Projectionist (Widescreen)

My Comments:
The movie really is surprisingly better than I had expected because of the way it is setup. If the movie was just the story of the projectionist/movie buff and his life, it would be pretty lame. But, because he lives his life in his fantasies about the movies, it is somewhat interesting. Also, the acting in 'real life' is not too bad, but could be much better. This is contrasted with the acting in the fantasies being farcical, which the movie can pull off because they are fantasies. With that leeway, the movie isn't nearly as bad as it could have been. There is also very little dialogue; most of the old scenes are just put to music.

I don't know that the movie is trying to push a social commentary, but perhaps it is. The basic idea I get out of it is that movies can be, for some people at least, a way to make their humdrum, boring life something more. It is also a commentary on how ordinary most people's lives are. When the movie first opened up I thought for sure I was going to be bored stiff, but I was surprised in the end. I don't know that the movie is truly worth watching for most people as it is a bit obscure and unless you have seen most of the movies from which the clips are taken, it might not be as funny.

Overall, the movie was fun, though very, very slow at times.

There are wonderfully inventive sequences of clips in "The Projectionist" that are a hoot in their making sense as part of a sequence, but also can't overcome their familiarity to movie fans, so they work on two dimensions.

Also, there is some interesting juxtaposition of clips forming sequences of feelings of standard Mom-Apple Pie-Chevrolet U.S.A. flag-waving, but they are counterparted by sequences of clips showing the dark side and hypocrisy of the American Dream (myth?). There is the voice of JFK, delivering his most famous line: "Ask not...(etc.)", with that audio timed perfectly to sync with Hitler exhorting and gesticulating (No particular disrespect to JFK, I'm sure- just to make the point that Hitler demanded sacrifice to further the dreams of the State, also, and the misguided adventure in Vietnam was very topical at the time of this film's production. At least I think that's what the point is).

This movie also has the wildest use of split-screen, ever.

And the finale harkens to "The Stunt Man", i.e., where does the movie begin and where does the part not in the movie end?

Richard Rush, the director of "The Stunt Man", says he's excited by pushing the envelope of film syntax. That is really accomplished in "The Projectionist".