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5.0 out of 5 stars
VOICE PERFORMANCE IS PURE PLEASURE - ENJOY!, Jan 21 2006
While many recognize the name of actress Stephanie Zimbalist, few may know that she studied acting and singing at Julliard. This training stands her in good stead, whether she's appearing on stage, TV, in film, or reading audio books. Perhaps best known for her role of a smart, stylish sleuth on TV's Remington Steele opposite Pierce Brosnan, Zimbalist has a history of playing strong, intelligent women and she does it again in her narration of "Queen of the Underworld." The setting is Miami in 1959, the time of the Cuban Revolution. Emma Gant, a very recent graduate of the university at chapel Hill, has arrived after accepting a job as a reporter with the Miami Star (Not the Charlotte Observer, much to her step-father's dismay). She's convinced she's on her way up - she'll become a famous novelist and being a reporter will buy bread, butter and blouses until that time comes. Keeping her company during her ascent is Paul Nightingale, owner of a private club and her married lover. Peopling her new life are a gaggle of Cuban refugees as well as the comely woman of the title, a madam with a Mafia beau. As fans of Gail Godwin know one of her greatest attributes is characterization and she has a ball with the group she brings to "Queen of the Underworld." She has spun an engaging story (perhaps in part based on her years as a young journalist in Florida?). Stephanie Zimbalist is delicious as she eases from the Spanish speaking Cubans to the eyes-wide-open learning every minute Emma. Pure pleasure - enjoy! - Gail Cooke
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4.0 out of 5 stars
Finding Oneself in a Time of Chaos, Oct 16 2005
Emma Gant, fresh out of college, has set her feet firmly on her own path. Leaving behind an impossible family situation, she charts her course for Miami to take her place on the staff of the Miami Star and by the side of her married lover. It is the summer of 1959, Cuba has been betrayed by Castro and floods of Cuban refugees are arriving in Miami. Emma is quickly enmeshed in the lives of those sharing her hotel. Her predetermined plans for her life quickly falter as different views on life make inroads into her consciousness. With her lively intelligence and curiosity, Emma is determined to keep control of her own situation. Gail Godwin helps the reader experience Emma's search for her essential "Emma-ness", set against a background of chaos, both historical and physical. The concept of "usurpation" is one on which Emma spends a great deal of time. All around her is a physical reminder of this, displaced Cubans now calling the hotel home. However, Godwin draws out this theme in Emma's work, relationships and in the relationship with her married lover. The use of language in this work also operates on several levels. Emma's neophyte status in the world means that, despite her desire to be seen as a woman of the world, she is continually faced with concepts, history and words she does not know. Daily she is reminded that she can't understand the spoken word around her in her new home and wonders how she would react if she not only had to face a new life but also one where she could not speak the language. Godwin has plotted her story in a way to show the similarities between Emma's life and those of the Cubans around her, using this mirror to reflect to Emma how she is both the usurper and the usurped. Emma is an engaging heroine drawn vividly to life by an author of great talent. The passion and questioning exhibited by Emma mesmerizes the reader, drawing you into a life beginning surrounded by utter change.
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22 of 23 people found the following review helpful
3.0 out of 5 stars
frustrating, Feb 7 2006
By E. M. Bristol "bibliophile" - Published on Amazon.com
This review is from: Queen of the Underworld: A Novel (Hardcover)
This book starts out with everything going for it: intriguing characters, an intimate look at the underbelly of Miami in the 1950's. But somewhere in there, Godwin seems to have completely bypassed the plot. She gets the nitty gritty of a newsroom right, and then does very little with it. There was, I felt, an element of "Mary Sue-ishness" in it. Except for the evil stepfather (a minor character without the rich extensive history given most of the others), everyone seems to be standing in line to tell Emma (protagonist) how clever, pretty, stylish, bold, talented writer/reporter, she is. This got annoying. Except for a streak of perfectionism, she was perfect! That makes for a boring heroine no matter how "grirry" her job. Also, the title is misleading. Emma, through sheer coincidence, manages to make contact with a young woman who gained notoriety by running a charm school for call girls. I expected much more of her story, which was dropped for pages before being brought up again at the end. This was frustrating because the "Queen of the Underworld" was a truly fascinating character, even more so than the heroine. In addition for someone who has been extensively physically and sexually abused as a girl, Emma's adult relationships were amazingly stress free and wholesome. How can she possibly trust men as partners wholeheartedly after being beaten and raped by her stepfather? This rang false.
