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Certain thriller writers burst upon the scene with considerable impact: Forsyth with The Day of the Jackal, Cruz Smith with Gorky Park and Robert Harris with the masterly Fatherland. Interestingly, of these three authors, by far the most consistent has been Harris, and his new novel, Pompeii is in some ways his most audacious offering yet, a brilliantly orchestrated thriller-cum-historical recreation that plays outrageous tricks with the reader's expectations.
As in the equally adroit Enigma, Harris takes a familiar historical event (there, the celebrated code-breakers at Bletchley Park, here the volcanic obliteration of an Italian city in AD79) and seamlessly weaves a characteristically labyrinthine plot in and around the existing facts. But that's not all he does here: few novelists who (unlike Harris) make a speciality of ancient history for their setting pull off the sense of period quite as impressively as the author does here. As the famous catastrophe approaches, we are pleasurably immersed in the sights, sounds and smells of the Ancient World, each detail conjured with jaw-dropping verisimilitude.
Harris's protagonist is the engineer Marcus Attilius, placed in charge of the massive aqueduct that services the teeming masses living in and around the Bay of Naples. Despite the pride he takes in his job, Marcus has pressing concerns: his predecessor in the job has mysteriously vanished, and another task is handed to Marcus by the scholar Pliny: he is to undertake crucial repairs to the aqueduct near Pompeii, the city in the shadow of the restless Mount Vesuvius. And as Marcus faces several problems--all life threatening--an event approaches that will make all his concerns seem petty.
Other writers have placed narratives in the shadow of this most famous of volcanic cataclysms, but Harris triumphantly ensures that his characters' individual dramas are not dwarfed by implacable nature; Marcus is a vividly drawn hero: complex, conflicted and a canny synthesis of modern and ancient mindsets. Some may wish that Harris might return to something closer to our time in his next novel, but few who take this trip into a dangerous past will be able to resist Harris's spellbinding historical saga. --Barry Forshaw --This text refers to the Hardcover edition.
In this fine historical by British novelist Harris (Archangel; Enigma; Fatherland), an upstanding Roman engineer rushes to repair an aqueduct in the shadow of Mount Vesuvius, which, in A.D. 79, is getting ready to blow its top. Young Marcus Attilius Primus becomes the aquarius of the great Aqua Augusta when its former chief engineer disappears after 20 years on the job. When water flow to the coastal town of Misenum is interrupted, Attilius convinces the admiral of the Roman fleet-the scholar Pliny the Elder-to give him a fast ship to Pompeii, where he finds the source of the problem in a burst sluiceway. Lively writing, convincing but economical period details and plenty of intrigue keep the pace quick, as Attilius meets Corelia, the defiant daughter of a vile real estate speculator, who supplies him with documents implicating her father and Attilius's predecessor in a water embezzlement scheme. Attilius has bigger worries, though: a climb up Vesuvius reveals that an eruption is imminent. Before he can warn anyone, he's ambushed by the double-crossing foreman of his team, Corvax, and a furious chase ensues. As the volcano spews hot ash, Attilius fights his way back to Pompeii in an attempt to rescue Corelia. Attilius, while possessed of certain modern attitudes and a respect for empirical observation, is no anachronism. He even sends Corelia back to her cruel father at one point, advising her to accept her fate as a woman. Harris's volcanology is well researched, and the plot, while decidedly secondary to the expertly rendered historic spectacle, keeps this impressive novel moving along toward its exciting finale.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.
While on the Audiobook it is well read and gripping, I was put off by the author's frequent use of words that would not have been used in the time as in "F..k off" etc. Read morePublished 6 months ago by Jan M. Wildeman
The author uses English well, and if the reader enjoys authentically substantiated, historical fiction, this book is enjoyable. Read morePublished 17 months ago by Tamar
I did have to wonder how good a book would be when you know not only the ending but also quite a bit about the event before you start it. Read morePublished 18 months ago by Vanessa Wells
It was a good read but not on par with his other two about Rome. Am very glad I read the other two first or I would not have bothered after reading this one.Published 19 months ago by Dorothy Dewitte
The book is based over 4 days leading up to the roman town pompeii and other surrounding towns get covered by the volcano, vesuvius. Read morePublished on March 25 2011 by Ben Nicholson
I liked this book. Gave a good description of Pompeii. Likable characters. Gripping plot. Easy enough to read. And a story that kept moving along. Read morePublished on June 7 2010 by NorthVan Dave
A very enjoyable read. This book takes you out of the modern world and plops you smack dab in the center of 79AD. Read morePublished on Feb. 16 2006 by Ashley Brunt
This book is really a thriller--a page turner, if you will, in the traditional sense. Don't be put off by the premise of reading about a volcano. Read morePublished on Oct. 20 2004 by Andy Wolfe