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Programs and Manifestoes on 20th Century Architecture
  

Programs and Manifestoes on 20th Century Architecture [Hardcover]

Ulrich Conrads
5.0 out of 5 stars  See all reviews (1 customer review)

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Hardcover, December 1970 --  
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The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.

--This text refers to the Paperback edition.

From the Back Cover

The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in a chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left: from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimer in 1919; 'Towards a New Architecture, Guiding Principles' by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, include those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I Kahn. There are also a number of collective or group statements issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.

Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted. --This text refers to the Paperback edition.


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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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1 of 1 people found the following review helpful
5.0 out of 5 stars if you don't own it, buy it now., Mar 27 2000
By 
K. M. Gough (Cornell University, Dept. of Architecture) - See all my reviews
(REAL NAME)   
This book is mandatory for the library of any architect or student of architecture. It is the point from which any discussion of Modern Architecture could begin. I am hard pressed to think of a notable architect Conrad has neglected to include in this handy little book. From these pages I have seen generated a good number of arguments and debates on the state of architecture today. This is a small price to pay for such a wide array of ideas, both good and bad.
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15 of 15 people found the following review helpful
5.0 out of 5 stars if you don't own it, buy it now., Mar 27 2000
By K. M. Gough - Published on Amazon.com
This review is from: Programs and Manifestoes on 20th-Century Architecture (Paperback)
This book is mandatory for the library of any architect or student of architecture. It is the point from which any discussion of Modern Architecture could begin. I am hard pressed to think of a notable architect Conrad has neglected to include in this handy little book. From these pages I have seen generated a good number of arguments and debates on the state of architecture today. This is a small price to pay for such a wide array of ideas, both good and bad.
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