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Product Details
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In typical Allende fashion, Portrait in Sepia is crammed with love, desire, tragedy, and dark family secrets, all played out against the dramatic backdrop of revolutionary Chile. Our heroine Aurora del Valle's mother is a Chilean-Chinese beauty, while her father is a dissolute scion of the wealthy and powerful del Valle family. At the heart of Aurora's slow, painful re-creation of her childhood towers one of Allende's greatest fictional creations, the heroine's grandmother, Paulina del Valle. An "astute, bewigged Amazon with a gluttonous appetite," Paulina holds both the del Valle family and Allende's novel together as she presides over Aurora's adolescence in a haze of pastries, taffeta, and overweening love.
One of the most interesting aspects of the novel is Allende's decision to turn her heroine into a photographer: "through photography and the written word I try desperately to conquer the transitory nature of my existence, to trap moments before they evanesce, to untangle the confusion of my past." There is little confusion in Allende's elegantly crafted and hugely enjoyable novel. --Jerry Brotton, Amazon.co.uk --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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Most helpful customer reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars
Great story... style little too journalistic at times,
By
This review is from: Portrait In Sepia: A Novel (Paperback)
Once more, I plunged into an Isabel Allende book without hesitation. Allende is real master of story telling. The story is rich, detailed and the characters are multi-dimenstional and "very real".Portrait in Sepia (2000) tells the story of Aurora del Valle, the granddaughter of Eliza Sommers, the main character of another Allende's novel Daughter of Fortune, published in 1999. The characters of Portrait in Sepia are themselves the ancestors of those of The House of the Spirits, published in 1982. As such, Daughter of Fortune, Portrait in Sepia and The House of the Spirits form a trilogy. I won't reveal the story and will leave you to discover it. All I will say is that it is a biographical novel with a historical background (the American civil war and the War of the Pacific in which Chile fought against both Peru and Bolivia). The events take place in the United States of America, Chile and Europe between 1862 and 1910. If I have to pinpoint a negative aspect of the novel, it would be the tendency the author has in switching to a journalistic style at times especially toward the end. Few years and sometimes decades of some characters's life are told in very few pages. Portrait in Sepia is not what I would call a "quotation novel", a novel that forces you to stop at every paragraph to take notes of some well-crafted sentences but it does not nonetheless lack richness nor deepness.
4.0 out of 5 stars
Well-written tale,
By Louise (Copenhagen V, Denmark) - See all my reviews
This review is from: Portrait In Sepia (Paperback)
The story of Aurora and her ancestors is a great one. Isabel Allende divides the story between USA and South America, and there are great characters all the way through the book. Specially the female characters are strong, and it soon becomes clear, that Paulina del Valle in some ways is the true herion of this story. Portrait in Sepia is a story about love, hate, life, death, passion and all the other great emotions of life.
3.0 out of 5 stars
Liked the Story, but Not the Way in Which It Was Written,
By Totally Anonymous (Private) - See all my reviews
This review is from: Portrait In Sepia (Paperback)
I loved the story in this book but I didn't care for the writing style. Isabel Allende is a former journalist and, like most journalists, she tells her stories rather than dramatizing them in scenes. There is very little dialogue in the book because of this, just Allende "telling" us the story of the del Valle family through the "voice" of her narrator, Aurora del Valle.The book takes place in San Francisco's Chinatown, in Peru and mostly, in Chile, something I really enjoyed. The book actually begins before Aurora's birth, though it is Aurora who tells the story, many years later, from Chile. As in most of Allende's books, women dominate. Women are the strong figures, the ones who matter, the ones who take center stage. The men, for the most part, just seem to hover at the periphery. In PORTRAIT IN SEPIA, however, one man is very fully drawn...Aurora's maternal grandfather, Tao Chi'en, and he is a fascinating and likable figure. PORTRAIT IN SEPIA encompasses a large cast of characters and is, in many ways, a family novel. Tao Chi'en and his wife, Eliza Sommers, who live in Chinatown, have a daughter, Lynn, a gorgeous woman who has an affair with Matias del Valle. When Lynn becomes pregnant, Matias, who doesn't have his sights set on fatherhood, leaves and Lynn dies in childbirth. Lynn's daughter, Aurora, is raised for a short time by Tao Chi'en and Eliza, but circumstances force Eliza to give Aurora to her paternal grandmother, Paulina del Valle. Paulina del Valle is a larger-than-life character. She's rich, she's eccentric, she ostentatious, she's irreverent. She lives like a man at a time when it was greatly frowned upon for a woman to live like a man, but...Paulina lives like a man better than most men do. When her fortune begins to run low, Paulina gathers up her butler (who becomes more than a butler) and five-year-old Aurora and heads for Santiago where money goes a lot further. There, we learn more about Aurora's father, Matias, her uncle Severo and his cousin, Nivea. When Aurora arrives in Chile, she is only five years old. When she is narrating her story, she is three decades older and much has happened. Allende has filled PORTRAIT IN SEPIA with larger-than-life themes...love, lust, betrayal, lies, family loyalty...but somehow they don't come off larger-than-life; they come off as being very intimate. I think part of the problem for me was the way Allende chose to tell her story...and I mean "telling" rather than "showing." This gave a very "muted" tone to the book, which tied in well with the title but definitely left something lacking. I found it very difficult to get emotionally involved with the characters. I often felt as though I were reading a newspaper article rather than a novel. I did love the fact that Chile, itself, often took center stage in this book. Chile is a fascinating place and most of Allende's best writing is done when describing her native country. Don't expect a book like those of Gabriel Garcia Marquez, though, simply because most of PORTRAIT IN SEPIA is set in South America. There is no magic realism in this book and Chile is a very different place than is Colombia. You won't find the hot, steamy, melancholy jungles of Garcia Marquez here. Instead, Chile is a land of volcanoes and snowy mountaintops, forests and lakes. It's cool more than it's hot. But it's fascinating and the look at Chilean history Allende gives us is just as fascinating as is the story of the del Valle family and Tao Chi'en. Maybe more. Most of the time, I enjoyed reading PORTRAIT IN SEPIA. I did find all the "telling" to be a bit tiresome and ponderous, though, and I wish Allende would learn to dramatize her stories in scenes rather than simply relating them to us in such a journalistic, factual manner. I would recommend PORTRAIT IN SEPIA to fans of Allende without hesitation. I think others are going to be a bit disappointed in the book. Don't expect anything like HOUSE OF THE SPIRITS, though. This a very different sort of book and one that is much more "down-to-earth."
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