Punch-Drunk Love

 

 

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Paul Thomas Anderson is either hit or miss with me. I liked the Hard Eight, I loved Boogie Nights, but I really thought he lost his way with Magnolia. That isn't to say I can't recognize that he is immensely talented and I'm looking forward to seeing his latest film There Will be Blood. Punch-Drunk Love is a smaller movie about Barry Egan, a business owner who sells novelty items such as stylized toilet plungers. Everything about Barry Egan permeates with a kind of frustrating sadness. His seven older sisters constantly insult him and his life is consistently portrayed as minimalist and disassociated. He is a profoundly lonely man. His bizarre social behavior is awkward but at times spirals into both perversion as well as intensely violent fits of rage. All the while, he is portrayed as the film's protagonist. Anderson is especially delicate in making us understand his eccentricities as justifiable survival mechanisms within the paradigm of his uncomfortable past and nearly pathetic current life. Anderson is careful not to mock or exploit Egan for his faults.

Who could play such a unique and intriguing character? I have to admit, I'm a big fan of Adam Sandler's early comedies. Especially Billy Madison and I don't care who knows about it. I love the silly and stupid humor of Adam Sandler and I firmly believe it is what put him on the map. But he was just a character in those early films and besides those films really are just a series of comedy sketches. It would've made more sense if Billy Madison were placed into a CGI world, a cartoon, or a comic book in the first place. He continued to be silly all along but his characters always carried this dark side that wasn't easy to pinpoint among the poop jokes and slap-stick. He was almost like Adam West's Batman was in the old television show and how we see Batman now in Christopher Nolan's Batman movies is how we see Adam Sandler in Punch-Drunk Love. It is as if Billy Madison or Happy Gilmore were snatched away from the unrealistic comedic worlds of those respective films and aggressively forced to exist in the real world, where every scene isn't necessarily working toward a punch-line. Although, much of Barry Egan's behavior is, at least on the surface, not unlike the behavior of Madison and Gilmore.

The most amazing thing about the whole Sandler dynamic is that he can really act. He stands toe-to-toe with Phillip Seymour Hoffman (an Anderson regular who happens to be an amazing actor) in my favorite scene of the movie, where these two angry idiots just scream back and forth at each other over the phone. The scene makes their later encounter in person an amazing confrontation. Every single scene Sandler is in we tend to feel for the people around him. Knowing what his temper is capable of made me uncomfortable for the people who surround him but especially uncomfortable for Egan himself, who seemingly can't settle into his own skin. He does seem to find some comfort around Lena (Emily Watson), whose relationship with Barry is really what the film is intent on seeing through.

Punch-Drunk Love has a great style. Anderson has a way of making ordinary scenes memorable and important scenes extraordinary. He is a also a great writer and makes even the smallest characters as strong as his leads. The soundtrack is of course the perfect fit as well. In the end and most important of all, Anderson tries hard to allow us the pleasure of watching Barry Egan bring some kind of comfort into his troubled life and I for one was surprised to enjoy it as much as I did.

The film itself is a sorely underrated masterpiece -- but as far as the service is concerned, I believe this was the first time I had ordered a movie online, and I've since done it several more times. Films such as this one (especially the special edition format) are next to impossible to find in chain stores like HMV, Future Shop, Best Buy, et al., so Amazon comes in handy here. My only conceivable gripe would be the cost, but when you struggle for weeks to find these movies in stores, the marginally higher price is worth it.

A short, weird confection of a film, full of wonderful moments, beautiful shots, terrific performances and odd ironies. Adam Sandler strips away all comic overtones to play an angry, dysfunctional, fragile, obsessive compulsive - who we somehow still care for. Emily Watson just about makes us believe she could fall for this emotional wreck.

While there are echoes of the Coen Bothers, this film is unlike any other I've ever seen. A weird and 90% successful mash-up of Hollywood romantic comedy, art-film, exploration of despair, and surreal playfulness. The first time I saw it, it blew me away. The second time, prepared for its wild twists I could appreciate its subtle details more, but also noticed the holes (e.g. Emily Watson's somewhat underdeveloped character - does she willfully not see Sandler's madness, or what makes her love it?). One of those films I look forward to watching yet again sometime.

While I look forward to a blu-ray edition, Sony's superbit DVD does look very, very good.

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1.0 out of 5 stars Or: Adam Sandlers attempt at being taken seriously
I rented this movie with an open mind. Sure, Adam Sandler is responsible for some of the dumbest comedies of recent times; but he's also done some very good ones- THE WEDDING... Read more

Published on July 19 2004 by BD Ashley

5.0 out of 5 stars Punch-Drunk Perfection
Right off, I want to say that I'm a huge fan of Paul Thomas Anderson. Boogie Nights and Magnolia are two of the best ensemble pieces I've ever seen. Read more

Published on July 2 2004 by Michael LaPointe

2.0 out of 5 stars Weird.
It is a poor man's Lost In Translation, but only because it has a similar theme to it. The film style is also similar. Read more

Published on Jun 20 2004 by JAMES DAMICO

2.0 out of 5 stars A Film About People By a Guy Who Doesn't Know People.
Punch-Drunk Love, Paul Thomas Anderson's fourth film is a reworking of Amelie for men instead of women. Read more

Published on Jun 17 2004 by Nobody!

2.0 out of 5 stars Major letdown from one of my favorite directors
I am a huge fan of Paul Thomas Anderson's movies, yet for some reason (besides knowing beforehand that this was not one of his amazing Altmaneque multi-character studies and my... Read more

Published on April 11 2004 by guillermoj

5.0 out of 5 stars if you liked "Amelie"...
you should like this. "punch-drunk love" does for lonely guys what "Amelie" did for lonely gals. both films are about odd, introverted people. Read more

Published on April 10 2004

1.0 out of 5 stars worst adam sandler movie ever made.....
allright i'm going to keep this short and simpile. this is by far the worst movie i have ever seen in mankind. Read more

Published on Mar 30 2004 by VINCE (666)

5.0 out of 5 stars Atlas Van Lines
I've never been a great admirer of Paul Thomas Anderson.
Don't get me wrong. I've loved his films. But they were never
particularly memorable for me. Read more

Published on Mar 22 2004 by Daniel E. Collinelli Jr.

1.0 out of 5 stars DO NOT BUY THIS OR RENT IT!!!!!
I love Adam, but this is one of the worst movies I have ever
seen in my life.

Thank goodness I only rented it.
I saved my money, so please save yours! Read more

Published on Mar 20 2004

5.0 out of 5 stars Most surprising, original movie of its year.
I finally saw Punch-Drunk Love, and it was everything i was expecting and more. I been waiting half a year now - b. Read more

Published on Mar 20 2004 by Ben Parker

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