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Queen Elizabeth I: Selected Works [Hardcover]

Steven W. May
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Book Description

Jan 6 2004 Folger Shakespeare Library

An impeccably researched collection of the public and private writings of the great British monarch

Queen Elizabeth I was one of the most charismatic of English sovereigns, and one of the most prolific. While her more famous public speeches are familiar to some, many of her private writings have never before been printed or made accessible. Now, for the first time, a generous selection of her poetry, speeches, essays, letters, prayers, and translations is being made available to a popular audience. From a poem written in charcoal on a wall at Woodstock Palace by the twenty-two-year-old imprisoned princess, to the speech the thirty-year-old queen gave in response to parliamentary pressure that she marry, to the fascinating letters sent to her emissaries as they conducted the kingdom's business, this collection of the selected writings of Elizabeth I is a privileged glimpse into the mind of one of the most compelling rulers of the Western world.

Authenticity was a guiding principle in the selection of these readings. This volume grew out of the many manuscript texts of Elizabeth's works Professor Steven W. May discovered while preparing the Bibliography and First-Line Index of English Verse, a twelve-year research project that took him to more than 100 manuscript archives in this country and the United Kingdom.

The anthology offers a broad selection of Queen Elizabeth's works and includes the most authentic and interesting English texts that survive in her handwriting. Her written words reveal not only Elizabeth's political and psychological insight, but her literary gifts as well. The texts, presented in modern spelling and set forth in their historical context, are accompanied by extensive explanatory notes and introductory material.

An impressive collection of rare documents, presented with abundant commentary and full explanatory notes, as well as an informative introduction providing helpful background on Elizabeth's life and letters.


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Excerpt. © Reprinted by permission. All rights reserved.

Chapter One: Original Poems

Poem 1

Woodstock, 1555.

From Universitätsbibliothek Basel MS L, 7-8,

the diary of Thomas Platter.

A[t] Woodstock Manor. 1555.

Oh fortune, thy wresting, wavering state

Hath fraught with cares my troubled wit,

Whose witness this present prison late

Could bear, where once was joy flown quite.

Thou caused'st the guilty to be loosed

From bands where innocents were enclosed,

And caused the guiltless to be reserved,

And freed those that death had well deserved.

But herein can be nothing wrought.

So God send to my foes as they have thought.

Finis. Elisabetha the prisoner, 1555

Commentary

Elizabeth wrote these lines in charcoal on a wall at Woodstock Palace, where she was imprisoned by Queen Mary from June 1554 until April 17, 1555. The only extant contemporary texts were transcribed by Continental visitors to the palace (see the textual notes).

Textual Notes

Platter's text has been reprinted in Clare Williams, Thomas Platter's Travels in England, 1599 (London, 1937), pp. 220-21, and in Thomas Platter, Beschreibung der Reisen durch Frankreich, Spanien, England und die Niederlande 1595-1600, ed. Rut Keiser (Basel, 1968), 2:859. I am grateful to Dr. Lukas Erne for checking this transcription against the original manuscript at Basel. See G. W. Groos, ed., The Diary of Baron Waldstein (London, 1981), pp. 117, 119, for the text copied at Woodstock by this nobleman in 1600. A third foreign visitor, Paul Hentzner, copied the poem on September 13, 1598. A corrupt version of his transcription was published in Itinerarivm Germaniae, Galliae; Angliae; Italiae; Scriptum a Paulo Hentznero J C (1612), sig. S4v-T1. A mutilated version of the poem in an eighteenth-century hand is found in British Library Add. MS 4457, f. 6.

Poem 2

Woodstock, 1555. John Foxe,

Actes and Monuments (1563), sig. 2nd 4N7v.

Much suspected by me,

Nothing proved can be.

Quod Elisabeth the prisoner.

Commentary

According to Foxe, Elizabeth wrote these lines "with her diamond in a glass window" at Woodstock Palace, where, with Poem 1, they were routinely shown to visitors. Unlike Poem 1, however, this couplet was widely disseminated in England during the Queen's reign. It was printed in Foxe's "Book of Martyrs" (six editions during Elizabeth's reign, between 1563 and 1597), as well as in Holinshed's Chronicles (1587), vol. 3, sig. 5S2; in Anthony Munday's A Watch-Woord to Englande (1584), sig. I1; and in the notes to Sir John Harington's translation of Orlando Furioso (1591), sig. 2L2. Manuscript copies include Harington's draft of the Orlando Furioso (British Library Add. MS 18920, f. 322) and two seventeenth-century texts in NLW, Sotheby MS B2, f. 59v.

Poem 3

Royal Library, Windsor Castle,

holograph on the last page of text in a copy

of a French Psalter published in Paris ca. 1520.

