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Pop Goes the Weasel
 
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Pop Goes the Weasel [Mass Market Paperback]

James Patterson
3.5 out of 5 stars  See all reviews (129 customer reviews)
Price: CDN$ 8.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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From Amazon

Likened to a "young Muhammad Ali," Alex Cross, the Porsche-driving profiler, doctor, detective, and father of two has seen his fair share of vicious killers. From a bloodthirsty butcher who came after his family (Cat and Mouse) to a devilish duo working cross-country (Kiss the Girls), Cross has managed to outmaneuver all of his enemies. Until he meets the Weasel.

A series of killings in the forgotten, crime-infested ghettos of southeast D.C. has sent Cross and his 6'9" 250-pound partner, John Sampson, in search of the "Jane Doe" killer. However, their racist, tyrannical boss George Pitman orders them to stay out of the southeast and investigate the high-profile murder of a wealthy white man. Cross already has suspicions that the murders are linked, but when Sampson's ex turns up in an abandoned southeast warehouse kicked to death, the two detectives carry on with their original investigation. Meanwhile, Cross's longtime love, Christine (Cat and Mouse), has taken prominence in his life, and it looks as if the two will finally get hitched--with one glitch: Cross puts everything he loves in jeopardy as he obsessively goes after the Weasel.

Akin to a slick Hollywood action flick, Pop Goes the Weasel doesn't have time for meaningful character development or thoughtful moral analysis. And it doesn't need to. Its winning formula is based on short scenes (chapters average about 3 pages), addictive plot progression, and mean dialogue: "Sampson sighed and said, 'I think her tongue is stapled inside the other girl. I'm pretty sure that's it, Alex. The Weasel stapled them together.' I looked at the two girls and shook my head. 'I don't think so. A staple, even a surgical one, would come apart on the tongue's surface.... Crazy glue would work." --Rebekah Warren --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Patterson dedicates his latest (after 1998's When the Wind Blows) to "the millions of Alex Cross readers who so frequently ask 'Can't you write faster?'" Those readers won't be disappointed: the successful formula is in high gear, with the Washington, D.C., psychologist/homicide detective up to his ears in unsolved murders. This tale features a duplicitous villain, a glut of dirty office politics and the inevitable threat to someone Cross just can't live without. A highly moral character, Cross is now firmly rooted in many imaginations as Morgan Freeman, who played him in the film version of Kiss the Girls. When he's not caring for Damon and Jannie, his two young children, Cross takes boys to visit their fathers in prison and works in a soup kitchen. After his boss, Chief Pittman, refuses to believe that a serial killer is striking in the neglected Southeast section, Cross and four other officers work extra hours on their own, the only ones who really care. Readers learn early on that the killer is a British diplomat, Geoffrey Shafer, a chilling madman ostensibly holding his sanity together with drugs. Shafer is obsessed with a real-life version of a computer game called the Four Horsemen, during which he masquerades as a taxi driver who kills his unsuspecting passengers. If Shafer is almost too good to be trueAanother fictional psychopath with infinite resourcesAPatterson is shrewd enough to show him making mistakes (like forgetting to wash) as he comes apart at the seams. The killer is caught in the middle of the narrative, setting the scene for a bold courtroom drama. Even the disappearance of Cross's new lady love (his wife was killed in a previous book) is less of a clich?d device than a ritual sacrifice as Patterson's well-oiled suspense machine grinds away with solid precision. 1 million first printing; $1 million ad/promo; 14-city author tour; Time Warner audio. (Oct.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

129 Reviews
5 star:
 (34)
4 star:
 (38)
3 star:
 (25)
2 star:
 (18)
1 star:
 (14)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (129 customer reviews)
 
 
 
 
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Most helpful customer reviews

3.0 out of 5 stars THIS TIME IT'S PERSONAL..., Dec 5 2002
By 
Lawyeraau (Balmoral Castle) - See all my reviews
(TOP 50 REVIEWER)   
This review is from: Pop Goes the Weasel (Mass Market Paperback)
This book starts out as an intriguing thriller. A series of murders is sweeping Southeast Washington, DC. Detective Alex Cross, psychologist and expert profiler, nicknames this remorseless, stealthy, and psychopathic killer "The Weasel" and is itching to capture him.

From the beginning, the reader knows who the killer is. He is none other than urbane, British diplomat, Geoffrey Shafer, who is playing a macabre, role playing game through the internet with some of his former buddies from British intelligence. His role, appropriately enough, is "Death". The problem is that for Shafer it is no longer a game. It is an obsession.

Meanwhile, Detective Alex Cross and his long time main squeeze, Christine, have decided to get married, despite his relentless pursuit of "The Weasel". Just before they actually do so, however, this diabolical fiend creates a serious hitch in their wedding plans. Cross carries on, as "The Weasel" plays a cat and mouse game with him. There are a number of surprising moves and countermoves, though it seems that Detective Cross is always on the receiving end.

Unfortunately, while the book starts out with a bang, it sort of ends with a whimper. The author simply fails to realize the promise inherent in the book. The resolution of the issue involving his fiancee, Christine, is simply unrealistic. The final ending, however, with regards to Shafer is somewhat intriguing, as it leaves open the possibility of a sequel with this most intriguing killer.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Pop goes a great book, Mar 21 2006
By 
This review is from: Pop Goes the Weasel (Mass Market Paperback)
I you like fast-paced books such as McCrae's "Katzenjammer" or Patterson's "Roses are Red," then you'll LOVE "Pop Goes the Weasel." I did. My friends did. And everyone I know did. Alex Cross NEVER gets old and this book reads like a Hollywood movie. Highly recommended for anyone who like to have a good time.
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3.0 out of 5 stars Pop Goes the Weasel, Oct 26 2011
This review is from: Pop Goes the Weasel (Mass Market Paperback)
Wow, I've gotten so far behind on my reviews already! I'm still determined to finish the Alex Cross series before the end of 2011, and I'm currently 5 books from the end. A few weeks ago I read Pop Goes the Weasel and it was certainly one of the faster reads in the series. The action in this novel is non-stop, as Patterson gives the reader a dungeons-and-dragons-meets-psycho-killer with the character of Geoffrey Shafer. A respectable business man by day, Shafer's night life consists of driving a taxi and murdering his passengers in ways determined by the roll of a die. He then gives details reports of his killings to the other members of the "Four Horsemen".

It all gets too personal when Shafer kidnaps Alex Cross's new love interest Christine, forcing Cross to drop everything and hunt down a madman. But can he find him before it's too late?
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