From Amazon.com
Deadpan comic and grandly imaginative,
The Real McCoy, Darin Strauss's recounting of the life of a legendary grifter, is a sparkling, memorable novel. Strauss (author of the highly acclaimed
Chang and Eng) tells the story of Virgil Selby, or "Kid" McCoy, turn-of-the-century flimflammer, welterweight champion, and the speculative origin of the famous titular catch phrase. After witnessing the death of a small-time boxer named McCoy, young Selby adopts his name and reputation and leaves his Indiana home to achieve renown. Taking up residence in Louisville, McCoy befriends brilliant Chinese con man Jonnie Gold, who teaches McCoy the twist fist fighting style and the art of the flimflam. The naive and monomaniacal McCoy soon departs for New York City, where he uses his newfound trickery to conquer the boxing world, marry a Broadway starlet, and become a minor celebrity and the origin of a national phenomenon. However, McCoy's perpetual mythmaking catches up with him, revealing the cost of his attempts to turn a life of fiction into immortality.
Strauss has created a resounding personal narrative and cultural allegory with The Real McCoy. The hopeful, starstruck McCoy embodies the obsessive American tendency toward self-improvement and reinvention, and demonstrates the consequences of these ideals. Like its hero's successful though obvious scams, The Real McCoy is wonderfully entertaining fiction that reveals no small amount of truth. --Ross Doll
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Strauss follows a brilliant debut novel (Chang and Eng) with more fictive doctoring of history in this daring, unique reenactment of the life of reed-thin, bone-weary Virgil Selby, who came to be known as Kid McCoy: a talented turn-of-the-century boxer, professional flimflammer and bigamist. The book opens with a bogus charity benefit exhibition boxing match on the first night of the new millennium (1900) as Kid McCoy fights and defeats welterweight champ Tommy Ryan, garnering the crown for himself. The narrative backtracks several years as McCoy, a young runaway still developing his boxing form, meets Johnnie Gold, a philosophical Chinese grifter who initiates McCoy into a life of swindling and deceit, peddling snake oil remedies and betting on fixed horse races. Lonely at times, McCoy settles on a timid department store clerk, and though he's not in love, he marries her, if only to test his new powers of flimflam. When he moves to Manhattan, vaudeville actress Susan Fields catches his eye and they quickly marry, just in time for a spectacular rematch with Tommy Ryanwhich is set up for McCoy to win but backfires, sending McCoy into a depression compounded by an unexpected visit from his father. Several championship fights, another marriage and a cinematic jewel heist later, McCoy emerges as the defeated narrator of his own madcap tale. Apart from the book's awkwardly shifting time line (a device that too often steals McCoy's thunder), this book is well written, comprehensively researched, and stylish, sure to score at the cash register. The big question on fans' lips: Whom will Strauss consecrate next?
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
