From Amazon
Harry Potter and the Goblet of Fire is the long-awaited, heavily hyped fourth instalment of a phenomenally successful series that has captured the imagination of millions of readers, young and old, across the globe. For
J K Rowling the pressure is certainly on to continue to come up with thrilling, pacey storylines that allow her hero to mature into a young man without detracting from the magical secret that has made Harry into a superstar. In this book, the teenage Harry has a certain gawky charm that fits well with his advancing adolescence. As the story moves on, Harry too moves on to a new level of maturity that leaves the reader wondering how he will learn from his experiences, and liking him all the more as a character.
Once returned to Hogwarts after his summer holiday with the dreadful Dursleys and an extraordinary outing to the Quidditch World Cup, the 14-year-old Harry and his fellow pupils are enraptured by the promise of the Triwizard Tournament: an ancient, ritualistic tournament that brings Hogwarts together with two other schools of wizardry--Durmstrang and Beauxbatons--in heated competition. But when Harry's name is pulled from the Goblet of Fire, and he is chosen to champion Hogwarts in the tournament, the trouble really begins. Still reeling from the effects of a terrifying nightmare that has left him shaken, and with the lightning-shaped scar on his head throbbing with pain (a sure sign that the evil Voldemort, Harry's sworn enemy, is close), Harry becomes at once the most popular boy in school. Yet, despite his fame, he is totally unprepared for the furore that follows.
This is a hefty volume: 636 pages, of which probably at least 200 could have been cut without detracting from the story. The weight and complexity of the book is perhaps a hint that Rowling now has her eye sharply focused on her adult audience, and the average child-reader (particularly one who is coming to Harry Potter for the first time) may well find its girth daunting. Rowling's ironic and pointed observations on tabloid journalism and the nature of media hype is just one of the references littered through the book that will tickle the grown-ups but may well fly over the heads of her young fans.
However, after a slow start, Harry Potter and the Goblet of Fire really starts to sparkle halfway through with Rowling's familiar magic (and yes, there is a death--sudden and tragic--and yes, Harry does start to notice girls). The crux of this story, however, is Harry's gradual coming-of-age and his handling of the increasingly determined threats to his own life.
This book is pivotal, not just for the author for whom the heat is well and truly on, but for Harry and his readers who, by the last chapter, are left in little doubt that there is much more to come. (Ages 10 to adult) --Susan Harrison
From Publishers Weekly
Even without the unprecedented media attention and popularity her magical series has attracted, it would seem too much to hope that Rowling could sustain the brilliance and wit of her first three novels. Astonishingly, Rowling seems to have the spell-casting powers she assigns her characters: this fourth volume might be her most thrilling yet. The novel opens as a confused Muggle overhears Lord Voldemort and his henchman, Wormtail (the escapee from book three, Azkaban) discussing a murder and plotting more deaths (and invoking Harry Potter's name); clues suggest that Voldemort and Wormtail's location will prove highly significant. From here it takes a while (perhaps slightly too long a while) for Harry and his friends to get back to the Hogwarts school, where Rowling is on surest footing. Headmaster Dumbledore appalls everyone by declaring that Quidditch competition has been canceled for the year; then he makes the exciting announcement that the Triwizard Tournament is to be held after a cessation of many hundred years (it was discontinued, he explains, because the death toll mounted so high). One representative from each of the three largest wizardry schools of Europe (sinister Durmstrang, luxurious Beauxbatons and Hogwarts) are to be chosen by the Goblet of Fire; because of the mortal dangers, Dumbledore casts a spell that allows only students who are at least 17 to drop their names into the Goblet. Thus no one foresees that the Goblet will announce a fourth candidate: Harry. Who has put his name into the Goblet, and how is his participation in the tournament linked, as it surely must be, to Voldemort's newest plot? The details are as ingenious and original as ever, and somehow (for catching readers off-guard must certainly get more difficult with each successive volume) Rowling plants the red herrings, the artful clues and tricky surprises that disarm the most attentive audience. A climax even more spectacular than that of Azkaban will leave readers breathless. The muscle-building heft of this volume notwithstanding, the clamor for book five will begin as soon as readers finish installment four. All ages. (July)
