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Postcolonial Melancholia [Paperback]

Paul Gilroy

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Book Description

Nov 1 2006 Wellek Library Lectures
In an effort to deny the ongoing effect of colonialism and imperialism on contemporary political life, the death knell for a multicultural society has been sounded from all sides. That's the provocative argument Paul Gilroy makes in this unorthodox defense of the multiculture. Gilroy's searing analyses of race, politics, and culture have always remained attentive to the material conditions of black people and the ways in which blacks have defaced the "clean edifice of white supremacy." In Postcolonial Melancholia, he continues the conversation he began in the landmark study of race and nation 'There Ain't No Black in the Union Jack' by once again departing from conventional wisdom to examine -- and defend -- multiculturalism within the context of the post-9/11 "politics of security." This book adapts the concept of melancholia from its Freudian origins and applies it not to individual grief but to the social pathology of neoimperialist politics. The melancholic reactions that have obstructed the process of working through the legacy of colonialism are implicated not only in hostility and violence directed at blacks, immigrants, and aliens but in an inability to value the ordinary, unruly multiculture that has evolved organically and unnoticed in urban centers. Drawing on the seminal discussions of race begun by Frantz Fanon, W. E. B. DuBois, and George Orwell, Gilroy crafts a nuanced argument with far-reaching implications. Ultimately, Postcolonial Melancholia goes beyond the idea of mere tolerance to propose that it is possible to celebrate the multiculture and live with otherness without becoming anxious, fearful, or violent.

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Review

This analysis holds an important lesson for the increasingly imperial United States: otherness is nothing to fear, especially in our age of terror. -- R. Owen Williams Black Issues Book Review 5/1/05 Paul Gilroy's Postcolonial Melancholia is a deeply engaging exploration. -- Dorothy Roberts Boston Review 1/1/2006

About the Author

Paul Gilroy is the Anthony Giddens Professor of Social Theory at the London School of Economics.

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The horrors of the twentieth century brought "races" to political life far more vividly and naturalistically than imperial conquest and colonial administration had done. Read the first page
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the essays presented here first appeared in 2002 as lectures, later to be expanded for this publication.

paul gilroy is foremost an academic, and his writing can be rough going. secondly, he is a critic of popular culture. his erudite prose does not drop when his critique includes television programs, soccer and hip-hop music within his conversation of politics.

as a black man with roots in great britian, his personal and national history of racism, unlike the history of racism for blacks in the usa, for whom racism began with and extended over centuries of slavery, begins with his country's history of racial discrimination from colonialism.

public policy makers within the government, gilroy argues, have a way of forgetting the colonial past when relating to issues involving british citizens who have been in the country for generations, and treating them as immigrants. reluctantly, what these officials perceive, what gilroy believes they label erroneously, as immigration problems are vaguely related to the colonial past, but not racism. were the government to accept the history of colonialism and the connection of racism to colonialism, the country could begin then to become free of a postcolonial melancholia.

gilroy chooses george orwell over sigmund freud in his discussion of cosmopolitan solidarity. cosmopolitan solidarity involves persons who witness to distant suffering, and by so doing come together as an answer to imperialism, racism, and the narcissism of minor differences. buffering his argument with the social psychology of the german psychoanalysts alexander and margarete mitscherlich, gilroy writes: `They warn that melancholic reactions are prompted by "the loss of a fantasy of omnipotence" and suggest that the racial and national fantasies that imperial and colonial power required were...predominantly narcissistic. From this perspective, before the British people can adjust to the horrors of their own modern history and start to build a new national identity from the debris of their broken narcissism, they will have to learn to appreciate the brutalities of colonial rule enacted in their name and to their benefit, to understand the damage it did to their political culture at home and abroad...The multilayered trauma--economic and cultural as well as political and psychological--involved in accepting the loss of empire would therefore be compounded by a number of additional shocks. Among them are the painful obligations to work through the grim details of imperial and colonial history and to transform paralyzing guilt into a more productive shame that would be conducive to the building of a multicultural nationality that is no longer phobic about the prospect of exposure to either strangers or otherness.'

central to paul gilroy's overall argument is at each illustration his provision of some sense of solution.

gilroy introduces the word `conviviality' in the introduction and expands on the concept in a later essay, The Negative Dialectics of Conviviality, without giving full space to his meaning and use of the term itself. hopefully, he'll have more to say on conviviality in future works.

readers may find of interest Cosmopolitanism, published some years later, by anthony appiah, another philosopher with black brit roots.

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