Poet To Poet Four Quartets [Paperback]

Published in the fiery days of World War II, Four Quartets stands as a testament to the power of poetry amid the chaos of the time. Let the words speak for themselves: "The dove descending breaks the air/With flame of incandescent terror/Of which the tongues declare/The only discharge from sin and error/The only hope, or the despair/Lies in the choice of pyre or pyre--/To be redeemed from fire by fire./Who then devised this torment?/Love/Love is the unfamiliar Name/Behind the hands that wave/The intolerable shirt of flame/Which human power cannot remove./We only live, only suspire/Consumed by either fire or fire." --This text refers to an out of print or unavailable edition of this title.

Published in the fiery days of World War II, Four Quartets stands as a testament to the power of poetry amid the chaos of the time. Let the words speak for themselves: "The dove descending breaks the air/With flame of incandescent terror/Of which the tongues declare/The only discharge from sin and error/The only hope, or the despair/Lies in the choice of pyre or pyre--/To be redeemed from fire by fire./Who then devised this torment?/Love/Love is the unfamiliar Name/Behind the hands that wave/The intolerable shirt of flame/Which human power cannot remove./We only live, only suspire/Consumed by either fire or fire."  (Amazon.com Review )

Series of four poems by T.S. Eliot, published individually from 1936 to 1942, and in book form in 1943; the work is considered to be Eliot's masterpiece. Each of the quartets has five "movements" and each is titled by a place name--BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images deftly woven throughout the four poems. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature ) --This text refers to an alternate Paperback edition.

In this series, a contemporary poet advocates a poet of the past or present whom they have particularly admired. By their selection of verses and by the personal and critical reactions they express, the selectors offer intriguing insight into their own work.

We are pleased to announce the publication of eleven more titles into the new typographic look. The specifications for the books are high -beautifully produced, they all have flaps and are sewn and printed in Italy. The latest batch represents some of the core titles of the backlist (Philip Larkin's Collected Poems, Ted Hughes's New Selected Poems, James Joyce's Poems and Shorter Writings) along with key, single volumes that should be part of any poetry lover's library (and whose reissue, in the form in which they were first published, will give a whole new generation the pleasure of coming to the books as original readers). --This text refers to an out of print or unavailable edition of this title.

Thomas Stearns Eliot, OM (September 26, 1888 – January 4, 1965), was a poet, dramatist, and literary critic. He received the Nobel Prize in Literature in 1948. Among his most famous writings are the poems The Love Song of J. Alfred Prufrock, The Waste Land, The Hollow Men, Ash Wednesday and Four Quartets; the plays Murder in the Cathedral and The Cocktail Party; and the essay "Tradition and the Individual Talent". Eliot was born in the United States, moved to the United Kingdom in 1914 (at age 25), and became a British subject in 1927 at the age of 39. Of his nationality and its role in his work, Eliot said: "[My poetry] wouldn’t be what it is if I’d been born in England, and it wouldn’t be what it is if I’d stayed in America. It’s a combination of things. But in its sources, in its emotional springs, it comes from America." --This text refers to an alternate Paperback edition.

The Anglo-American Nobel winner T. S. Eliot is one of the most important poets of the century. This essay (1943) brought him his first popular recognition. Described as an "austere and rigorously philosophic poem on time and time's losses and gains," it unified war-torn Britain by extolling Christian fundamentals. Ted Hughes, England's poet laureate, gives an appropriately austere reading in soft, mellifluous Yorkshire cadences. Like those of many poet-reciters, his intonations are mannered. One either likes this approach or doesn't. Still, the sense, as well as the beauty, of the lines shines through. Y.R. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.