|2. All Mine|
|4. Half Day Closing|
|7. Mourning Air|
|8. Seven Months|
|9. Only You|
|11. Western Eyes|
Less accessible than some would expect but more enduring if you give it a chance.
1 Cowboys - Starts off with astoundingly echoed-out guitar, and goes from there into an extremely creepy and ugly "Twilight Zone" kind of vamp. Beth Gibbons' voice has been heavily bounced, and it makes her sound like a lounge singer on the world's worst hit of LSD. This is masterfully done.
2 All Mine - Worse and worse. Musically punchy, driven by loud horns, distorted guitar, and live drum and bass, but the lyrics are what make this song so incredibly unsettling. Gibbons has sketched out a narrative of a couple. One of the people involved has gone crashingly insane, and turns into a stalker. The stalker kidnaps his (or her) partner, ties them up, and that's how it stays "until the day I die", as Gibbons sings. Late night listening is not recommended.
3 Undenied - A soft and soothing keyboard drives this one, along with phased and looped drums. Almost like a lullaby, which is needed after "Cowboys" and "All Mine". But, rest assured, this doesn't last long. If this is already sounding like something that you wouldn't want to touch with a 10-foot pole, then don't touch it. This album is not for everyone.
4 Half Day Closing - This is a truly cruel psychedelic rant against...what?