No crooked leg, no bleared eye,

No part deformed out of kind,

Nor yet so ugly half can be

As is the inward, suspicious mind.

Your loving mistress,

Elizabeth

Commentary

Elizabeth inscribed these lines when she presented the psalter to a servant or friend at some time before November 17, 1558. Her signature establishes the approximate date, for after her name she drew a square knot with four loops. It mimics the knot that Henry VIII added to his signatures, and was the symbol Elizabeth ordinarily used as princess. She replaced the knot with the letter "R" (for Regina) upon becoming queen.

Textual Notes

The text as transcribed here is published by gracious permission of Her Majesty Queen Elizabeth II. The verse and signature occupy most of the bottom half of the printed page and Elizabeth made no effort to present her work as a verse stanza: the lines break at "bleared," "out," "ugly," and "inward."

Poem 4

Folger MS V.b.317, f. 20v.

The doubt of future foes exiles my present joy,

And wit me warns to shun such snares as threatens

mine annoy,

For falsehood now doth flow, and subjects' faith

doth ebb,

Which should not be if reason ruled or wisdom

weaved the web.

But clouds of joys untried do cloak aspiring minds,

Which turns to rain of late repent by changèd course

of winds.

The top of hope supposed, the root of rue shall be,

And fruitless all their grafted guile as shortly you

shall see.

Their dazzled eyes with pride, which great ambition

blinds

Shall be unsealed by worthy wights whose foresight falsehood finds.

The daughter of debate, that discord aye doth sow

Shall reap no gain where former rule still peace hath

taught to know.

No foreign, banished wight shall anchor in this port;

Our realm brooks no seditious sects, let them elsewhere

resort.

My rusty sword through rest shall first his edge

employ

To poll their tops who seek such change or gape for

future joy.

Commentary

The Catholic Mary, Queen of Scots, had been held captive in England since 1568 when she fled Scotland after the scandal of her husband's murder. In the fall of 1569, English Catholics led by the earls of Northumberland and Westmorland attempted to

free Mary by force and overthrow the Elizabethan regime. Their uprising, termed the "Northern Rebellion," was effectively suppressed early in the new year. Elizabeth's prophetic and anxious response to this victory saw widespread circulation after Lady Willoughby copied the poem from the Queen's tablet.

Textual Notes

This poem circulated in both manuscript and print. Contemporary transcribed copies include the Arundel Harington Manuscript of Tudor Poetry (f. 164v), ed. Ruth Hughey, 2 vols. (Columbus, Oh., 1960); another text from Harington family papers was published in Sir John Harington, Nugae Antiquae, ed. Henry Harington (London, 1769), 1:58-59; London, Inner Temple Petyt MS 538.10, f. 3v; L: Egerton MS 2642, f. 237v; Harleian MS 6933, f. 8; Harleian MS 7392(2), f. 27v; NLW, Ottley Papers; O: Digby MS 138, f. 159; Rawlinson Poet. MS 108, f. 44v. George Puttenham published a version of the poem in The Arte of English Poesie (1589), sig. 2E2v. The copy text has been emended at line 6, "rain" for "rage," and line 16, "poll" for the scribe's possible spelling variant, "pul."

Poems 5a, 5b

Pierpont Morgan Library, PML 7768, first flyleaf, recto.

5a

Genus infoelix vitae

Multum vigilavi, laboravi, presto multis fui,

Stultitiam multorum perpessa sum,

Arrogantiam pertuli, Difficultates exorbui,

--This text refers to the Paperback edition.


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4.0 out of 5 stars Queen Elizabeth I - a woman of many talents Aug 25 2007
Format:Paperback
I was quite surprised when I came across this book by accident. I had not known that Queen Elizabeth I was so talented with language; not only English, but French, Latin and Italian as well. Queen Elizabeth's skill and talent make this book truly enjoyable, with Mr. May's historical background and comments a nice addition. However, I have one complaint about the text of this book. The complaint centres not on Queen Elizabeth's work, but on May's choice to use American spelling for Elizabethan English.
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Amazon.com: 4.0 out of 5 stars  1 review
3 of 3 people found the following review helpful
4.0 out of 5 stars Queen Elizabeth's writings ... April 5 2011
By R. Cottrell - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
This book lives up to its title and primarily presents writings by Queen Elizabeth: Letters, poems, speeches, and translations. It also contains introductions, a sketch of the dynamic and complex history, a chronology, notes and footnotes.

Everything about Queen Elizabeth was extraordinary: Her times, herself, her rise to the challenge of her life, which coincided with England achieving greatness and independent nationhood. The fact that she expressed herself with eloquence makes reading her works a pleasure and rewarding.
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