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Rear Window (Widescreen) (1954)


Price: CDN$ 51.85
Only 1 left in stock.
Ships from and sold by M and N Media Canada.
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Frequently Bought Together

Rear Window (Widescreen) (1954) + Vertigo (1958) + North by Northwest: 50th Anniversary Edition / La Mort aux trousses : 50e Anniversaire (Bilingual)
Price For All Three: CDN$ 83.84

These items are shipped from and sold by different sellers.


Product Details

  • Actors: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr
  • Directors: Alfred Hitchcock, Laurent Bouzereau
  • Writers: Laurent Bouzereau, Cornell Woolrich, John Michael Hayes
  • Producers: Alfred Hitchcock, Laurent Bouzereau
  • Format: Closed-captioned, Collector's Edition, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: Spanish
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • MPAA Rating: PG
  • Studio: Universal Music Group
  • Release Date: Sept. 2 2003
  • Run Time: 115 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (178 customer reviews)
  • ASIN: B00003CXC7
  • Amazon Bestsellers Rank: #26,771 in DVD (See Top 100 in DVD)

Product Description

None of Hitchcock's films has ever given a clearer view of his genius for suspense than Rear Window. When professional photographer J.B. "Jeff" Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbors play out across the courtyard. When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events... Events that ultimately lead to one of the most memorable and gripping endings in all of film history.

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Customer Reviews

4.8 out of 5 stars

Most helpful customer reviews

4 of 4 people found the following review helpful By David Von Pein on May 18 2004
Format: DVD
Show of hands please --- Who here loves anything with Jimmy Stewart in it? How about the lovely Grace Kelly?
Results --- ** Entire world placing hands skyward. ** :)
Well that's not surprising. Put Jimmy and Grace together (in an Alfred Hitchcock flick no less!), and you can't help but to have a classic piece of motion picture entertainment.
One of the all-time great suspense films, "Rear Window" (1954) places us (the viewer) squarely in the shoes of L.B. Jefferies (Stewart), as he peers out his "rear window" at his courtyard neighbors. (BTW -- My spelling of "Jefferies" in this review IS correct. I've noticed "Jefferies" almost always being misspelled "Jeffries" (lacking an "E"). The spelling of Jeff's last name can easily be verified at the beginning of the movie, when the camera pans across his leg cast, revealing the words: "Here lie the broken bones of L.B. Jefferies". I assume that the filmmakers didn't deliberately have Jeff's last name misspelled on the cast. Of course, I suppose that's always *possible*; but I fail to see a reason WHY they'd do it.) :-)
Hitchcock lets the plot of the movie unfold in sections, building the suspense and drama with his usual superb efficiency and skill. But "Rear Window", when you stop and think about it for a minute, doesn't really follow the same "format" as many (or most) other Hitchcock pictures -- in that we (the audience) are just as much in the dark about this possible "murder" across the courtyard as L.B. Jefferies is. In many of the director's films, "Hitch" lets his viewing audience know, right up front, that there's a "bomb under the table" (to use Hitchcock's own example from his interviews).
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4 of 4 people found the following review helpful By J on July 5 2004
Format: DVD
North By Northwest and Vertigo are spectacular cinematic achievements but, for me, Rear Window is the one Hitchcock movie everyone must see. It is as perfect as a Hitchcock movie can be. One of the greatest American movies ever made. Not one false note. It is the movie I would show to someone who hasn't seen a Hitchcock movie but wonders what they're all about and why he's so revered. The tremendous psychological drama and cat and mouse suspense are perfectly tuned. Stewart turns in a brillantly nuanced performance as a morally dubious peeping tom. The film is about him, of course. Not about an unseen murder or a pieced together amateur murder investigation. Listen to the dialogue and observe the interactions between Stewart and his guests. Subtext and more subtext. Just perfect.
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1 of 1 people found the following review helpful By Nolene-Patricia Dougan on Aug. 17 2007
Format: DVD
Have you ever looked into a neighbour's home and caught sight of someone doing something he shouldn't? Have you immediately looked away, or have you lingered a little? If you have lingered a little, then Rear Window is for you. James Stewart plays L.B. Jeffries, a photographer whose broken leg has turned him into a voyeur. He is fascinated by the goings-on of his neighbours, none more so than the character portrayed by Raymond Burr, who would have gotten away with killing his wife if only he had invested in blinds.
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By E. A Solinas HALL OF FAMETOP 50 REVIEWER on March 25 2007
Format: DVD
Alfred Hitchcock was in near-perfect form when he made "Rear Window," a stylish, minimalistic blend of mystery and dark comedy. This thriller explores "what you shouldn't see" skilfully, with a few funny bits thrown in. And having a cast that includes Grace Kelly and James Stewart doesn't hurt either.

Photographer L.B. "Jeff" Jeffries (Stewart) got run over during a shoot, and is crankily waiting for his cast to come off. While he does so, he spies on his neighbors -- some sleep on balconies, some argue, some weep alone, and some ("Miss Torso") dance in spandex. To make things worse, Jeff is having intimacy problems with his wealthy girlfriend Lisa (Kelly), because he fears settling down.

But then Jeff's window-watching clues him in to something -- sickly Mrs. Thorwald vanishes, and her husband Lars (Raymond Burr) is seen acting suspiciously with a saw, rope and metal case. Jeff becomes convinced that Thorwald has murdered his wife. He manages to convince Lisa and his down-to-earth nurse Stella (Thelma Ritter), but detectives won't believe him. So without moving from the room, Jeff uses the rear window to watch Thorwald -- and find out what really happened.

Okay, peeping on your neighbors is not just creepy, it's illegal. In the case of "Rear Window," that fact doesn't really matter. Watching the fellow tenants is as much fun as the mystery itself, whether it's the newlyweds, the pair that sleep on the balcony, the weepy Ms. Lonelyheart, or the buxom dancer Miss Torso. It makes the story even more chilling when you realize that one -- or maybe more than one -- of these seemingly harmless people is a murderer.

Hitchcock -- who appears as a musician -- kept his deft touch in a movie that could have sunk like a stone.
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Format: DVD
This is a great film that discusses the mystery of perception. James Stewart plays a photographer confined to a wheelchair, and, because he is bored, he voyeuristically examines the lives of his neighbors in the apartment building. We only see these neighbors through his eyes. Therefore, when he assumes that the man across the courtyard has murdered his invalid wife, at first no one wants to investigate his theory, especially his detective friend. But the clues seem to pile up, leading Stewart's girlfriend and nurse (a wonderfully witty role played by Thelma Ritter) to lure the man from his apartment to investigate further. The climax is powerful, true to Hitchcockian form.
Hitchcock's films are quite different from suspense films made today. The primary difference is the method in which Hitch crafts suspense. It's slow--on purpose. The climax is more powerful because the viewer builds up tension throughout the first 3/4 of the film. In this movie, Hitch's goal is not to shock or horrify viewers, but put them on the edge of their seats in anxious expectation of the climax. That, in my opinion, makes a great suspense thriller.
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