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1 internautes sur 1 ont trouvé ce commentaire utile :
5.0étoiles sur 5
A riddle wrapped in a mystery inside an enigma, Oct. 22 2007
POSSESSION has been on my shelf since 1991. I read it because it won the 1990 Booker Prize, and once under its spell, I've never wanted to let it go. A.S. Byatt -- sister of award winning novelist Margaret Drabble -- tells a complex story within a story, moving back and forth between modern-day scholars Roland Michell and Maud Bailey, and the fictional Victorian poets who are the subjects of their research.
Victorian literature can seem like a dry and rocky road, but Byatt foreshadows and advances her story with the poetry, letters and journals of the Victorian pair, whose love affair is revealed as the research progresses. From simple lyric poems ("They say that women change: 'tis so: but you / Are ever-constant in your changefulness ...") to complex narrative poems and stories, they are well integrated with the story, though sometimes lengthy. The Victorian scene comes to life most successfully, and it's astonishing how fluently Byatt moves not just from present to past, but among the many different literary forms of the two Victorians.
The story within a story, or more specifically the unraveling of a mystery from the past, is a popular device. It's been used in Josephine Tey's DAUGHTER OF TIME, THE MOONSTONE by Wilkie Collins, THE NAME OF THE ROSE by Umberto Eco; and more recently, THE DANTE CLUB and THE POE SHADOW by Matthew Pearl, THE RULE OF FOUR by Caldwell and Thomason, even Dan Brown's blockbuster THE DA VINCI CODE. Byatt weaves her two stories together beautifully: POSSESSION may be the standard by which to judge this type of book, as both stories are richly developed and rooted in the idiom of their time. The Victorian imagery reveals the love affair between the poets, and eventually between Roland and Maud, with its typical mix of emotion and restraint. The modern story satirizes the British academic scene.
POSSESSION may not be the easiest book I ever read, but it's among the most rewarding. If you haven't read it in the many years since it was first published, then I recommend it to you.
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5.0étoiles sur 5
Forgotten passion, Jui 12 2007
"Possession" is far above and beyond the kind of books usually labelled "romance." It's lushly written, with exquisite characters, great poetry and interweavings of legend and myth. It's almost chastely erotic, mysterious and dripping over with Victorian-era romance. It's hard not to be drawn in.
A young scholar, Roland, stumbles accidently on an old letter from acclaimed poet Randolph Ash. He soon has reason to believe that the letter was to Christabel La Monte, a lesser-known "fairy" poet -- except Ash was happily married, and La Monte was single all her life. Roland and the chilly fellow scholar Maud investigate caches of hidden letters, poems, and diaries by the lovers, wife, friends and relatives.
In the past, the cordial letters of Christabel and Randolph blossomed into love and passion. They vanished for a short, blissful time together. But what happened to Christabel and Randolph's love, and why did Christabel leave England, while her companion Blanche committed suicide? And how do these events somehow involve Roland and Maude's own growing attachment?
They say the pen is mightier than the sword, and in "Possession" it's a valuable historical tool. When words are hidden or read, it can change perceptions and even lives. Byatt's own words are wonderfully lush, dreamy and vivid. Given the rather formal language and writing, it almost seems like a nineteenth-century novel, as if Byatt got so swept up in the characters that she started writing like them.
Byatt has an excellent eye for the language of the era. The letters, poetry and fiction of Christabel and Randolph have a very authentic feel. Especially since Byatt manages to change tones for different people's writing (Christabel's poetry was a bit reminiscent of Emily Dickenson's). The only problem is when the book veers into long tangents; Byatt seems to get a little off-track there. But most of the time, the richness of Breton legend adds depth and mystery to an already beautiful novel. The sunken city of Is, the legend of Melusina, and many others are here.
Byatt gives us an amazing look at the ill-fated lovers, Christabel and Randolph; you can feel their passion and love. They aren't just attracted to each other, but drawn together in the mind and spirit. The supporting characters, such as the artist Blanche and devoted, wistful Ellen Ash, are equally well-drawn; you can't dislike any of them. Roland and Maud seem a little anemic by comparison, but they are still compelling characters, caught up in a love affair from over a hundred years ago.
After taking the recommendation of a good friend, I found that "Possession" is the kind of genuine, heartwrenching romance that you don't see much of -- meetings of minds, genuine passion and love. It's a beautiful thing, and something to be deeply treasured.
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5.0étoiles sur 5
Forgotten passion, Aoû 31 2003
"Possession" is far above and beyond the kind of books usually labelled "romance." It's lushly written, with exquisite characters, great poetry and interweavings of legend and myth. It's almost chastely erotic, mysterious and dripping over with Victorian-era romance. It's hard not to be drawn in.
A young scholar, Roland, stumbles accidently on an old letter from acclaimed poet Randolph Ash. He soon has reason to believe that the letter was to Christabel La Monte, a lesser-known "fairy" poet -- except Ash was happily married, and La Monte was single all her life. Roland and the chilly fellow scholar Maud investigate caches of hidden letters, poems, and diaries by the lovers, wife, friends and relatives.
In the past, the cordial letters of Christabel and Randolph blossomed into love and passion. They vanished for a short, blissful time together. But what happened to Christabel and Randolph's love, and why did Christabel leave England, while her companion Blanche committed suicide? And how do these events somehow involve Roland and Maude's own growing attachment?
They say the pen is mightier than the sword, and in "Possession" it's a valuable historical tool. When words are hidden or read, it can change perceptions and even lives. Byatt's own words are wonderfully lush, dreamy and vivid. Given the rather formal language and writing, it almost seems like a nineteenth-century novel, as if Byatt got so swept up in the characters that she started writing like them.
Byatt has an excellent eye for the language of the era. The letters, poetry and fiction of Christabel and Randolph have a very authentic feel. Especially since Byatt manages to change tones for different people's writing (Christabel's poetry was a bit reminiscent of Emily Dickenson's). The only problem is when the book veers into long tangents; Byatt seems to get a little off-track there. But most of the time, the richness of Breton legend adds depth and mystery to an already beautiful novel. The sunken city of Is, the legend of Melusina, and many others are here.
Byatt gives us an amazing look at the ill-fated lovers, Christabel and Randolph; you can feel their passion and love. They aren't just attracted to each other, but drawn together in the mind and spirit. The supporting characters, such as the artist Blanche and devoted, wistful Ellen Ash, are equally well-drawn; you can't dislike any of them. Roland and Maud seem a little anemic by comparison, but they are still compelling characters, caught up in a love affair from over a hundred years ago.
After taking the recommendation of a good friend, I found that "Possession" is the kind of genuine, heartwrenching romance that you don't see much of -- meetings of minds, genuine passion and love. It's a beautiful thing, and something to be deeply treasured.
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