|List Price:||CDN$ 40.69|
|Price:||CDN$ 39.71 & FREE Shipping. Details|
|You Save:||CDN$ 0.98 (2%)|
Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item.
Today Only: "Amazon Exclusive: The James Bond Collection + Spectre" for $119.99 (60% Off)
For one day only: "Amazon Exclusive: The James Bond Collection + Spectre" is at a one day special price. Offer valid on February 9, 2016, applies only to purchases of products sold by Amazon.ca, and does not apply to products sold by third-party merchants and other sellers through the Amazon.ca site. Learn more.
Frequently Bought Together
The Prefab People
From the Studio
Shot in a gritty documentary style, Bela Tarr's third film is a relentlessly realistic portrait of a young working-class couple suffering the everyday stresses of marriage. Beginning with a terrible argument between husband and wife, Tarr subsequently examines the minute details of his character's lives to see what brought them to this moment. Profound and disturbing, Prefab People is "the best of Tarr's early forays into Cassavetes-style social realism" (Jonathan Rosenbaum, Chicago Reader). In Hungarian with Englis h Bela Tarr---Hungary---1982---80 mins.
Customers Who Bought This Item Also Bought
Most Helpful Customer Reviews on Amazon.com (beta)
Superb performances by real-life partners, Judit Pogany and Robert Koltai, trick one into feeling like a voyeur. In public and in private, they deal with the stark reality of their seemingly dead end existence. Fights and disappointments, loneliness and a shallow thinness of life fill the screen in painfully long close-ups. A good amount of (mostly live) music adds to the mix. The closing image, the one you see on the cover with the couple riding in the back of a pickup with their newly purchased Minimat 65 washer, glues the episodes of break-up back together with what money can buy. Tarr uses the film's 75 minutes to construct a single movement that revolves on and on, ending at the beginning, churning up the clothes of life in a futile attempt to once and for all get out the dirt... or have we simply arrived in hell for good?
In 1987, the filmmaker Bela Tarr and the novelist Laszlo Krasznahorkai teamed up for Karozhat, and the result was critical magic, blasting both of them onto the international stage in a partnership that lasts to this day. I don't think it's overstating the case to compare it to the partnership between Billy Wilder and I. A. L. Diamond, except that where Diamond was a comedic master, Krasznahorkai excels at existential despair. In any case, what some people forget is that before the two paired up, both Tarr and Krasznahorkai were prolific in their chosen disciplines; it's just that no one had heard of them outside Hungary. Tarr's pre-Krasznahorkai films are slowly being discovered by the west, and the first one to be readily available is 1982's Panelkapcsolat, or The Prefab People.
As you might expect from the title, this is an overtly political film, far more so than even Satantango, but in that Tarr fashion, he's more interested in the effects of politics on one intimate scene than he is on an entire nation (think Makavejev, for example, as a filmmaker obsessed with the latter). In this case, the scene is a modest Hungarian family who live in a large city. Dad (Memories of a River's Robert Koltai) is a typical office drone-cum-slacker whose greatest desire is for the kind of freedom one finds in, well, Makavejev films (actually, for some reason, I saw him the whole time as a transplanted character from Zabriskie Point, though for the life of me I can't tell you why that is). His wife (Vacsora's Judit Pogany) feels (and is) put-upon, being left to take care of their two young children while dad goes out and carouses. It's also Tarr in that it's essentially plotless; the two drift through their lives fighting, making passionless love, putting on a facade of being together while at the same time actually being horribly alone, even while in the same bed.
The comparisons to Cassavettes are obvious here (and I don't know why I never drew the comparison between Tarr and Cassavettes until now), but Tarr feels existential angst on a level Cassavettes was never quite able to reach; in this, he reminds me a lot more of Jon Jost, that purveyor of the truly bleak. Also, it often feels to me that watching one of Cassavettes' monumental indie flicks from the sixties is as much an endurance test as it is a film; Faces seems to go on forever. The Prefab People has that same air of the uncomfortable, but like all of Tarr's films, it just flew by for me (and this is the shortest Tarr film I've seen, clocking in at just seventy-six minutes), buoyed by Tarr's dry humor and ear for dialogue. Those who are used to his new style of filmmaking will be very surprised at the lack of seemingly endless pan shots, but because of that, this may be the most accessible Tarr movie I've seen to date for the Tarr novice. Introduce your friends to Bela Tarr with this movie, and then hit them with Satantango. *** ½
Though in caves pursued he lie,
Even then he fears attacks.
Coming forth the land to spy,
Even a home he finds he lacks.
Mountain, vale - go where he would,
Grief and sorrow all the same -
Underneath a sea of blood,
While above a sea of flame.
`Neath the fort, a ruin now,
Joy and pleasure erst were found,
Only groans and sighs, I trow,
In its limits now abound.
But no freedom's flowers return
From the spilt blood of the dead,
And the tears of slavery burn,
Which the eyes of orphans shed.
Look for similar items by category
- Movies & TV > Art House & International > By Country > Hungary
- Movies & TV > Art House & International > By Genre > Drama
- Movies & TV > Art House & International > By Original Language > Hungarian
- Movies & TV > Drama > Love & Romance > Crumbling Marriages
- Movies & TV > Drama > Love & Romance > Marriage