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Public Enemy (Sous-titres franais)


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Product Details

  • Actors: James Cagney, Jean Harlow
  • Directors: William Wellman
  • Format: Black & White, Closed-captioned, Color, DVD-Video, Full Screen, NTSC, Subtitled
  • Language: English
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Canadian Home Video Rating : Ages 14 and over
  • MPAA Rating: UNRATED
  • Studio: Warner Bros. Home Video
  • Release Date: Jan. 25 2005
  • Run Time: 82 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (16 customer reviews)
  • ASIN: B0006HBV2S
  • Amazon Bestsellers Rank: #17,700 in DVD (See Top 100 in DVD)

Product Description

Product Description

Public Enemy, The (DVD)

Amazon.ca

Director William Wellman (Wings), a World War I veteran who turned his experiences in battle into an insistence on unpretentious violence in his films, made Public Enemy a particularly brutal account of the rise and fall of a monstrous gangster (James Cagney). Cagney delivers one of the most famous performances in film history as the snarling crook who--in one of the film's most famous scenes--smashes a grapefruit into the face of Mae Clarke. The film's a bit dated, but its action scenes still pack an unusual wallop. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

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4.3 out of 5 stars
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1 of 1 people found the following review helpful By Nix Pix on Jan. 21 2005
Format: DVD
William Wellman's "The Public Enemy" (1931) remains the benchmark acheivement in crime cinema by which all successors tip their hats. It stars James Cagney in a breakout performance that established him as one of Warner Bros. 'tough guys' in their so called "murderer's row" roster of heavies. Here Cagney is Tom Powers, a deviant from the wrong side of the tracks who refuses to mellow with age. Together with his buddy, Matt Doyle (Edward Woods), Tom becomes a one man crime wave - taking his chances, living high and accosting and abusing women along the way. His grapefruit in Kitty's (Mae Clarke) kisser is justly remembered as a violent and violating act against the fairer sex. But Tom doesn't care. Life is cheap and exciting. Jean Harlow cuts an elegantly seedy swath as Gwen Allen. Joan Blondell, as another toss away trollop - but with a knife in her - adds to the raw tension of the story. Only the congenial, Mike (Donald Cook) pleads with Tom to mend his wicked ways. He is, after all, Tom's only brother. Taut energy and the enigmatic presence of Cagney (then on the verge of international stardom) make "The Public Enemy" enthralling and electric.
Warner's DVD transfer is justly an improvement over previous video incarnations. Though age related artifacts still exist the remastered print elements are generally smooth and inviting. Certain brief sections of the film appear to have been duped in using second or third generation film sources, leading to a considerable variation in image quality. When it's good, the image exhibits a sharp, nicely contrasted beauty not found in previous releases of this film to video. The gray scale has been impeccibly rendered. There are moments where film grain will appear more excessive but this, again, is the fault of a 70 plus year old negative.
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Format: DVD
Warner Bros. Pictures presents "THE PUBLIC ENEMY" (23 April 1931) (84 min/B&W) (Fully Restored/Dolby Digitally Remastered) -- Friends Tom and Matt go from small time to big time crime during prohibition --- Tom tires of his mistress Kitty (he pushes a grapefruit into her face) and falls for Gwen who resists his advances except when it looks as though he might dump her --- When Matt is killed, Tom goes after the murderers.

"The Public Enemy" was Cagney's breakout film, and really he makes a powerful and accurate job --- Strong acting is provided by the whole cast --- The director William A. Wellmann handles the movie with sound talent.

Mae Clarke was immortalized as the recipient of James Cagney's classic grapefruit-in-the-face.

Academy Award nominations for Best Writing & Best Original Story

Under the production staff of:
William A. Wellman [Director]
Kubec Glasmon [Screenplay]
John Bright [Screenplay]
Harvey F. Thew [Screen adaptation]
Darryl F. Zanuck [Producer]
Devereaux Jennings [Cinematographer]
Edward M. McDermott [Film Editor]

BIOS:
1. William A. Wellman [Director]
Date of Birth: 29 February 1896 - Brookline, Massachusetts
Date of Death: 9 December 1975 - Los Angeles, California

2.
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Format: VHS Tape
From the beginning of Prohibition in 1920, crime was the number one topic in the American consciousness. Organized crime was just establishing a stranglehold on nearly every sector of life and street crime punctuated by the use of the Tommy gun was becoming increasing evident. Hollywood lifted the previous blanket of movie anonymity on crime with the release of PUBLIC ENEMY in 1931. The producers were careful to insert two disclaimers that the characters in the film represented a type of criminal that had to be identified and eliminated. Tommy Powers, superbly played by an alternating snarling then smiling James Cagney, was meant to be seen more as an allegorical figure of vice run riot than as a fully fleshed human being. Unfortunately for the hopes of the censors, they did not figure on the capacity of James Cagney to invest his role of Tommy Powers with a complex surge of passion mixed with no small dose of audience sympathy that ultimately allows a straightjacket bound Powers to exit the final reel in such a way that the audience can feel the same loss that his brother felt when he opened the door to see Tommy fall through.
The movie opens with a juvenile Tommy living with his family in Chicago, learning even then the rudiments of a criminal code of honor and justice that he would adhere to for the rest of his life. At home, his policeman father often beats him with a strap in such a futile way that Tommy's nonchalant response brings to mind a future Marlon Brando telling his abductors who are beating him that his old man hits harder than that. Although the film does expicitly show the father being abusive to the rest of the family, director William Wellman suggests that the violence inflicted on a youthful Tommy is not limited only to him.
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