Red-Color News Soldier Paperback – Oct 1 2003
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'This collection of photos, taken by Li in the north-eastern province of Heilongjiang, where he worked for the official Communist party newspaper, is unique for a simple reason. Although the post-Mao Chinese government has labelled the cultural revolution "10 years of chaos", it still tries to suppress any real inquiry into the countless human tragedies it caused ... This remarkable book, which still cannot be published on the mainland, is a salutary reminder that, in the Chinese phrase, accounts have yet to be settled with the past.' (Guardian) 'An illuminating and unique photographic collection.' (Times Higher Education Supplement) 'Fascinating ... An excellent book.' (Amateur Photographer) 'Every shot is a harrowing legacy of the brutality, cruelty, and naivety of those times, when Mao and his followers sought to destroy all traces of the past.' (The Glasgow Herald) '...An extraordinary picture of one of the most bizarre, complex and catastrophic episodes in China's history." (New Statesman) 'Li's photographs are remarkable for their dramatic impact, but are also composed with utmost precision.' (Financial Times) 'The interweaving of autobiography, images with a strong narrative structure and an illuminating tranche of contextual writing is what makes this book so revealing and so engaging.' (Morning Star) 'What distinguishes Mr. Li's collection of 30,000 negatives is that it shows in shocking detail what was happening at a grass-roots level in a remote Chinese province far from western eyes. His work also reflects the instincts of a journalist and the eye of an artist.' (The New York Times) 'The collection offers an astonishing and invaluable record of a decade of political zealotry that veered out of control and resulted in the deaths of hundreds of thousands.' (Publishers Weekly) 'Mr. Li's photos graphically capture the emotional pain of the humiliation inflicted by young punks on powerful men, governors and Communist Party first secretaries... Each photo is captioned with a description, and the collection is accompanied with Mr. Li's readable text describing the impact of the Cultural Revolution on his life.' (The Washington Times) 'The first complete photo history to present China's dark Cultural Revolution (1966-76) in all its inhumanity.' (Entertainment Weekly) 'This is a startling and unique perspective.' (The Christian Science Monitor) 'These images are rare and powerful reminders of events that might otherwise have been forgotten ... By capturing that decade of shame and destruction, and preserving it forever on paper, Li has challenged the world never to forget.' (Reader's Digest) 'A minutely documented (the 285 prints were gleaned from the tens of thousands of negatives Li hid under his floorboards), scrupulously honest (the book orders all the prints strictly chronologically, and all are uncropped) record of the revolution.' (The Atlantic Monthly) 'With Red-Color News Soldier...Li, now 63, has brought forth an unprecedented vision of this dark chapter in Chinese history.' (US News & World Report) 'Taken at enormous personal risk, the photographs collected here depict extraordinary events...It's their unadorned straightforwardness that makes Red Color News Soldier such a profoundly disturbing document.' (Photo District News) '[A] groundbreaking book.' (Newsweek International) 'A straightforward and open account of that era giving valuable insight into a tormented period of history.' (The Asian Review of Books on the Web) 'One of the great events of the 20th Century at last is found to have received coherent visual expression. Moreover, it's the only complete record of the Cultural Revolution known to exist. It is impossible to overrate the historical value of this densely packed volume.' (The Chicago Tribune) 'Li Zhensheng's disturbing photographs of the rise and fall of Mao's Cultural Revolution are a truly stunning achievement...A brilliant book!' (Worldview) '...[O]ne of the most important photo books in recent memory.' (American Photo) 'Red-Color News Soldier documents the spectacular nitty-gritty of everyday totalitarian fanaticism, with pictures culled from the thousands taken by photojournalist Li Zhensheng in the mid 1960s...The trove of negatives hidden for two decades below the floorboards of his house constitute the single most extensive record of the Cultural Revolution.' (The Village Voice) 'One of the most unforgettable books of the past year...It is utterly engrossing, even when you can barely look at it.' (Slate)
About the Author
Li Zhensheng was born in Dalian, China, in 1940. After studying film, he joined The Heilongjiang Daily as a photojournalist in 1963 and documented the Chinese Cultural Revolution in its entirety. In 1987, a collection of 20 of his photos were released, bearing the title Let History Tell the Future, and won the Grand Prize at China's National Press Association Photo Competition. Since 1996 he has been a visiting scholar, lecturing on the Cultural Revolution at at the universities of Harvard and Princeton. His work has appeared in major magazines worldwide including Time, The New York Times Magazine, Der Spiegel, and Le Nouvel Observateur. Jonathan Spence is Sterling Professor of History at Yale University. He is the author of a distinguished body of work on the history of modern China, including the seminal book, The Search for Modern China (1990). His book The Gate of Heavenly Peace The Chinese and Their Revolution 1895-1980 (1981) was awarded the Los Angeles Times Book Prize for History. Spence was named a MacArthur Fellow in 1988 and is established as one of the foremost experts on the history and culture of modern China.
Top Customer Reviews
The photographs are, of course, contemporary accounts of the living through that period, and consequently have the power to shock significantly. The "struggle session" photographs of senior party leaders undergoing "self-criticism" are particularly horrific. The concluding photographs of a "victor" of the Cultural Revolution on her way to her execution after the restoration of a more normal society also have a big impact - though curiously there is a sense of the pathetic about the woman that Li captures.
The photography merits a 5 star rating, the text probably a three. The images are a valuable insight into the strength of emotion in that remarkable period.
Starting from the beginnings of the "revolution" in 1964-1966, we are taken through from the initial scenes of relative calmness to the all-out assault on those "bourgeois" elements within Heilongjiang province by the time of 1972-1976. I took a look at the images and could not believe how humanity could do these things to its own. Thank goodness that Li Zhensheng (with Robert Pledge and Jacques Menasche) make mention that only in 1981 did China suddenly realise that the Cultural Revolution did not really achieve anything but set China backwards.
There are between 300-400 prints in this book that were culled from over 30,000 negatives taken by Li to New York. If the images in this pictorial story are anything to go by, God only knows what those other 29,600-29,700+ negatives contain. Definitely one to buy for your collection. Recommended without any hesitation.
Most recent customer reviews
This isn't just a history book laced with photos; this is also a personal view on the Cultural Revolution from the photographer's point of view. Read morePublished on June 11 2004
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