Quatermass and The Pit (Widescreen/Full Screen)

The film starts out with an interesting find during the renovation of an underground subway station in the English town of Hobb's End. Seems the workers found some ancient skeletal remains, early primate man it appears, prompting the work to stop, allowing for Dr. Mathew Roney (James Donald), his assistant Barbara Judd (Barbara Shelley, yowsa, yowsa) and a group of anthropologists to catalogue this remarkable discovery. The situation soon turns from fantastic to frightening, as part of a large, metal object is uncovered, leading some to believe it may be an unexploded German bomb from the last world war. Professor Bernard Quatermass (Andrew Kier), a physicist and rocket scientist, along with Colonel Breen (Julian Glover, who later appeared in Indiana Jones and the Last Crusade) and the military soon arrive to deal with the situation, but further digging reveals the large object not to be a remnant of a past war. Turns out, it's not even an object of this Earth, as various attempts to penetrate the hull prove fruitless, as the object is of a material not recognizable to anyone. Not only that, but a secret compartment reveals child-sized inhabitants of a bug-like nature. As the scientists, the military, and the government grapple with this incredible find and all its' possible implications, the dissention amongst the parties involved begins, as not only of the origin of the object, and how best to disseminate information to the questioning public.

After Barbara, with the flaming red hair and beckoning green eyes (sorry...I got a little carried away) uncovers information about past odd happenings in the Hobb's End area, Professor Quatermass develops some interesting theories about the possibility of alien intervention in human development and reasons why. This opens a whole new can of worms, and to say Colonel Breen and various high-ranking government officials were less than receptive to these theories is putting it lightly. There position, akin to an ostrich putting its' head in the sand, is that the object and anything within was all a part of some German propaganda during the past war, designed to sow confusion and fear. This turns out not to be true, as everyone learns later. More scientific investigation reveals some truly interesting, and somewhat terrifying details. In the end, the terror becomes a reality, and the stuff really hits the fan as the object turns out to be much more than anyone had expected or could have conceived.

To me, this is an excellent example of a true science fiction film. The story is thick with rich, creamy flavor as elements are revealed, tying in not only with the present, but also the past. The conclusion to the story is satisfying, but one is left with any number of questions that may never be answered, due to the plot intricacies developed through the film. I really liked the portrayal of the powers that be in that they weren't trying to cover up some big secret, but just unwilling to face certain facts for fear that this information would have repercussions beyond the imagination, and most would probably not be able to even begin to wrap their minds around the possibilities presented with the alien object. There is a real depth to this movie, one that keeps drawing you deeper and deeper, heaping implications on top of implications, giving this viewer the sense that his mind was actually being blown. The whole affair was very intelligent and well put together, leading up to a very exciting climax. I would recommend this to any fan of true science fiction, as it exemplifies what can be achieved when all the pieces come together. This would certainly be the career highlight of capable director Roy Ward Baker, who also directed such films as Scars of Dracula (1970), Asylum (1972), And Now the Screaming Starts (1973), and The Monster Club (1980). James Donald (Dr. Mathew Roney) also appeared prominently the classic WWII film The Great Escape (1963). Andrew Kier (Prof. Quatermass) appeared in other Hammer films like Dracula: Prince of Darkness (1966), along with costar Barbara Shelley, and also the less than stellar The Viking Queen (1967).

The wide screen print on the disc looks very good, with only very minor signs of wear in a couple of places, and special features, which are on the flipside of the disc, include US and UK theatrical trailers, TV spots, a feature length commentary track by director Roy Ward Baker and writer Nigel Kneale, and a World of Hammer episode entitled 'Sci-Fi'. If you're in the mood for an intelligent and highly entertaining science fiction film, you won't be disappointed in Quatermass and the Pit.

Cookieman108

I bought the movie on the strength of that feeling and it didn't disappoint me to see it again as an adult.
Although I bought all three movies, this is my favourite Quatermass movie because the acting is so much better than the first two films.

Andrew Keir is the best and most sympathetic Quatermass in my opinion and the supporting cast, particularly James Donald (the real hero) and Barbara Shelley help raise the overall quality of the film.
Credit must also go to the author Nigel Kneale who has some terrific ideas and a real feel for science fiction. He also researches his subject well so his stories generally contain 'believable' science( the odd plant man not withstanding).

The way he weaves the old tales of goblins and devil folklore into the story is impressive and original, making the sudden discovery of these creatures less far-fetched and ultimately quite courageous for it's time, considering the heresy at the heart of the story, that we owe our existence and evolution to clever insectoid martians!

The special effects are good considering the lack of technology available at the time and the story kicks along at a cracking pace. Be warned though, you may well be repeating lines in the pub like ....they were leaping and jumping!!! for days afterwards with a bug-eyed expression on your face.

Or is that just me? (I'll get my coat.........)

I would say you if you like science fiction films you won't feel let down if you buy this movie. It's a movie worthy of the title 'classic'and I think stands up pretty well against today's efforts.