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A Prayer for Owen Meany Paperback – May 1 1990


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Product Details

  • Paperback: 720 pages
  • Publisher: Black Swan (May 1 1990)
  • Language: English
  • ISBN-10: 0552993697
  • ISBN-13: 978-0552993692
  • Product Dimensions: 12.7 x 3.7 x 19.8 cm
  • Shipping Weight: 399 g
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (920 customer reviews)
  • Amazon Bestsellers Rank: #390,502 in Books (See Top 100 in Books)

Product Description

From Amazon

Owen Meany is a dwarfish boy with a strange voice who accidentally kills his best friend's mom with a baseball and believes--accurately--that he is an instrument of God, to be redeemed by martyrdom. John Irving's novel, which inspired the 1998 Jim Carrey movie Simon Birch, is his most popular book in Britain, and perhaps the oddest Christian mystic novel since Flannery O'Connor's work. Irving fans will find much that is familiar: the New England prep-school-town setting, symbolic amputations of man and beast, the Garp-like unknown father of the narrator (Owen's orphaned best friend), the rough comedy. The scene of doltish the doltish headmaster driving a trashed VW down the school's marble staircase is a marvelous set piece. So are the Christmas pageants Owen stars in. But it's all, as Highlights magazine used to put it, "fun with a purpose." When Owen plays baby Jesus in the pageants, and glimpses a tombstone with his death date while enacting A Christmas Carol, the slapstick doesn't cancel the fact that he was born to be martyred. The book's countless subplots add up to a moral argument, specifically an indictment of American foreign policy--from Vietnam to the Contras.

The book's mystic religiosity is steeped in Robertson Davies's Deptford trilogy, and the fatal baseball relates to the fatefully misdirected snowball in the first Deptford novel, Fifth Business. Tiny, symbolic Owen echoes the hero of Irving's teacher Günter Grass's The Tin Drum--the two characters share the same initials. A rollicking entertainment, Owen Meany is also a meditation on literature, history, and God. --Tim Appelo --This text refers to the Mass Market Paperback edition.

From Publishers Weekly

Irving's storytelling skills have gone seriously astray in this contrived, preachy, tedious tale of the eponymous Owen Meany, a latter-day prophet and Christ-like figure who dies a martyr after having inspired true Christian belief in the narrator, Johnny Wheelwright. The boys grow up close friends in a small New Hampshire town, where Owen's loutish parents own a quarry and where the fatherless Johnny, whose beloved mother never reveals the secret of his paternity, becomes an orphan at age 11 when a foul ball hit by Owen in a Little League game strikes his mother on the head, killing her instantly. The tragedy notwithstanding, Owen and Johnny cleave to a friendship sealed when Owen uses desperate means to keep Johnny from going to Vietnam, and brought to its apotheosis when Johnny is present at the death Owen has seen prefigured in a vision. Despite the overworked theme of a boy's best friend causing his mother's injury or death (one thinks immediately of Robertson Davies and Nancy Willard), the plot might have been workable had not Irving made Owen a caricature: Owen is, all his life, so tiny he can be lifted with one hand; he is "mortally cute," and he has a "cartoon voice" because he must shout through his nose, which Irving conveys by printing all of Owen's dialogue in capital lettersan irritating device that immediately sets the reader's teeth on edge. Then too, the author's portentously dramatic foreshadowing, which has worked well in his previous books, is here sadly overdone and excessively melodramatic. On the plus side, Irving is convincing in his appraisal of the tragedy of Vietnam and in his religious philosophizing, in which he distinguishes the true elements of faith. But that is not enough to save the meandering narrative. Owen is not the only one to hit a foul ball in this novel, which is too "mortally cute" for its own good. BOMC main selection.
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.6 out of 5 stars

