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Proof [Paperback]

David Auburn
4.7 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

July 26 2001
Proof is the winner of the 2001 Pulitzer Prize for Drama.

One of the most acclaimed plays of the 1999-2000 season, Proof is a work that explores the unknowability of love as much as it does the mysteries of science.

It focuses on Catherine, a young woman who has spent years caring for her father, Robert, a brilliant mathematician in his youth who was later unable to function without her help. His death has brought into her midst both her sister, Claire, who wants to take Catherine back to New York with her, and Hal, a former student of Catherine's father who hopes to find some hint of Robert's genius among his incoherent scribblings. The passion that Hal feels for math both moves and angers Catherine, who, in her exhaustion, is torn between missing her father and resenting the great sacrifices she made for him. For Catherine has inherited at least a part of her father's brilliance -- and perhaps some of his instability as well. As she and Hal become attracted to each other, they push at the edges of each other's knowledge, considering not only the unpredictability of genius but also the human instinct toward love and trust.

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From School Library Journal

Adult/High School-Twenty-five-year-old Catherine, who sacrificed college to care for her mentally ill father (once a brilliant, much-admired mathematician), is left in a kind of limbo after his death. Socially awkward and a bit of a shut-in, she is gruff with Hal, a former student who shows up even before the funeral wanting to root through the countless notebooks her father kept in the years of his decline, hoping to find mathematical gold. On the heels of his arrival comes Claire, Catherine's cosmopolitan, blandly successful, and pushy sister, with plans to sell their father's house and take Catherine (whom she's convinced has inherited a touch of their father's illness) with her back to New York. Catherine does not want to leave, and things become more complicated as she and Hal tentatively begin to develop a relationship. She gives him the key to a drawer in her father's desk, where the "gold" waits-in the form of a notebook filled with the most original and astonishing mathematical proof Hal has seen in years. Thrilled, he wants to take immediate steps to have the proof published in her father's name, until Catherine shocks both him and Claire by declaring that she is its author. Hal's harsh incredulity pushes Catherine into an indifferent funk, sorely disappointed by the insult of having to prove her honesty to a friend she had trusted. There is much to appeal to YAs in this Pulitzer Prize- and Tony Award-winning play, which crackles with subtle wit while tackling large questions.

Emily Lloyd, Fairfax County Public Library, VA

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

After the death of her mathematical genius father, Catherine, who gave up her own study of mathematics to tend to him, claims that she is the author of a mathematical proof found in the attic among his unpublished, mostly incoherent notebooks by Hal, one of his former students. But what "proof" does Catherine have that she, and not her father, is the author? Her older sister, home to attend the funeral, doubts her claim and, in fact, doubts Catherine's own sanity. Hal, who has professional ambitions of his own, isn't exactly disinterested and may not be trustworthy; his sleeping with Catherine has also complicated the issue. The elusiveness of genius in general and the difficulty of a mathematical proof in particular here become metaphors for the uncertainties of love, trust, and personal integrity. This wonderful play has already won the Kesselring Prize for Auburn, also a recipient of a Guggenheim Fellowship. Proof's deft dialog, its careful structure, and the humanity of the central characters are themselves proof of a major new talent in the American theater. Strongly recommended for all drama collections. Robert W. Melton, Univ. of Kansas Libs., Lawrence
Copyright 2001 Reed Business Information, Inc.

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Originally produced by the Manhattan Theatre Club on May 23, 2000. Read the first page
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Customer Reviews

4.7 out of 5 stars
4.7 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars "faith and fear" May 31 2001
Format:Paperback
I recently saw the Manhatten Theater Club's production of Proof on Broadway, and I expect to find even more delightful surprises in my first reading of the script. David Auburn's examination of love, trust, and betrayal is subtle and moving. With a keen eye for true human nature, he pits the logic of mathmatics against our emotonal subjectivity and solves the conflict with simplicity and eloquence. His humor and clarity make this script a must-read for all who love intellectual/emotional power struggles. As a theater student, I read any play that falls into my hands, but rarely do I find one with such multi-layered characters matched by such an eloquently truthful plot. You won't be disappointed.
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4.0 out of 5 stars Sanity in a crazy world May 1 2004
By Rosebud
Format:Paperback
I saw Proof performed a couple years ago on Broadway, and have read the script twice since. Any performance of Proof hinges on the casting of Robert (an aging mathemetician) and Catherine (his daughter). The performance I saw had two magnificent actors in these roles, which smoothed away some of the rough edges of the script itself.