Copyright 2000 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Grade 4 Up-Harry Potter is back in J.K. Rowling's fourth installment of his adventures (Scholastic, 2000). He is 14 years old and in his fourth year at the Hogwarts School of Witchcraft and Wizardry, where the traditional Inter-House Quidditch Cup has been temporarily suspended so that the Triwizard Tournament can be held. Only three students, one from each of the biggest schools of wizardry, may compete, but the Goblet of Fire that chooses the champions from each school mysteriously produces a fourth nameDHarry Potter. As the school readies for the tournament, it becomes obvious to Harry's allies that Voldemort is plotting something dastardlyDbut only at the very end does he show his hand, springing a trap that Harry only narrowly escapes. Jim Dale, who has narrated the previous Harry Potter audiobooks, succeeds marvelously at the Herculean effort of voicing about 125 characters. By now, Harry, Ron, Hermione, and Hagrid are so well known to him that his renditions of their voices are practiced and flawless. He also invests new characters such as Mad-Eye Moody and Winky with voices that enhance their already vivid personalities. Dale intones magical commands with such great authority that one would almost think he was a wizard himself. Twenty hours is a long time to listen to a book, but the combination of Rowling's enthralling adventure and Dale's limber narration will easily see kids through to the very last sentence.
Eva Mitnick, Los Angeles Public Library, CA Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
'Hooray for Harry Potter... [Harry's] adventures are as funny as Roald Dahl's stories and as vivid as Narnia books - and adults seem to enjoy them as much as their children' Daily Mail 'Harry Potter and the Goblet of Fire has finally been unleashed. And is it good? You bet it is. Harry's - and our - fourth year at Hogwarts is funny, full of delicious parodies of our own world, and wildly action-packed' The Times 'Harry Potter and the Goblet of Fire is inventive, open-minded, and carries the hallmark of Rowling's imagination and scholarship ... pure magic' Mirror 'There isn't a dull page ... the plot fits together like a wondrous jigsaw' Sunday Express
--This text refers to an alternate
Paperback
edition.
Book Description
The summer holidays are dragging on and Harry Potter can't wait for the start of the school year. It is his fourth year at Hogwarts School of Witchcraft and Wizardry and there are spells to be learnt and (unluckily) Potions and Divination lessons to be attended. But Harry can't know that the atmosphere is darkening around him, and his worst enemy is preparing a fate that it seems will be inescapable ...With characteristic wit, fast-paced humour and marvellous emotional depth, J.K. Rowling has proved herself yet again to be a master story-teller.
About the Author
Harry Potter and the Philosopher's Stone was J.K. Rowling's first novel, followed by Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows, as well as two books written specifically for Comic Relief and based on the Harry Potter novels: Fantastic Beasts and Where to Find Them and Quidditch Through the Ages. The Harry Potter novels have now sold over 325 million copies worldwide and been translated into 64 languages. J.K. Rowling has generated huge popular appeal for her books across the generations in an unprecedented fashion: she was the first children's author to be voted the BA Author of the Year, and also to win the British Book Awards Author of the Year.
From AudioFile
What's wonderful about the Harry Potter stories is the believability of the world Harry and company inhabit, imagined by J.K. Rowling and fully realized through Jim Dale's portrayal. At first, we were as awed as Harry to learn about the wonders of the magical world; now we're as comfortable with what has become familiar. Dale fosters this expectation, bringing his symphony of voices back to each book even as he's adding more. There's an epic game of Quidditch, brought brilliantly into play as Dale narrates spectators and announcer alike, but overall, this is a darker adventure. As the Tri-Wizard Tournament unfolds, innocence gives way to knowledge and experience, trust is betrayed, and there's as much horror as hilarity. (Some gruesome events near the conclusion might be frightening for younger listeners.) Harry's growing up, and, with this installment, he's firmly on course to his destiny. J.M.D. Winner of AUDIOFILE Earphones Award. © AudioFile 2000, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.