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Quadrophenia (The Criterion Collection) [Blu-ray]


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Product Details

  • Format: DTS Surround Sound, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: English
  • Region: Region A/1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Criterion
  • Release Date: Aug. 28 2012
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (40 customer reviews)
  • ASIN: B0083V2VW8
  • Amazon Bestsellers Rank: #5,493 in DVD (See Top 100 in DVD)

Product Description

Product Description

Quadrophenia (The Criterion Collection) [Blu-ray]

Amazon.ca

Franc Roddam's terrifically energetic movie, set to music from the Who's Quadrophenia, is--at the very least, the best film ever based on a rock album (and, yes, that includes, Tommy, Pink Floyd: The Wall, and Jesus Christ Superstar). Actually, this tale of the battle between two early '60s youth subcultures--Mods and Rockers--in the seaside teenage wasteland of Brighton, England, isn't so much a cinematic "version" of the Who's 1979 double-record rock opera as it is a story based on the sequence of songs on the album. Quadrophenia is about that crucial time in teenhood when the lion's share of your sense of identity is tied up in the music you listen to, the clothes you wear, and the groups you hang out with. Jimmy (Phil Daniels) identifies himself with the sharp-dressing, scooter-riding Mods, who listen to American soul and British pop-rock (The Who themselves were once rather Mod). The Rockers, on the other hand, are leather-jacketed, black-booted, motorcycle-riding tough guys who listen primarily to classic American rock & roll. The film captures this minor pop-culture revolution perfectly. Look for Sting as a club-hopping slickster, who's shameful secret is that he's a hotel bellboy by day. --Jim Emerson --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

3.6 out of 5 stars
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2 of 2 people found the following review helpful By Daniel J. Hamlow on Sept. 6 2003
Format: VHS Tape
Motorbikes with multiple rear view mirrors and headlights, pills, snack bar hangouts, gang rumbles, and music by the Who. Quadrophenia, executive produced by the Who, with music produced by bassist John Entwistle, captures a slice of Britain in the 1960's. True, the strong accents may not be understandable to untrained American ears, but to an Anglophile such as myself, it was music to my ears.
The interraction between Jimmy and his friends. He's really taken with Steph, a prize blonde in their circle who seems to be hanging around another Mod. However, he ignores Monkey, who's a nice enough girl, but who in his eyes pales when put aside Steph. Her reaction at his not noticing her is telling, as she seems to have a thing for him. He does okay around the others, such as Dave, Spider, and a black guy named Ferdy, who's the one to go to for buying blues, pills that is. Most curious is the way he sees Kevin, a friend of his who went in the army and left, only to become a Rocker.
Jimmy's life as the post-room boy seems unrewarding. In fact he steals some cheesecake photos he was supposed to deliver and keeps them. Hmm, were those "pictures of Lily"? His late nights also cause consternation to his parents, and he answers them with equal vituperation. He is a typical enough boy, with ... pin-ups, newspaper clippings of Mods versus Rocker riots, and pictures of the Who on his bedroom wall.
A telling scene about what the movie's thematically about comes during a conversation between Kevin and Jimmy. Kevin says he doesn't care one bit about the whole Mods and Rockers nonsense. Jimmy then says, "I don't want to be the same as everybody else. That's why I'm a Mod, see? I mean, you gotta be somebody, ain't ya? Or you might as well jump in the sea and drown.
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2 of 2 people found the following review helpful By Stephen Bieth TOP 50 REVIEWER on Aug. 29 2012
Format: Blu-ray Verified Purchase
Critiron Has done it again. This is the best version of Quadrophina I have ever seen. Let's be honest the Rhino DVD version of this was a crime (why do rhino make such great CD's and such horrible DVD's). The audio was passable at best. The picture looked like it came from a bleached out VHS copy. This version has a mind blowing 5.1 mix Concidering the source. The music comes in from all around you. If you have the audio box set with the 5.1 you will know what I am talking about. They use the same mixes here. The picture is very sharp. There is a bit of grain but this was filmed in the late 70's outdoors in England. So I am sure there were many a cloudy day they had to deal with. The story it's self speaks to anyone who hasn't always fit in. It really speaks to you if you have ever hit a really rough part in your life and you found out most of your friends aren't really friends. I think most people have that bonding with friends growing up where you think thick or thin we stand together. This film is partly about that. It's also about trying to figure out where you fit in this world. This film has it all. Great story, excellent acting considering most are nobodies and a killer soundtrack. If you are fan of this film and have seen it on DVD or VHS then you really are in for a treat. I have seen this film at least a dozen times in my life and I grew up with English grandparents so I don't usually have a hard time understanding British people but there are bits of dialog that I am picking up for the first time. Over all ten out of ten!
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Format: DVD
It's so pretentious to use the word 'pretentious'. But if the shoe fits, better walk around in it pretentiously. Not that Quadrophenia is overly that pretentious, but if it found the other shoe...? It's a valiant attempt by The Who to encapsulate the era, the lifestyles, the friendships and divisions of the 'old ways' meeting the 'new ways'. But in the end, and maybe rightfully so - it wasn't worth a damn thing. Yet, can serve as an example that the only thing worse than Mob Rule is Mod Rule. And not to fault The Who, and maybe it is the point they're trying to make; as it's something they truly know - extremities are dangerous. Extremities can cause damage, and quite possibly take lives. And in order to be extreme, one has to be common place as a bench mark firstly. And as detested as that commonality may seem, it serves as a sturdy comfort as well. And in a round about way (literally, as the British know so well...) that's what Quadrophenia exemplifies to the max Did the main character Jimmy blow it? Are rockers that less materialistic? Are both sides just a sham to get whatever's going, even though neither are going nowhere? A well done reconstruction of the era, and a cast comparable to a Cecil B. Demille film. But meanders and drains for the most part. If anything, the movie is a statement that being 'modern' is infantile and compassion less. And may forever be?
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Format: DVD
Quadrophenia is not so much an account of mod (or modernisim as it was originally known). It is much more of a conceptual piece centering itself around the experiences of Jimmy cooper, a multi faceted personality, with the mod aspects giving a base to his predicaments. It was a story developed by Pete Townshend in the 70's with the 60's mod movement in mind. This is further developed by the use of director Franc Roddam's use of a contempory setting.
Some people have criticised the film for not being firmly rooted in the 60's, but I think the crossover works well, allowing the mix to sit in with the overall themes of the film. By using this approach the film can also unite people form different generations. I think this is important. And now to the film.
Quadrophenia opens where it closes, above the clifftops of brighton. From here we are transported back to sheppards bush where we are introduced to Jimmy as a character. We see his surface side as he enters the goldhawk club, well dressed and self assured. A Mod. As the film continues though we see him repond differently to various situations, be it his home life, at work, with his friends or when chasing his dreamgirl Steph ( played by Leslie Ash.). He is basically dissatisfied and in search of what's elusive. It is during the second half of the film we see this becoming more obvious. Set in Brighton on a bank holiday weekend Jimmy and his friends join together with an army of mods, for a weekend of dressing, dancing, pills and punchups. It is when Jimmy gets evicted from the dance for jumping of a balcony he begins to drift away from the numbers.
For me this is where Quadrophenia begins to take on its poetic quality.
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