Don't get me wrong; this is an amazing piece of playwriting, better than 99% of everything else out there. But the setting of the play is so very static, and its language so toned down, that it takes a very talented and entertaining group of actors to pull it off. The writing of Proof is very much like Chekov -- brilliant, but somewhat unapproachable.

(Drama teachers take note: this is a great play for students to improve their acting skills, but a terrible play for students to actually perform.)

The plot, if not the style, of this play can be compared to the style of the recent big-budget film (based on a novel) Big Fish. But in that comparison Proof comes off looking brilliant, and Big Fish comes off looking overwrought. If this play is done right, there is a moment toward the end that can compete -- in terms of sheer pathos and emotionality -- with anything Sophocles ever wrote. Watch for the stage direction: "After a long moment Catherine closes the notebook." It brought tears to my eyes.

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5.0 out of 5 stars "Proof" April 9 2004
Format:Paperback
When I had to read a play for my drama class, my drama teacher handed me this play which I didn't have much hope for. Though it quickly changed my mind as I read this wonderful story about two sisters coping with a fathers death. I LOVE "Proof"!!! Thank you sooo much Mr. Auburn!!!
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Most recent customer reviews
5.0 out of 5 stars An intellectual inspiration
I'm glad I saw this one on a stage. This play is an emotional experience that jumps back and forth over five years in the lives of four people. Read more
Published on Feb 18 2004 by Bruce P. Barten
5.0 out of 5 stars You do the math
Brilliant writing; Brilliant plot; Brilliant dialogue; Brilliant insight: You do the math. This one is a stellar accomplishment, full of sound and fury, signifying just about... Read more
Published on Feb 12 2004
5.0 out of 5 stars Proof for Pleasure
IF you are into sarcastic humor and enjoy some dry wit this is a book for you. Short w/ the sweet and sour sauce it will fit your taste buds to a T. Awesome read
Published on Dec 17 2003 by lizbeth
5.0 out of 5 stars a great contemporary play
For those naysayers who lament the death of the theatre, David Auburn's brilliant, intimate, touching ode to the mysteries of life, family, love and identity offers proof that... Read more
Published on July 26 2003 by J. Remington
5.0 out of 5 stars Deservedly won the Pulitzer and Tony
I have read David Auburn's play, and saw it on Broadway with Jennifer Jason Leigh in the lead. Even though the performance I saw was less than stellar, the brilliance of the... Read more
Published on Mar 14 2003 by K. Schwarting
4.0 out of 5 stars Life is not mathematics.
David Auburn's play, "Proof," tackles the clear-cut vs. the unquantifiable elements of life. Robert and his daughter, Catherine, are gifted mathematicians. Read more
Published on Jan 6 2003 by E. Bukowsky
3.0 out of 5 stars "Banging On An Already Open Door"
David Auburn should be congratulated for having achieved the nearly impossible, writing a play every bit as boring and every bit as successful as the soporific... Read more
Published on July 6 2002 by Stanley H. Nemeth
5.0 out of 5 stars Great To Read, Great To See
The story of Proof somehow jumped at me like no other play had before. I have seen the play twice. I didn't see it in New York, but I saw the first regional production of the play... Read more
Published on Jun 6 2002 by W. Norris
5.0 out of 5 stars Proof positive
David Auburn tells a very human tale of genius and mathematical discovery in the context of the larger struggle of finding a place for oneself. Read more
Published on April 22 2002 by Bukkene Bruse
5.0 out of 5 stars A CHALLENGING, ENTERTAINING PLAY
Not since David Hirson's brilliant La Bete and Wrong Mountain has Broadway seen a more exciting play than Proof! Read more
Published on April 4 2002
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