13 of 13 people found the following review helpful
2.0 out of 5 stars
Lackluster, trite and disappointing, Jan 2 2007
By Susan L. Flynn "coastlight" - Published on Amazon.com
This review is from: Queen of the Underworld: A Novel (Hardcover)
Like many of the others who have reviewed this book, I am a longtime fan of Gail Godwin and found most of her other books rich, complex and rewarding. I was pleased to see she had a new book out. After completing around 100 pages, I was still waiting for anything to happen, other than the introduction of characters, the writing of a few newspaper stories by Emma, and several meals. I determined that I would finish the book regardless, and it was a disappointment that by the end, I still felt that essentially very little of interest had happened. Many plot threads were introduced and never resolved. These dead ends were distracting, because I had noted them and imbued them with future significance, which never happened. For example, Emma's aunt Tess is involved in a plot with her employer, a Cuban expatriate dentist, to smuggle weapons into Cuba. We never learn how either of them became involved in this, what eventually happened with the weapons, or the significance of their involvement. The plot, if you can call it that, was thin and aimless. With such rich potential - the Miami of the late 50s, during the early days of Castro's regime - the plot could have been incredibly meaningful and complex - but unfortunately it's almost as if we see it through the eyes of an uninformed person who doesn't understand what she is seeing. Most of the characters are rather flat and undeveloped. I hate to say it, but they seem like caricatures. An example is Lydia, the Cuban mother of Alex, the manager of Emma's hotel. From statements that Alex makes, we realize that he feels manipulated and used by his mother, but this is never explored or explained. She's just a self-centered fashion plate who likes to throw parties. The only really well-developed character is Emma, and I found myself disliking her more and more as she was fleshed out. I too realized that this book must be autobiographical, and wondered to myself about a character who accepts the gifts and kindnesses of her lover Paul's wife, while carrying on an affair with her husband behind her back. With apparently no guilty conscience! The book also implies that she accepts gifts and money from Paul too. It happens, but it's not endearing, and doesn't seem to cause Emma any remorse. Every author has a right to a clunker or two, and the usually reliable Gail Godwin must have had a bad year with this one. I gave it two stars because her writing is still enjoyable and there are moments when it shines, usually when she is describing something. She can evoke a time and place, although I don't think she did justice to her setting, other than the Julia Tuttle Hotel, which was nicely described.
10 of 12 people found the following review helpful
1.0 out of 5 stars
How did this dreck get published?, July 6 2006
By Ilene Schneider - Published on Amazon.com
This review is from: Queen of the Underworld: A Novel (Hardcover)
Once again, a book gets published only because it's written by someone who's been published in the past, with no regard as to whether the book is good or not. This book is a definite NOT! In 1959, no woman directly out of college would have been hired as a reporter for a major metropolitan newspaper. I was a journalism major in the mid-60s and the best I could hope for was a job on the society pages on a small paper or copy editor (if I were lucky) on a large one. All the job offers I received were for secretarial positions with the possibility of free lancing and maybe "working my way up." (And, yes, I had experience, had been published in Sunday magazine supplements, worked on several college publications, and done co-op work on a local weekly paper.) I went to grad school instead in an unrelated field. But I decided to suspend my disbelief and plod on. I'm sorry I did. Nothing else about the plot was in any way realistic. And then everything just stopped. There were no resolutions to any of the plot lines. Why was the book called "Queen of the Underworld" when she's a minor character barely mentioned? Why was the main character crazy about her married lover, but then not upset when he was no longer coming to Miami? Did the Cubans she helped leave the US get arrested in Cuba? The book ended and I kept checking to make sure the last 50-100 pages (it would have taken that many to have resolved all the subplots) hadn't been torn out. I'm not sure if I'm more frustrated, disappointed, or angry. I'm glad that I borrowed the book from the library and didn't waste money on it. Blech.
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