title). Dec 6 2000
By offeck
Format:Audio CD
This unjustly neglected music, a chaste mix of Scriabin, Scoenberg, Hauer, Ravel, and Busoni, but in a world of its own, rarely free of intellectual luxuriances, indulgence, or necrophiliac dalliances, and even more rarely cultivating a clarity of line, upon multiple listenings, remains undeniably powerful, fascinating, and intriguing. As usual, Hamelin makes his way with amazingly superhuman apomb through the heiroglyphic proliferation and rhythmic interplay so intricate that few pianists have the ability to decipher them let alone blend their sonorities so finely!
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1 of 1 people found the following review helpful
5.0 out of 5 stars Fantastic Jun 28 2000
Format:Audio CD
Who should get this disc? Anyone interested in worthwhile pianorepertoire off the beaten track. It is so difficult to play that you are unlikely to just bump into it on an average recital prgramme. If you like Scriabin, Szymanowski, Sorabji, Rachmaninoff, Prokofiev or even Debussy, you'll find a lot here to enjoy. A bit more abstract perhaps than Scriabin, a very colourful harmonic language. As for the playing, it sounds magnificent, I can not imagine a more persuasive performer
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5.0 out of 5 stars Roslavets solo works Oct 28 2000
Format:Audio CD
The music of Nikolai Roslavets (1881 - 1944) is heavily, almost drearily, impressionistic, drawing on the worst of both Debussy and Scriabin. Roslavets developed and followed his own opaque system of tonal organization, which was never explained to or understood by anyone, including possibly the composer himself.

The short pieces on this disc make extensive use of the delicate washes and sweeps of tone that Debussy exploited in his well-known works. The piano is used in a similar pointillistic way to minimize its percussive character by avoiding definite rhythms and cramming odd numbers of notes into legato lines. But Roslavets' tonal sense is nothing like Debussy's. It is alien and forbidding, a sort of suprematist abstract impressionism. Expressionist music here is built with impressionist devices.

No themes are apparent here, even in the Sonatas, where some development and variations can be discerned, though I was never sure about what was being developed. The little tone poems make wonderful background music. They were not at all intrusive as long as I didn't pay attention and try to make sense of things. While at times the music shows hints of structure, it never arrives and its emotional direction and goals are generally unclear.

The Sonata #1 is a very delicate thing, constructed out of fragmentary motifs and nothing like a melody. In some places it builds in intensity, to a high pitch and density, and then leaves it hanging and returns to mid-range noodling. This has echoes of Sorabji's lush chromaticism and exotica without the passion and daring of that composer.

I would buy a disc of Hamelin playing Plastic Bertrand, and I found much to admire in his playing here. This music is in fact very complex, and in an unconventional notation. Hamelin finds his way through all of it, always in control, with the technical resources to span the range of moods. It's not his typical material, but challenging in its own peculiar way. This music has been disparaged as "etiolated Scriabin" and even Hamelin can only give us the pale pastels, and does not try to supply bright colors. This recording is valuable in that it gives us one more clue as to how Hamelin would sound playing Sorabji, something I would dearly love to hear. The recording is clear, if somewhat reverberant, not very different from Hyperion's other studio efforts with this pianist.

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