The real reason we keep turning the pages of Promised Land is because of the compelling figure cut by detective Spenser. The way in which he gets the information he gets about the case from police detectives, bartenders, and local thugs—Spenser’s unique bracing blend of irony and sincerity that almost never encourages the people he encounters to really like him--is as interesting as the information he gets.
Spenser is clever, often hilarious and his quips have something more than self-amusement as their end. Beneath the air of insouciant detachment and irony is a quixotic concern, as witnessed by his often self-sacrificing actions. The people Spenser meets often made predictable mistakes, falling into the same traps he has seen countless others fall into, and out of which they are mistakenly sure they can get out. Although he is weary of watching this pageant of human weakness and failure time and again, Spenser cannot help but become emotionally entangled in his cases, no matter how numbingly predictable they may be.
ABOUT THE AUTHOR
Robert B. Parker was one of contemporary fiction's most popular and respected detective writers. Best known for his portrayal of the tough but erudite investigator Spenser, Parker wrote over twenty-five novels over the course of his career, which began in 1973. Parker's acclaim and his thorough background in classic detective literature helped earn him the somewhat unusual commission of completing a Philip Marlowe novel that the great Raymond Chandler had left unfinished.
Promised Land and the other Spenser novels spawned the movie Spenser: For Hire and a string of made-for-TV movies.
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