From Publishers Weekly
While neither Robert Louis Stevenson nor Edward Lear could have foreseen their poems as pop-ups, the form is not without advantages. The Owl and the Pussycat is best served here, with Littlejohn's realistic twosome rowing out to sea and later dancing beneath the moon, as fish jump in the background. The poems from A Child's Garden have static scenes of stiff children; the pictures are not nearly as imaginative as the verses. These two books will strike some as device over substance, and yet the pop-ups may serve to introduce readers to a sampling of the works and entice them to go on to other, more elaborate volumes of Stevenson and Lear. Ages 4-8.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
PreS Up-- This new presentation of Stevenson's classic childhood poems brings together an unusual combination of artistic technique but falls short of any notable new interpretation. The pages are reproductions of needlework borders done by Sara Gutierrez; they lend a colorful, quaint look that complements Lewis' paintings of old-fashioned children. Each poem is laid out on a page, and the artists have nicely varied placement of painting and border. Some of the scenes are imaginative, as in "Young Night Thought," which shows a girl carried by two genies. Others, however, are dull, such as the boy and girl in "Good and Bad Children"; here, the girl stands with hands behind her back looking prim while the boy sticks his tongue out at her. No attempt at universality has been made in this new edition: boys outnumber girls, and all of the children are white except one. For a classic look, editions by Tasha Tudor and Jessie W. Smith still remain the top choices. --Marianne Pilla, Upper Dublin Public Library, Dresher, PA
Copyright 1989 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.