Most helpful customer reviews

3 of 3 people found the following review helpful By Amazon Customer on June 21 2004
Format: Mass Market Paperback
I have read many, many books, and I have never found one that I like better than Owen Meany. I have read it over and over, and I still end with the same question in mind: Did Irving know the ending when he started the book? The most minor things in the story make the ending happen when they all come together. When you first read it, how could you know that the pracice of that basketball shot could mean so much? I am sorry to hear that Irving is going to re-write his current book. I can hardly wait for every one he writes, but Owen is a the top of the list.
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3 of 3 people found the following review helpful By S Page on June 20 2004
Format: Mass Market Paperback
The worn-out narrator lets the tempo down compared with the brilliant third-person narration of, e.g., "The Cider House Rules", but the trade-off is the emotional intensity goes up. Irving is great and this is one of his best.
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1 of 1 people found the following review helpful By A Customer on April 3 2000
Format: Mass Market Paperback
I am perplexed as to how anyone can give this book a five star review. The premise at the beginning is that Owen Meany's friend (who tells the story) learns faith. As a child he lacks it and at the end of the book as an adult he possesses even less. Owen has little to no faith either in his life, except for his significant purpose that does realistically in the end attach him to God and faith and purpose. But he fails to inspire Johnny onto any real faith of his own. My guess is John Irving doesn't know enough about faith to write about it convincingly. Great lengths of this novel -- and totally irrelevant to the story line -- are committed to a liberal bash of Ronald Reagan, too. If that inspires the reader, go for it. But once again I was more impressed that Irving didn't know what he was talking about. Another dislike was Irving's tendency toward perversity in every scene of action. Once or twice okay, but the barage created redundancy and detracted from some otherwise good storytelling. I was very disappointed in the quality.
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1 of 1 people found the following review helpful By Ellen Shay on Dec 19 2001
Format: Mass Market Paperback
Friends at work raved about this book. Having read other books by John Irving (Hotel New Hampshire, World According to Garp) and enjoying other books these friends had recommended, I thought it might be interesting. Irving's style wasn't exactly what I normally read, but the books of his I'd read so far certainly had interesting stories.
Unfortunately, A Prayer for Owen Meany struck me as repetitive. The same plot points were repeated several times. There were a few sections that were interesting and/or funny. I kept reading, hoping that the story would pick up, or, at least, stop repeating, but it never happened. I kept going, based on the recommendations. After reading about half of the book, I just had to stop. I decided I'd rather spend what little time I have to read recreationally reading a more interesting book.
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Format: Mass Market Paperback
A PRAYER FOR OWEN MEANY is a fascinating book, but it won't be for everyone. Irving has indeed created an odd couple of characters: Owen Meany, the dwarfish youth with high-pitched voice of stunning self-importance that wavers between arrogance one moment and self-sacrificial lamb of God the next, and his sidekick Johnny Wheelwright, illegitimate child of a striking, freespirited woman soon killed off by a baseball Owen accidentally slams across the baseball field during a Little League game to hit its killing blow against her temple. Not that this would destroy the odd friendship of these two. Indeed, it bonds them for life.

As for Owen, he doesn't believe in accidents, especially not this one. What transpires through the remainder of the story, tracing the lives of these two from children into adulthood, is a complex weave of seeming circumstance into eventual climactic conclusion that rather neatly ties many loose threads together into a tight knot. Owen has foreseen his own death by a visionary dream, and he never doubts, at least not until the final days of his life, that this dream is the beacon guiding him home (home being, for Owen, heaven for those who would enter through the gates of martyrdom).

In the process of these two strange lives, topics of destiny and fate, religion, American politics and foreign policy, various rites of passage from childhood into adulthood, and other miscellaneous lighter and deeper issues are undertaken. These, too, all come together into the neat knot at the book's end. The only other novel that came together this way for me (and everyone else) was THE BARK OF THE DOGWOOD with its equally strange characters and situations.

Irving is a quality writer.
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Format: Paperback
Irving's writing is often long on description and short on plot, but in "Owen Meany" we do get a chance to move forward and it is an enjoyable journey all the way.
"Owen Meany" is the story of an odd but heroic child who manages to have an impact in some very profound ways. His life, in the end, touches others in ways that are both concrete and abstract, but always interesting. As always, Irving's characterization is his strong-suit and here he makes us care about everyone on the page. Like life itself, his characters journey through moments of warmth, frustration, joy, humor and defeat. Their stories are always dramatic and Irving shows that he has the ability to put himself into the minds of children realistically, while never alienating his adult reader.
The themes here are not hard to find and, as such, some might consider Irving too obvious and simple to be a master of literature. But Irving redeems himself with his eloquence, his knowledge of the human condition and his evocative depiction of the environment surrounding his players.
I admit to having been turned off at times by Irving's "Cider House Rules" and "The World According to Garp", and both "Setting Free the Bears" and "Son of the Circus" moved so slowly and floridly that I have left them each unfinished twice. I hate to admit it, but both of the first two books were probably better as loosely translated movies. Owen Meany is different. It is a story which happens as much inside of a community and its characters as in any visible sense. It translated so poorly into a movie that I won't even tell you the atrocious replacement name they gave to it (although I will hint that Ashley Judd played a radiant young mother in it).
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