Pratchett's writing humour aside, is also quite brilliant. It is eloquent, elegaic, and his descriptions are amazing. Simple things such as a grandfather clock, or a scythe, or even just daylight, are seen in a different way after being put under the microscope of Pratchett.
the plot is brilliant, as are the characters. it rides along at a fair pace, with Death at the head of the cast. (My, and many others', favourite character).
This is an excellent addition to the series, and for fans of Mr Pratchett comes very highly reccomended.
Death gets top billing here, and he is fleshed-out wonderfully (a tough task considering he had no flesh to begin with). A supernatural career crisis leads him to a job harvesting crops, where his skill with a scythe is put to good use. A budding relationship with his new employer, Miss Flitworth, teaches him to actually live.
Windle Poons undergoes a crisis of his own. He's died. Well, almost. See, Death is not around to collect him. So what happens? Well, Terry heaps confusing circumstances on poor Mr. Poons. Poons reacts in much of the same way that Death did. He learns to live, too. After 130-years of sheltered existence, not to mention the last 50 years living with a decrepit body, he is liberated by Death. Only Terry could come up with such a wacky but logically sound notion.
The rest of the cast of characters, including the Wizards and a rag-tag group of misfits called the Fresh Start Club, lively wander around the plot, narrowly bumping into each other while providing fine comic moments. The Wizards get a little too caught up in their quest, eventually donning cloth headbands and yelling "Yo!" as if going into Rambo-style warfare. Couple this with their sheltered pomposity, and we get truly funny moments.Read more ›