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Portrait in Sepia CD Audio CD – Oct 11 2001

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Amazon.ca First Novel Award - 6 Canadian Novels Make the Shortlist

Product Details

  • Audio CD
  • Publisher: HarperCollins Canada / Audio; Unabridged edition (Oct. 11 2001)
  • Language: English
  • ISBN-10: 0694526541
  • ISBN-13: 978-0694526543
  • Product Dimensions: 15.1 x 12.9 x 3.8 cm
  • Shipping Weight: 295 g
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (49 customer reviews)
  • Amazon Bestsellers Rank: #2,942,029 in Books (See Top 100 in Books)

Product Description

From Amazon

Isabel Allende has established herself as one of the most consummate of all modern storytellers, a reputation that is confirmed in her novel Portrait in Sepia. Allende offers a compelling saga of the turbulent history, lives, and loves of late 19th-century Chile, drawing on characters from her earlier novels, The House of Spirits and Daughter of Fortune.

In typical Allende fashion, Portrait in Sepia is crammed with love, desire, tragedy, and dark family secrets, all played out against the dramatic backdrop of revolutionary Chile. Our heroine Aurora del Valle's mother is a Chilean-Chinese beauty, while her father is a dissolute scion of the wealthy and powerful del Valle family. At the heart of Aurora's slow, painful re-creation of her childhood towers one of Allende's greatest fictional creations, the heroine's grandmother, Paulina del Valle. An "astute, bewigged Amazon with a gluttonous appetite," Paulina holds both the del Valle family and Allende's novel together as she presides over Aurora's adolescence in a haze of pastries, taffeta, and overweening love.

One of the most interesting aspects of the novel is Allende's decision to turn her heroine into a photographer: "through photography and the written word I try desperately to conquer the transitory nature of my existence, to trap moments before they evanesce, to untangle the confusion of my past." There is little confusion in Allende's elegantly crafted and hugely enjoyable novel. --Jerry Brotton, Amazon.co.uk --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

HIn this third work concerning the various and intertwining lives of members of a Chilean family, Allende uses the metaphor of photography as memory. "Each of us chooses the tone for telling his or her own story; I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses that luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone for telling my life is closer to that of a portrait in sepia," declares Aurora del Valle, protagonist of the tale. Here, Allende picks up where 1999's Daughter of Fortune left off, and, in the course of her chronicles, mentions personages who were realized in her 1987 masterpiece, House of the Spirits. Like her other novels, Portrait in Sepia spans nearly 50 years and covers wars, love affairs, births, weddings and funerals. Rich and complex, this international, turn-of-the-century saga does not disappoint. The book opens as 30-year-old Aurora remembers her own birth, in the Chinatown of 1880 San Francisco. She tells of those present: her maternal, Chilean-English grandmother, Eliza; her grandfather Tao (a Chinese medic); and her mother, Lynn, a beloved beauty who dies during Aurora's birth. Realizing she is getting ahead of herself, Aurora backtracks, inviting the reader to be patient and listen to the events surrounding her life, from 1862 to 1910. Through Aurora, Allende exercises her supreme storytelling abilities, of which strong, passionate characters are paramount. Most memorable is Aurora's paternal grandmother, Paulina del Valle, an enormous woman who eats pastries and runs her trading company with equally reckless abandon. Like Paulina, Allende attacks her subject with gusto, making this a grand installment in an already impressive repertoire. Major ad/promo; 7-city author tour.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

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I came into the world one Tuesday in the autumn of 1880, in San Francisco, in the home of my maternal grandparents. Read the first page
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Customer Reviews

3.8 out of 5 stars

Most helpful customer reviews

Format: Paperback
Once more, I plunged into an Isabel Allende book without hesitation. Allende is real master of story telling. The story is rich, detailed and the characters are multi-dimenstional and "very real".

Portrait in Sepia (2000) tells the story of Aurora del Valle, the granddaughter of Eliza Sommers, the main character of another Allende's novel Daughter of Fortune, published in 1999. The characters of Portrait in Sepia are themselves the ancestors of those of The House of the Spirits, published in 1982. As such, Daughter of Fortune, Portrait in Sepia and The House of the Spirits form a trilogy.

