To hear a poet read his or her own work is a revelation. Poetry is voice-activated and peculiar to the individual writer. I plan to listen to all four CDs again of _Poetry on Record: 98 Poets Read Their Work 1888-2006_.
For me, there were many surprises and delights: the tenderness of Robert Hayden (I never heard of him `til now--honestly!), the voices of Ezra Pound, Dorothy Parker, Elizabeth Bishop, Dylan Thomas, Lawrence Ferlinghetti, Maxine Kumin, Adrienne Rich, Marge Piercy, and Charles Bukowski. I'd never heard of Gloria Vando, Anne Waldman, Vijay Seshadri, Elise Paschen, or Carl Hancock Rux and Pedro Pietri and many others. I enjoyed old favorites: Simon J. Ortiz, Juan Felipe Herrerea, Luis Rodgriquez, Seamus Heaney, and Amiri Baraka. The recordings of Lord Tennyson and Robert Browning were made "on a wax cylinder supplied by Thomas Edison."
Perhaps, Pulitzer Prize winners are over-represented, but the selections are thoroughly enjoyable. Also, nearly everyone is an American poet, but it would take ten CDs or more to cover Europe, so I can understand the production was in the U.S only. (The notes on Simon Ortiz are incorrect; he's from Acoma Pueblo, not Acuna). The four CDs are in lovely autumn colors (russet, dark orange, pale green, and golden yellow; the cover of the box is of autumn oak leaves--such a beautiful production. The listener will become especially aware of the long-term work of Rebekah Presson Mosby in recording many of these poets and producing the _Poetry on Record_ as well writing several essays in the accompanying booklet.