I won't reveal the story and will leave you to discover it. All I will say is that it is a biographical novel with a historical background (the American civil war and the War of the Pacific in which Chile fought against both Peru and Bolivia). The events take place in the United States of America, Chile and Europe between 1862 and 1910.

If I have to pinpoint a negative aspect of the novel, it would be the tendency the author has in switching to a journalistic style at times especially toward the end. Few years and sometimes decades of some characters's life are told in very few pages.

Portrait in Sepia is not what I would call a "quotation novel", a novel that forces you to stop at every paragraph to take notes of some well-crafted sentences but it does not nonetheless lack richness nor deepness.
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Format: Paperback
I loved the story in this book but I didn't care for the writing style. Isabel Allende is a former journalist and, like most journalists, she tells her stories rather than dramatizing them in scenes. There is very little dialogue in the book because of this, just Allende "telling" us the story of the del Valle family through the "voice" of her narrator, Aurora del Valle.
The book takes place in San Francisco's Chinatown, in Peru and mostly, in Chile, something I really enjoyed. The book actually begins before Aurora's birth, though it is Aurora who tells the story, many years later, from Chile. As in most of Allende's books, women dominate. Women are the strong figures, the ones who matter, the ones who take center stage. The men, for the most part, just seem to hover at the periphery. In PORTRAIT IN SEPIA, however, one man is very fully drawn...Aurora's maternal grandfather, Tao Chi'en, and he is a fascinating and likable figure.
PORTRAIT IN SEPIA encompasses a large cast of characters and is, in many ways, a family novel. Tao Chi'en and his wife, Eliza Sommers, who live in Chinatown, have a daughter, Lynn, a gorgeous woman who has an affair with Matias del Valle. When Lynn becomes pregnant, Matias, who doesn't have his sights set on fatherhood, leaves and Lynn dies in childbirth. Lynn's daughter, Aurora, is raised for a short time by Tao Chi'en and Eliza, but circumstances force Eliza to give Aurora to her paternal grandmother, Paulina del Valle.
Paulina del Valle is a larger-than-life character. She's rich, she's eccentric, she ostentatious, she's irreverent. She lives like a man at a time when it was greatly frowned upon for a woman to live like a man, but...Paulina lives like a man better than most men do.
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By Mindy on Dec 14 2003
Format: Paperback
I admit I haven't read a book by Allende that I haven't liked. And this story held all the tragedy and romance that I expect and love in her work.
My favorite character in this book was Nivea. I loved how she just knew. And the way she believed things. And the way she loved her husband.
But the best part of the story was the way love was always portrayed as something that one fights for, fights to keep. That commitment is renewed each day, that it can not be taken for granted. Love isn't easy. That's the message that I took from this book, and I very much agree with that sentiment. The best things are never easy.
Aurora's passion for photography was wonderful to read about, and I related to a lot of what she felt throughout her story. Every word of her story felt like it was a struggle for her to write, and I appreciated her words. I appreciated the way she spoke of writing as that which would make the story more real. "Memory is fiction" and this is why we write our stories this way.
I quite liked this story.
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By Emma Kate on Sept. 4 2003
Format: Hardcover
I really liked the story this book told but I didn't like the fact that Allende chose to tell all of it rather than dramatizing it in scenes.
I didn't dislike the protagonist, Aurora del Valle, but I found it difficult to like her and sympathize with her. I found her to be far too passive in many situations, something could have probably been remedied had Allende "shown" us the story rather than "told" us.
The character who "stole the book" was definitely Aurora's grandmother, Paulina del Valle. Paulina was a larger-than-life character who added a much-needed note of humor to an otherwise flat and unemotional book.
The lack of emotion in this book was something I didn't understand. There were plenty of places for Allende to write rich, dramatic set-pieces yet, for some reason, she chose not to do so, much to the detriment of her story.
Bottomline: I enjoyed reading "Portrait in Sepia" but I would have enjoyed it a lot more had Allende followed the storyteller's maxim of "show, don't tell." This book could have been superlative. As it is, it is just okay.
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